“Ah! you refer to that last year’s project of yours for making your fortune among the sculptors. I should like to hear how it was you failed with the wealthy young amateur. Remember that I fell ill before you had any news to give me. Your absence when I returned from Lucca, and, almost immediately afterward, the marriage of your intended conquest to the sculptor’s daughter, proved to me, of course, that you must have failed. But I never heard how. I know nothing at this moment but the bare fact that Maddalena Lomi won the prize.”
“Tell me first, do she and her husband live together happily?”
“There are no stories of their disagreeing. She has dresses, horses, carriages; a negro page, the smallest lap-dog in Italy–in short, all the luxuries that a woman can want; and a child, by-the-by, into the bargain.”
“A child?”
“Yes; a child, born little more than a week ago.”
“Not a boy, I hope?”
“No; a girl.”
“I am glad of that. Those rich people always want the first-born to be an heir. They will both be disappointed. I am glad of that.”
“Mercy on us, Brigida, how fierce you look!”
“Do I? It’s likely enough. I hate Fabio d’Ascoli and Maddalena Lomi–singly as man and woman, doubly as man and wife. Stop! I’ll tell you what you want to know directly. Only answer me another question or two first. Have you heard anything about her health?”
“How should I hear? Dressmakers can’t inquire at the doors of the nobility.”
“True. Now one last question. That little simpleton, Nanina?”
“I have never seen or heard anything of her. She can’t be at Pisa, or she would have called at our place for work.”
“Ah! I need not have asked about her if I had thought a moment beforehand. Father Rocco would be sure to keep her out of Fabio’s sight, for his niece’s sake.”
“What, he really loved that ‘thread-paper of a girl’ as you called her?”
“Better than fifty such wives as he has got now! I was in the studio the morning he was told of her departure from Pisa. A letter was privately given to him, telling him that the girl had left the place out of a feeling of honor, and had hidden herself beyond the possibility of discovery, to prevent him from compromising himself with all his friends by marrying her. Naturally enough, he would not believe that this was her own doing; and, naturally enough also, when Father Rocco was sent for, and was not to be found, he suspected the priest of being at the bottom of the business. I never saw a man in such a fury of despair and rage before. He swore that he would have all Italy searched for the girl, that he would be the death of the priest, and that he would never enter Luca Lomi’s studio again–”
“And, as to this last particular, of course, being a man, he failed to keep his word?”
“Of course. At that first visit of mine to the studio I discovered two things. The first, as I said, that Fabio was really in love with the girl–the second, that Maddalena Lomi was really in love with him. You may suppose I looked at her attentively while the disturbance was going on, and while nobody’s notice was directed on me. All women are vain, I know, but vanity never blinded my eyes. I saw directly that I had but one superiority over her–my figure. She was my height, but not well made. She had hair as dark and as glossy as mine; eyes as bright and as black as mine; and the rest of her face better than mine. My nose is coarse, my lips are too thick, and my upper lip overhangs my under too far. She had none of those personal faults; and, as for capacity, she managed the young fool in his passion as well as I could have managed him in her place.”
“How?”
“She stood silent, with downcast eyes and a distressed look, all the time he was raving up and down the studio. She must have hated the girl, and been rejoiced at her disappearance; but she never showed it. ‘You would be an awkward rival’ (I thought to myself), ‘even to a handsomer woman than I am. However, I determined not to despair too soon, and made up my mind to follow my plan just as if the accident of the girl’s disappearance had never occurred. I smoothed down the master-sculptor easily enough–flattering him about his reputation. assuring him that the works of Luca Lomi had been the objects of my adoration since childhood, telling him that I had heard of his difficulty in finding a model to complete his Minerva from, and offering myself (if he thought me worthy) for the honor–laying great stress on that word–for the honor of sitting to him. I don’t know whether he was altogether deceived by what I told him; but he was sharp enough to see that I really could be of use, and he accepted my offer with a profusion of compliments. We parted, having arranged that I was to give him a first sitting in a week’s time.”
“Why put it off so long?”
“To allow our young gentleman time to cool down and return to the studio, to be sure. What was the use of my being there while he was away?”
“Yes, yes–I forgot. And how long was it before he came back?”
“I had allowed him more time than enough. When I had given my first sitting I saw him in the studio, and heard it was his second visit there since the day of the girl’s disappearance. Those very violent men are always changeable and irresolute.”
“Had he made no attempt, then, to discover Nanina?”
“Oh, yes! He had searched for her himself, and had set others searching for her, but to no purpose. Four days of perpetual disappointment had been enough to bring him to his senses. Luca Lomi had written him a peace-making letter, asking what harm he or his daughter had done, even supposing Father Rocco was to blame. Maddalena Lomi had met him in the street, and had looked resignedly away from him, as if she expected him to pass her. In short, they had awakened his sense of j ustice and his good nature (you see, I can impartially give him his due), and they had got him back. He was silent and sentimental enough at first, and shockingly sulky and savage with the priest–”
“I wonder Father Rocco ventured within his reach. ”
“Father Rocco is not a man to be daunted or defeated by anybody, I can tell you. The same day on which Fabio came back to the studio, he returned to it. Beyond boldly declaring that he thought Nanina had done quite right, and had acted like a good and virtuous girl, he would say nothing about her or her disappearance. It was quite useless to ask him questions–he denied that any one had a right to put them. Threatening, entreating, flattering–all modes of appeal were thrown away on him. Ah, my dear! depend upon it, the cleverest and politest man in Pisa, the most dangerous to an enemy and the most delightful to a friend, is Father Rocco. The rest of them, when I began to play my cards a little too openly, behaved with brutal rudeness to me. Father Rocco, from first to last, treated me like a lady. Sincere or not, I don’t care–he treated me like a lady when the others treated me like–”
“There! there! don’t get hot about it now. Tell me instead how you made your first approaches to the young gentleman whom you talk of so contemptuously as Fabio.”
“As it turned out, in the worst possible way. First, of course, I made sure of interesting him in me by telling him that I had known Nanina. So far it was all well enough. My next object was to persuade him that she could never have gone away if she had truly loved him alone; and that he must have had some fortunate rival in her own rank of life, to whom she had sacrificed him, after gratifying her vanity for a time by bringing a young nobleman to her feet. I had, as you will easily imagine, difficulty enough in making him take this view of Nanina’s flight. His pride and his love for the girl were both concerned in refusing to admit the truth of my suggestion. At last I succeeded. I brought him to that state of ruffled vanity and fretful self-assertion in which it is easiest to work on a man’s feelings–in which a man’s own wounded pride makes the best pitfall to catch him in. I brought him, I say, to that state, and then she stepped in and profited by what I had done. Is it wonderful now that I rejoice in her disappointments–that I should be glad to hear any ill thing of her that any one could tell me?”