An American Tragedy
36
eventually in the error and perverseness of the human
heart, which God has made, yet which He does not control,
because He does not want to control it.
At the moment, however, only hurt and rage were with her,
and yet her lips did not twitch as did Asa’s, nor did her eyes
show that profound distress which filled his. Instead she
retreated a Step and reëxamined the letter, almost angrily,
then said to Asa: ‘She’s run away with some one and she
doesn’t say——” Then she stopped suddenly, remembering
the presence of the children—Clyde, Julia, and Frank, all
present and all gazing curiously, intently, unbelievingly.
“Come in here,” she called to her husband, “I want to talk to
you a minute. You children had better go on to bed. We’ll
be out in a minute.”
With Asa then the retired quite precipitately to a small room
back of the mission hall. They heard her click the electric
bulb. Then their voices were heard in low converse, while
Clyde and Julia and Frank looked at each other, although
Frank, being so young—only ten—could scarcely be said to
have comprehended fully. Even Julia hardly gathered the
full import of it. But Clyde, because of his larger contact with
life and his mother’s statement (“She’s run away with some
one”), understood well enough. Esta had tired of all this, as
hard he. Perhaps there was some one, like one of those
dandies whom he saw on the streets with the prettiest girls,
withwhom she had gone. But where? And what was he
like? That note told something, and yet his mother had not
let him see it. She had taken it away too quickly. If only he
had looked first, silently and to himself!
“Do you suppose she’s run away for good?” he asked Julia
dubiously, the while his parents were out of the room, Julia
herself looking so blank and strange.
An American Tragedy
37
“How should I know?” she replied a little irritably, troubled
by her parents’ distress and this secretiveness, as well as
Esta’s action. “She never said anything to me. I should
think she’d be ashamed of herself if she has.”
Julia, being colder emotionally than either Esta or Clyde,
was more considerate of her parents in a conventional way,
and hence sorrier. True, she did not quite gather what it
meant, but she suspected something, for she had talked
occasionally with girls, but in a very guarded and
conservative way. Now, however, it was more the way in
which Esta had chosen to leave, deserting her parents and
her brothers and herself, that caused her to be angry with
her, for why should she go and do anything which would
distress her parents in this dreadful fashion. It was dreadful.
The air was thick with misery.
And as his parents talked in their little room, Clyde brooded
too, for he was intensely curious about life now. What was it
Esta had really done? Was it, as he feared and thought,
one of those dreadful runaway or sexually disagreeable
affairs which the boys on the streets and at school were
always slyly talking about? How shameful, if that were true!
She might never come back. She had gone with some
man. There was something wrong about that, no doubt, for
a girl, anyhow, for all he had ever heard was that all decent
contacts between boys and girls, men and women, led to
but one thing—marriage. And now Esta, in addition to their
other troubles, had gone and done this. Certainly this home
life of theirs was pretty dark now, and it would be darker
instead of brighter because of this.
Presently the parents came out, and then Mrs. Griffiths’
face, if still set and constrained, was somehow a little
different, less savage perhaps, more hopelessly resigned.
An American Tragedy
38
“Esta’s seen fit to leave us, for a little while, anyhow,” was
all she said at first, seeing the children waiting curiously.
“Now, you’re not to worry about her at all, or think any more
about it. She’ll come back after a while, I’m sure. She has
chosen to go her own way, for a time, for some reason. The
Lord’s will be done.” (“Blessed be the name of the Lord!”
interpolated Asa.) “I thought she was happy here with us,
but apparently she wasn’t. She must see something of the
world for herself, I suppose.” (Here Asa put in another Tst!
Tst! Tst!) “But we mustn’t harbor hard thoughts. That won’t
do any good now—only thoughts of love and kindness.” Yet
she said this with a kind of sternness that somehow belied it
—a click of the voice, as it were. “We can only hope that
she will soon see how foolish she has been, and
unthinking, and come back. She can’t prosper on the
course she’s going now. It isn’t the Lord’s way or will. She’s
too young and she’s made a mistake. But we can forgive
her. We must. Our hearts must be kept open, soft and
tender.” She talked as though she were addressing a
meeting, but with a hard, sad, frozen face and voice. “Now,
all of you go to bed. We can only pray now, and hope,
morning, noon and night, that no evil will befall her. I wish
she hadn’t done that,” she added, quite out of keeping with
the rest of her statement and really not thinking of the
children as present at all—just of Esta.
But Asa!
Such a father, as Clyde often thought, afterwards.
Apart from his own misery, he seemed only to note and be
impressed by the more significant misery of his wife. During
all this, he had stood foolishly to one side—short, gray,
frizzled, inadequate.
An American Tragedy
39
“Well, blessed be the name of the Lord,” be interpolated
from time to time. “We must keep our hearts open. Yes, we
mustn’t judge. We must only hope for the best. Yes, yes!
Praise the Lord—we must praise the Lord! Amen! Oh, yes!
Tst! Tst! Tst!”
“If any one asks where she is,” continued Mrs. Griffiths after
a time, quite ignoring her spouse and addressing the
children, who had drawn near her, “we will say that she has
gone on a visit to some of my relatives back in Tonawanda.
That won’t be the truth, exactly, but then we don’t know
where she is or what the truth is—and she may come back.
So we must not say or do anything that will injure her until
we know.”
“Yes, praise the Lord!” called Asa, feebly.
“So if any one should inquire at any time, until we know, we
will say that.”
“Sure,” put in Clyde, helpfully, and Julia added, “All right.”
Mrs. Griffiths paused and looked firmly and yet
apologetically at her children. Asa, for his part, emitted
another “Tst! Tst! Tst!” and then the children were waved to
bed.
At that, Clyde, who really wanted to know what Esta’s letter
had said, but was convinced from long experience that his
mother would not let him know unless she chose, returned
to his room again, for he was tired. Why didn’t they search
more if there was hope of finding her? Where was she now
—at this minute? On some train somewhere? Evidently she
didn’t want to be found. She was probably dissatisfied, just
as he was. Here he was, thinking so recently of going away
somewhere himself, wondering how the family would take
it, and now she had gone before him. How would that affect
his point of view and action in the future? Truly, in spite of
An American Tragedy
40
his father’s and mother’s misery, he could not see that her
going was such a calamity, not from the going point of view,
at any rate. It was only another something which hinted that
things were not right here. Mission work was nothing. All
this religious emotion and talk was not so much either. It
hadn’t saved Esta. Evidently, like himself, she didn’t believe
so much in it, either.
An American Tragedy
41
Chapter 4
THE effect of this particular conclusion was to cause Clyde
to think harder than ever about himself. And the principal
result of his thinking was that he must do something for
himself and soon. Up to this time the best he had been able
to do was to work at such odd jobs as befall all boys
between their twelfth and fifteenth years: assisting a man
who had a paper route during the summer months of one
year, working in the basement of a five-and-ten-cent store
all one summer long, and on Saturdays, for a period during
the winter, opening boxes and unpacking goods, for which
he received the munificent sum of five dollars a week, a
sum which at the time seemed almost a fortune. He felt
himself rich and, in the face of the opposition of his parents,
who were opposed to the theater and motion pictures also,
Page: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240