since. “He was so very friendly I was beginning to think he
was struck on you.”
“Oh, what nonsense!” Roberta replied shrewdly, and a bit
alarmed. “Why, he wouldn’t look at me. Besides, there’s a
rule of the company that doesn’t permit him to, as long as I
work there.”
This last, more than anything else, served to allay Grace’s
notions in regard to Clyde and Roberta, for she was of that
conventional turn of mind which would scarcely permit her
to think of any one infringing upon a company rule.
Nevertheless Roberta was nervous lest Grace should be
associating her and Clyde in her mind in some clandestine
way, and she decided to be doubly cautious in regard to
Clyde—to feign a distance she did not feel.
But all this was preliminary to troubles and strains and fears
which had nothing to do with what had gone before, but
took their rise from difficulties which sprang up immediately
afterwards. For once she had come to this complete
An American Tragedy
410
emotional understanding with Clyde, she saw no way of
meeting him except in this very clandestine way and that so
very rarely and uncertainly that she could not say when
there was likely to be another meeting.
“You see, it’s this way,” she explained to Clyde when, a few
evenings later, she had managed to steal out for an hour
and they walked from the region at the end of Taylor Street
down to the Mohawk, where were some open fields and a
low bank rising above the pleasant river. “The Newtons
never go any place much without inviting me. And even if
they didn’t, Grace’d never go unless I went along. It’s just
because we were together so much in Trippetts Mills that
she feels that way, as though I were a part of the family.
But now it’s different, and yet I don’t see how I am going to
get out of it so soon. I don’t know where to say I’m going or
whom I am going with.”
“I know that, honey,” he replied softly and sweetly. “That’s
all true enough. But how is that going to help us now? You
can’t expect me to get along with just looking at you in the
factory, either, can you?”
He gazed at her so solemnly and yearningly that she was
moved by her sympathy for him, and in order to assuage
his depression added: “No, I don’t want you to do that, dear.
You know I don’t. But what am I to do?” She laid a soft and
pleading hand on the back of one of Clyde’s thin, long and
nervous ones.
“I’ll tell you what, though,” she went on after a period of
reflection, “I have a sister living in Homer, New York. That’s
about thirty-five miles north of here. I might say I was going
up there some Saturday afternoon or Sunday. She’s been
writing me to come up, but I hadn’t thought of it before. But
I might go—that is—I might——”
An American Tragedy
411
“Oh, why not do that?” exclaimed Clyde eagerly. “That’s
fine! A good idea!”
“Let me see,” she added, ignoring his exclamation. “If I
remember right you have to go to Fonda first, then change
cars there. But I could leave here any time on the trolley
and there are only two trains a day from Fonda, one at two,
and one at seven on Saturday. So I might leave here any
time before two, you see, and then if I didn’t make the two
o’clock train, it would be all right, wouldn’t it? I could go on
the seven. And you could be over there, or meet me on the
way, just so no one here saw us. Then I could go on and
you could come back. I could arrange that with Agnes, I’m
sure. I would have to write her.”
“How about all the time between then and now, though?”
he queried peevishly. “It’s a long time till then, you know.”
“Well, I’ll have to see what I can think of, but I’m not sure,
dear. I’ll have to see. And you think too. But I ought to be
going back now,” she added nervously. She at once arose,
causing Clyde to rise, too, and consult his watch, thereby
discovering that it was already near ten.
“But what about us!” he continued persistently. “Why
couldn’t you pretend next Sunday that you’re going to some
other church than yours and meet me somewhere instead?
Would they have to know?”
At once Clyde noted Roberta’s face darken slightly, for here
he was encroaching upon something that was still too
closely identified with her early youth and convictions to
permit infringement.
“Hump, uh,” she replied quite solemnly. “I wouldn’t want to
do that. I wouldn’t feel right about it. And it wouldn’t be right,
either.”
An American Tragedy
412
Immediately Clyde sensed that he was treading on
dangerous ground and withdrew the suggestion because
he did not care to offend or frighten her in any way. “Oh,
well. Just as you say. I only thought since you don’t seem to
be able to think of any other way.”
“No, no, dear,” she pleaded softly, because she noted that
he felt that she might be offended. “It’s all right, only I
wouldn’t want to do that. I couldn’t.”
Clyde shook his head. A recollection of his own youthful
inhibitions caused him to feel that perhaps it was not right
for him to have suggested it.
They returned in the direction of Taylor Street without, apart
from the proposed trip to Fonda, either having hit upon any
definite solution. Instead, after kissing her again and again
and just before letting her go, the best he could suggest
was that both were to try and think of some way by which
they could meet before, if possible. And she, after throwing
her arms about his neck for a moment, ran east along
Taylor Street, her little figure swaying in the moonlight.
However, apart from another evening meeting which was
made possible by Roberta’s announcing a second
engagement with Mrs. Braley, there was no other encounter
until the following Saturday when Roberta departed for
Fonda. And Clyde, having ascertained the exact hour, left
by the car ahead, and joined Roberta at the first station
west. From that point on until evening, when she was
compelled to take the seven o’clock train, they were
unspeakably happy together, loitering near the little city
comparatively strange to both.
For outside of Fonda a few miles they came to a pleasure
park called Starlight where, in addition to a few clap-trap
pleasure concessions such as a ring of captive aeroplanes,
An American Tragedy
413
a Ferris wheel, a merry-go-round, an old mill and a dance
floor, was a small lake with boats. It was after its fashion an
idyllic spot with a little band-stand out on an island near the
center of the lake and on the shore a grave and captive
bear in a cage. Since coming to Lycurgus Roberta had not
ventured to visit any of the rougher resorts near there,
which were very much like this, only much more strident.
On sight of this both exclaimed: “Oh, look!” And Clyde
added at once: “Let’s get off here, will you—shall we? What
do you say? We’re almost to Fonda anyhow. And we can
have more fun here.”
At once they climbed down. And having disposed of her
bag for the time being, he led the way first to the stand of a
man who sold frankfurters. Then, since the merry-go-round
was in full blast, nothing would do but that Roberta should
ride with him. And in the gayest of moods, they climbed on,
and he placed her on a zebra, and then stood close in order
that he might keep his arm about her, and both try to catch
the brass ring. And as commonplace and noisy and gaudy
as it all was, the fact that at last he had her all to himself
unseen, and she him, was sufficient to evoke in both a kind
of ecstasy which was all out of proportion to the fragile,
gimcrack scene. Round and round they spun on the noisy,
grinding machine, surveying now a few idle pleasure
seekers who were in boats upon the lake, now some who
were flying round in the gaudy green and white captive
aeroplanes or turning upward and then down in the
suspended cages of the Ferris wheel.
Both looked at the woods and sky beyond the lake; the
idlers and dancers in the dancing pavilion dreaming and
thrilling, and then suddenly Clyde asked: “You dance, don’t
you, Roberta?”
An American Tragedy
414
“Why, no, I don’t,” she replied, a little sadly, for at the very
moment she had been looking at the happy dancers rather
ruefully and thinking how unfortunate it was that she had
never been allowed to dance. It might not be right or nice,
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