Benita. An African Romance By H. Rider Haggard

“Let him rave on,” he said, when at length Meyer paused exhausted. “Just so in a time of storm the lightnings flash and the thunder peals, and the water foams down the face of rock; but then comes the sun again, and the hill is as it has ever been, only the storm is spent and lost. I am the rock, he is but the wind, the fire, and the rain. It is not permitted that he should hurt me, and those spirits in whom he does not believe treasure up his curses, to let them fall again like stones upon his head.”

Then, with a contemptuous glance at Jacob, the old man turned and glided back into the darkness out of which he had appeared.

XIII.

Benita Plans Escape

The next morning, while she was cooking breakfast, Benita saw Jacob Meyer seated upon a rock at a little distance, sullen and disconsolate. His chin was resting on his hand, and he watched her intently, never taking his eyes from her face. She felt that he was concentrating his will upon her; that some new idea concerning her had come into his mind; for it was one of her miseries that she possessed the power of interpreting the drift of this man’s thoughts. Much as she detested him, there existed that curious link between them.

It may be remembered that, on the night when they first met at the crest of Leopard’s Kloof, Jacob had called her a “thought-sender,” and some knowledge of their mental intimacy had come home to Benita. From that day forward her chief desire had been to shut a door between their natures, to isolate herself from him and him from her. Yet the attempt was never entirely successful.

Fear and disgust took hold of her, bending there above the fire, all the while aware of the Jew’s dark eyes that searched her through and through. Benita formed a sudden determination. She would implore her father to come away with her.

Of course, such an attempt would be terribly dangerous. Of the Matabele nothing had been seen; but they might be about, and even if enough cattle could be collected to draw the waggon, it belonged to Meyer as much as to her father, and must therefore be left for him. Still, there remained the two horses, which the Molimo had told her were well and getting fat.

At this moment Meyer rose and began to speak to her.

“What are you thinking of, Miss Clifford?” he asked in his soft foreign voice.

She started, but answered readily enough:

“Of the wood which is green, and the kid cutlets which are getting smoked. Are you not tired of kid, Mr. Meyer?” she went on.

He waved the question aside. “You are so good—oh! I mean it—so really good that you should not tell stories even about small things. The wood is not green; I cut it myself from a dead tree; and the meat is not smoked; nor were you thinking of either. You were thinking of me, as I was thinking of you; but what exactly was in your mind, this time I do not know, and that is why I ask you to tell me.”

“Really, Mr. Meyer,” she answered flushing; “my mind is my own property.”

“Ah! do you say so? Now I hold otherwise—that it is my property, as mine is yours, a gift that Nature has given to each of us.”

“I seek no such gift,” she answered; but even then, much as she would have wished to do so, she could not utter a falsehood, and deny this horrible and secret intimacy.

“I am sorry for that, as I think it very precious; more precious even than the gold which we cannot find; for Miss Clifford, it brings me nearer you.”

She turned upon him, but he held up his hand, and went on:

“Oh! do not be angry with me, and do not fear that I am going to trouble you with soft speeches, for I shall not, unless a time should come, as I think that perhaps it will, when you may wish to listen to them. But I want to point out something to you, Miss Clifford. Is it not a wonderful thing that our minds should be so in tune, and is there not an object in all this? Did I believe as you do, I should say that it was Heaven working in us—no: do not answer that the working comes from lower down. I take no credit for reading that upon your lips; the retort is too easy and obvious. I am content to say, however, that the work is that of instinct and nature, or, if you will, of fate, pointing out a road by which together we might travel to great ends.”

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