BY THE LIGHT OF THE MOON by Dean Koontz

Doc changed the subject from unspecified past sins to more urgent matters. ‘They want to kill me and destroy all my work.’

With a thumbnail, he pried the stubby blade out of the handle.

The smile finally sank out of sight in the doughy pool of his face, and a frown slowly surfaced. ‘A net is closing around me right this minute.’

Dylan figured that with the net would come a significant dose of Thorazine, a straitjacket, and cautious men in white uniforms.

Lamplight glinted off the polished-steel penknife blade.

‘There’s no way out for me, but damn if I’ll let them destroy a life’s work. Stealing it is one thing. I could accept that. I’ve done it myself, after all. But they want to erase everything that I’ve achieved. As if I never existed.’

Scowling, Doc wrapped his fist around the handle of the little knife and drove the blade into the arm of the chair, a fraction of an inch from his captive’s left hand.

This didn’t have a beneficial effect on Dylan. The shock of fright that jumped through him was of such high voltage that the resultant muscle spasm lifted at least three legs of the chair off the floor and might even have levitated it entirely for a fraction of a second.

‘They’ll be here in half an hour, maybe less,’ Doc warned. ‘I’m going to make a run for it, but there’s no point kidding myself. The bastards will probably get me. And when they find even just one empty syringe, they’ll seal off this town and test everybody in it, one by one, till they learn who’s carrying the stuff. Which is you. You’re a carrier.’

He bent down, lowering his face close to Dylan’s. His breath smelled of beer and peanuts.

‘You better take what I’m telling you to heart, son. If you’re in the quarantine zone, they’ll find you, all right, and when they find you, they’ll kill you. A smart fella like you ought to be able to figure out how to use that pocketknife and get himself loose in ten minutes, which gives you a chance to save yourself and gives me a chance to be long gone before you can get your hands on me.’

Shreds of the red skins from peanuts and pale bits of nut meat mortared the spaces between Doc’s teeth, but evidence of his madness could not be found as easily as could proof of his recent snack. His faded-denim eyes brimmed with nothing more identifiable than sorrow.

He stood erect once more, stared at the pocketknife stuck in the arm of the chair, and sighed. ‘They really aren’t bad people. In their position, I’d kill you, too. There’s only one bad man in all this, and that’s me. I’ve no illusions about myself.’

He stepped behind the chair, out of sight. Judging by the sounds he made, Doc was gathering up his mad-scientist gear, shrugging into his suit coat, getting ready to split.

So you’re driving to an arts festival in Santa Fe, New Mexico, where in previous years you’ve sold enough paintings to pay expenses and to bank a profit, and you stop for the night at a clean and respectable motel, subsequent to which you purchase a bagged dinner of such high caloric content that it will knock you into sleep as effectively as an overdose of Nembutal, because all you want is to spend a quiet evening putting your brain cells at risk watching the usual idiotic TV programs in the company of your puzzle-working brother, and then spend a restful night disturbed by as little cheeseburger-induced flatulence as possible, but the modern world has fallen apart to such an extent that you wind up taped to a chair, gagged, injected with God knows what hideous disease, targeted by unknown assassins… And yet your friends wonder why you’re becoming a young curmudgeon.

From behind Dylan, as though he were as telepathic as he was crazy, Doc said, ‘You’re not infected. Not in the sense you think. No bacteria, no virus. What I’ve given to you… it can’t be passed along to other people. Son, I assure you, if I weren’t such a coward, I’d inject myself.’

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