Coldfire by Dean R. Koontz

Two pajama bottoms and one top seemed to dissolve between them like

clothes sometimes evaporate in erotic dreams. She moved her hands over

him with increasing excitement, marveling that the sense of touch could

convey such intricacies of shape and texture, or give rise to such

exquisite longings.

She had a ridiculously romantic idea of what it would be like to make

love to him, a dreamy-eyed girl’s fantasy of unmatched passion, of sweet

tenderness and pure hot sex in perfect balance, every muscle in both of

them flexing and contracting in sublime harmony or, at times, in

breathless counterpoint, each invasive stroke a testament to mutual

surrender, two becoming one, the outer world of reason overwhelmed by

the inner world of feeling, no wrong word spoken, no sigh mistimed,

bodies moving and meshing in precisely the same mysterious rhythms by

which the great invisible tidal forces of the universe ebbed and flowed,

elevating the act above mere biology and making of it a mystical

experience. Her expectations proved, of course, to be ridiculous. In

reality, it was more tender, more fierce, and far better than her

fantasy.

They fell asleep like spoons in a drawer, her belly against his back,

her loins against his warm bottom. Hours later, in those reaches of the

night that were usually-but no longer-the loneliest of all, they woke to

the same quiet alarm of renewed desire. He turned to her, she welcomed

him, and this time they moved together with an even greater urgency, as

if the first time had not taken the edge off their need but had

sharpened it the way one dose of heroin only increases the addict’s

desire for the next.

At first, looking up into Jim’s beautiful eyes, Holly felt as if she

were gazing into the pure fire of his soul. Then he gripped her by the

sides, half lifting her off the mattress as he eased deep into her, and

she felt the scratches burning in her flanks and remembered the claws of

the thing that had stepped magically out of a dream. For an instant,

with pain flashing in her shallow wounds, her perception shifted, and

she had the queer feeling that it was a cold blue fire into which she

gazed, burning without heat. But that was only a reaction to the

stinging scratches and the pain-engendered memory of the nightmare. When

he slid his hands off her sides and under her, lifting, she rose to meet

him, and he was all warmth now, not the faintest chill about him.

Together they generated enough heat to sear away that brief image of a

soul on ice.

The frost-pale glow of the unseen moon backlit banks of coaly clouds

that churned across the night sky.

Unlike in other recent dreams, Holly was standing outside on a graveled

path that led between a pond and a cornfield toward the door in the base

of the old windmill. The limestone structure rose above her at a severe

angle, recognizably a mill but nonetheless an alien place, unearthly.

The huge sails, ragged with scores of broken or missing vanes, were

silhouetted against the foreboding sky and angled like a tilted cross.

although a blustery wind sent moon-silvered ripples across the ink-dark

pond and rattled the nearby cornstalks, the sails were still.

The mill obviously had been inoperable for many years, and the

mechanisms were most likely too rusted to allow the sails to turn.

A spectral muddy-yellow light flickered at the narrow windows of the

upper room. Beyond the glass, strange shadows moved across the interior

limestone walls of that high chamber.

She didn’t want to get any closer to the building, had never been more

frightened of a place in her life, but she was unable to halt herself

She was drawn forward as if she were the spellbound thrall of some

powerful sorcerer.

In the pond to her left, something was wrong with the moon-cast

reflection of the windmill, and she turned to look at it. The pattern

of light and shade on the water was reversed from what it should have

been. The mill shadow was not a dark geometric form imposed on the

water over the filigree of moonlight; instead, the image of the mill was

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