One and a half minutes.
Jim scrutinized two yellow vans parked at the curb downhill from him.
For the most part, McAlbery seemed to be a neighborhood school, where
kids walked to and from their homes, but a few were boarding the vans
The two drivers stood by the doors, smiling and joking with the
ebullient, energetic passengers. None of the kids boarding the vans
seemed doomed, and the cheery yellow vehicles did not strike him as
morgue wagons in bright dress.
But Death was nearer.
It was almost among them.
An ominous change had stolen over the scene, not in reality but in Jim’s
perception of it. He was now less aware of the golden lace work of
light than he was of the shadows within that bright filigree: small
shadows the shape of leaves or bristling clusters of evergreen needles;
larger shadows in the shape of tree trunks or branches; geometric bars
of shade from the iron rails of the spearpoint fence. Each blot of
darkness seemed to be a potential doorway through which Death might
arrive.
One minute.
Frantic, he hurried downhill several steps, among the children, drawing
puzzled looks as he glanced at one then another of them, not sure what
sort of sign he was searching for, the small suitcase banging against
his leg Fifty seconds.
The shadows seemed to be growing, spreading, melting together all around
Jim.
He stopped, turned, and peered uphill toward the end of the block where
the crossing guard was standing in the intersection, holding up her red
“stop” sign, using her free hand to motion the kids across. Five of them
were in the street. Another half dozen were approaching the corner and
soon to cross.
One of the drivers at the nearby school vans said, “Mister, is something
wrong?”
Forty seconds.
Jim dropped the suitcase and ran uphill toward the intersection, still
uncertain about what was going to happen and which child was at risk. He
was pushed in that direction by the same invisible hand that had made
him pack a suitcase and fly to Portland. Startled kids moved out of his
way At the periphery of his vision, everything had become ink-black. He
was aware only of what lay directly ahead of him. From one curb to the
other the intersection appeared to be a scene revealed by a spotlight on
an other wise night-dark stage.
Half a minute.
Two women looked up in surprise and failed to get out of his way fast
enough. He tried to dodge them, but he brushed against a blonde in
summery white dress, almost knocking her down. He kept going because he
could feel Death among them now, a cold presence.
He reached the intersection, stepped off the curb, and stopped. Four
kids in the street. One was going to be a victim.
But which of the four? And a victim of what?
Twenty seconds.
The crossing guard was staring at him.
All but one of the kids were nearing the curb, and Jim sensed that the
walks were safe territory. The street would be the killing ground.
He moved toward the dawdler, a little red-haired girl, who turned and
looked at him in surprise.
Fifteen seconds.
Not the girl. He looked into her jade-green eyes and knew she was safe.
Jim knew it somehow.
All the other kids had reached the sidewalk.
Fourteen seconds.
Jim spun around and looked back toward the far curb. Four more children
had entered the street behind him.
Thirteen seconds.
The four new kids started to arc around him, giving him wary sidelong
looks. He knew he appeared to be a little deranged, standing in the
street, wide-eyed, gaping at them, his face distorted by fear.
Eleven seconds.
No cars in sight. But the brow of the hill was little more than a
hundred yards above the intersection, and maybe some reckless fool was
rocketing up the far side with the accelerator jammed to the floorboard.
As soon as the image flashed through his mind, Jim knew it was a
prophetic glimpse of the instrument Death would use: a drunk driver.
Eight seconds.
He wanted to shout, tell them to run, but maybe he would only panic them