FENIMORE COOPER’S LITERARY OFFENCES by Mark Twain

strike out promptly and follow the track of that cannon-ball across the

plain through the dense fog and find the fort. Isn’t it a daisy? If

Cooper had any real knowledge of Nature’s ways of doing things, he had a

most delicate art in concealing the fact. For instance: one of his acute

Indian experts, Chingachgook (pronounced Chicago, I think), has lost the

trail of a person he is tracking through the forest. Apparently that

trail is hopelessly lost. Neither you nor I could ever have guessed out

the way to find it. It was very different with Chicago. Chicago was not

stumped for long. He turned a running stream out of its course, and

there, in the slush in its old bed, were that person’s moccasin-tracks.

The current did not wash them away, as it would have done in all other

like cases–no, even the eternal laws of Nature have to vacate when

Cooper wants to put up a delicate job of woodcraft on the reader.

We must be a little wary when Brander Matthews tells us that Cooper’s

books “reveal an extraordinary fulness of invention.” As a rule, I am

quite willing to accept Brander Matthews’s literary judgments and applaud

his lucid and graceful phrasing of them; but that particular statement

needs to be taken with a few tons of salt. Bless your heart, Cooper

hadn’t any more invention than a horse; and I don’t mean a high-class

horse, either; I mean a clothes-horse. It would be very difficult to

find a really clever “situation” in Cooper’s books, and still more

difficult to find one of any kind which he has failed to render absurd by

his handling of it. Look at the episodes of “the caves”; and at the

celebrated scuffle between Maqua and those others on the table-land a few

days later; and at Hurry Harry’s queer water-transit from the castle to

the ark; and at Deerslayer’s half-hour with his first corpse; and at the

quarrel between Hurry Harry and Deerslayer later; and at–but choose for

yourself; you can’t go amiss.

If Cooper had been an observer his inventive faculty would have worked

better; not more interestingly, but more rationally, more plausibly.

Cooper’s proudest creations in the way of “situations” suffer noticeably

from the absence of the observer’s protecting gift. Cooper’s eye was

splendidly inaccurate. Cooper seldom saw anything correctly. He saw

nearly all things as through a glass eye, darkly. Of course a man who

cannot see the commonest little every-day matters accurately is working

at a disadvantage when he is constructing a “situation.” In the

Deerslayer tale Cooper has a stream which is fifty feet wide where it

flows out of a lake; it presently narrows to twenty as it meanders along

for no given reason; and yet when a stream acts like that it ought to be

required to explain itself. Fourteen pages later the width of the

brook’s outlet from the lake has suddenly shrunk thirty feet, and become

“the narrowest part of the stream.” This shrinkage is not accounted for.

The stream has bends in it, a sure indication that it has alluvial banks

and cuts them; yet these bends are only thirty and fifty feet long. If

Cooper had been a nice and punctilious observer he would have noticed

that the bends were oftener nine hundred feet long than short of it.

Cooper made the exit of that stream fifty feet wide, in the first place,

for no particular reason; in the second place, he narrowed it to less

than twenty to accommodate some Indians. He bends a “sapling” to the

form of an arch over this narrow passage, and conceals six Indians in its

foliage. They are “laying” for a settler’s scow or ark which is coming

up the stream on its way to the lake; it is being hauled against the

stiff current by a rope whose stationary end is anchored in the lake; its

rate of progress cannot be more than a mile an hour. Cooper describes

the ark, but pretty obscurely. In the matter of dimensions “it was

little more than a modern canal-boat.” Let us guess, then, that it was

about one hundred and forty feet long. It was of “greater breadth than

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