Hollywood Nocturnes

The Swank Spot’s interior was Egyptian: silk wallpaper embossed with pharaohs and mummies, paper-mache pyramids surrounding the dance floor, and a long bar shaped like a crypt lying sideways. The patrons were more contemporary: negro men in double-breasted suits and women in evening gowns who looked disapprovingly at my rumpled clothes and two-and-ahalf-day beard.

Ignoring them, I eyeballed in vain for Cora. Her soiled pink dress would have stood out like a beacon amid the surrounding hauteur, but all the women were dressed in pale white and sequined black. Panic was rising inside me when I heard her voice, distorted by bebop, pleading behind the dance floor.

I pushed my way through minglers, dancers, and three pyramids to get to her. She was standing next to a phonograph setup, gesturing at a black man in slacks and a camel-hair jacket. The man was sitting in a folding chair, alternately admiring his manicure and looking at Cora like she was dirt.

The music was reaching a crescendo; the man smiled at me; Cora’s pleas were engulfed by saxes, horns, and drums going wild. I flashed back to my Legion days–rabbit punches and elbows and scrubbing my laces into cuts during clinches. The past two days went topsy-turvy, and I kicked over the phonograph. The Benny Goodman sextet exploded into silence, and I aimed my piece at the man and said, “_Tell me now_.”

Shouts rose from the dance floor, and Cora pressed herself into a toppled pyramid. The man smoothed the pleats in his trousers and said, “Cora’s old flame was in about half an hour ago, begging. I turned him down, because I respect my origins and hate snitches. But I told him about an old mutual friend–a soft touch. Another Cora flame was in about ten minutes ago, asking after flame number one. Seems he has a grudge against him. I sent him the same place.”

I croaked, “Where?” and my voice sounded disembodied to my own ears. The man said, “No. You can apologize now, officer. Do it, and I won’t tell my good friends Mickey Cohen and Inspector Waters about your behavior.”

I stuck my gun in my waistband and pulled out an old Zippo I used to light suspects’ cigarettes. Sparking a flame, I held it inches from a stack of brocade curtains. “Remember the Coconut Grove?”

The man said, “You wouldn’t,” and I touched the flame to the fabric. It ignited immediately, and smoke rose to the ceiling. Patrons were screaming “Fire!” in the club proper. The brocade was fried to a crisp when the man shrieked, “John Downey,” ripped off his camel hair and flung it at the flames. I grabbed Cora and pulled her through the club, elbowing and rabbit punching panicky revelers to clear a path. When we hit the sidewalk, I saw that Cora was sobbing. Smoothing her hair, I whispered hoarsely, “What, babe, what?”

It took a moment for Cora to find a voice, but when she spoke, she sounded like a college professor. “John Downey’s my father. He’s very big around here, and he hates Billy because he thinks Billy made me a whore.”

“Where does he li–”

“Arlington and Country Club.”

We were there within five minutes. This was High, _High_ Darktown–Tudor estates, French chateaus, and Moorish villas with terraced front lawns. Cora pointed out a plantation-style mansion and said, “Go to the side door. Thursday’s the maid’s night off, and nobody’ll hear you if you knock at the front.”

I stopped the car across the street and looked for other out-ofplace vehicles. Seeing nothing but Packards, Caddys, and Lincoins nestled in driveways, I said, “Stay put. Don’t move, no matter what you see or hear.”

Cora nodded mutely. I got out and ran over to the plantation, hurdling a low iron fence guarded by a white iron jockey, then treading down a long driveway. Laughter and applause issued from the adjoining mansion, separated from the Downey place by a high hedgerow. The happy sounds covered my approach, and I started looking in windows.

Standing on my toes and moving slowly toward the back of the house, I saw rooms festooned with crewelwork wall hangings and hunting prints. Holding my face up to within a few inches of the glass, I looked for shadow movement and listened for voices, wondering why all the lights were on at close to midnight.

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