I was setting the hand brake when I saw the girl–Gretch with her hair in a bun–notice a man on the street and start running. Mo piled out of the car and headed toward the guy; he pulled a monster hand-cannon, aimed, and fired twice. Mo fell dead on the sidewalk, half his face blown off; the man pursued Gretchen Rae; I pursued him.
The girl ran inside an office building, the gunman close behind. I caught up, peered in, and saw him at the top of the second-floor landing. I slammed the door and stepped back; the act coaxed two wasted shots out of the killer, glass and wood exploding all around me. Four rounds gone, two to go.
Screams on the street; two sets of footsteps scurrying upstairs; sirens in the distance. I ran to the landing and shouted, “Police!” The word drew two ricocheting bang-bangs. I hauled my fat ass up to floor three like a flabby dervish.
The gunman was fumbling with a pocketful of loose shells; he saw me just as he flicked his piece’s cylinder open. I was within three stairs of him. Not having time to load and fire, he kicked. I grabbed his ankle and pulled him down the stairs; we fell together in a tangle of arms and legs, hitting the landing next to an open window.
We swung at each other, two octopuses, blows and gouges that never really connected. Finally he got a choke hold on my neck; I reached up through his arms and jammed my thumbs hard in his eyes. The bastard let go just long enough for me to knee his balls, squirm away, and grab him by the scalp. Blinded now, he flailed for me. I yanked him out the window head first, pushing his feet after him. He hit the pavement spread eagled, and even from three stories up I could hear his skull crack like a giant eggshell.
I got some more breath, hauled up to the roof and pushed the door open. Gretchen Rae Shoftel was sitting on a roll of tar paper, smoking a cigarette, two long single tears rolling down her cheeks. She said, “Did you come to take me back to Milwaukee?”
All I could think of to say was, “No.”
Gretchen reached behind the tar paper and picked up a briefcase–brand-new, Bullocks Wilshire quality. The sirens downstairs were dying out; two bodies gave lots of cops lots to do. I said, “Mickey or Howard, Miss Shoftel? You got a choice.”
Gretch stubbed out her cigarette. “They both stink.” She hooked a thumb over the roof in the direction of the dead gunman. “I’ll take my chances with Jerry Katzenbach and his friends. Daddy went down tough. So will I.”
I said, “You’re not that stupid.”
Gretchen Rae said, “You play the market?”
I said, “Want to meet a nice rich man who needs a friend?”
Gretchen Rae pointed to a ladder that connected the roof to the fire escape of the adjoining building. “If it’s now, I’ll take it.”
* * *
In the cab to Beverly Hills I filled Gretchy in on the play, promising all kinds of bonuses I couldn’t deliver, like the Morris Hornbeck scholarship for impoverished Marquette University Business School students. Pulling up to Sid Weinberg’s tudor mansion, the girl had her hair down, make up on, and was ready to do the save-my-ass tango.
At 8:03 the manse was lit up like a Christmas tree–extras in green rubber monster costumes handing out drinks on the front lawn and loudspeakers on the roof blasting the love theme from a previous Weinberg tuna, _Attack of the Atomic Gargoyles_. Mickey and Howard always arrived at parties late in order not to appear too eager, so I figured there was time to set things up.
I led Gretchen Rae inside, into an incredible scene: Hollywood’s great, near-great, and non-great boogie-woogieing with scads of chorus boys and chorus girls dressed like surf monsters, atomic gargoyles, and giant rodents from Mars; bartenders sucking punch out of punchbowls with ray-gun like siphons; tables of cold cuts dyed surf monster green–passed up by the guests en masse in favor of good old booze–the line for which stood twenty deep. Beautiful gash was abounding, but Gretchen Rae, hair down like Sid Weinberg’s old love Glenda Jensen, was getting the lions’ share of the wolf stares. I stood with her by the open front door, and when Howard Hughes’s limousine pulled up, I whispered, “_Now_.”