Hollywood Nocturnes

We entered the town, and I gave it a long eyeballing while Davis walked in a side-by-side drape with Harwell Treadwell, .38 snub dangling by a thumb and forefinger, business end aimed at his cojones. The left-hand side of the street featured a grain store, a market, the front window filled with stacks of Tokay and muscatel short dogs, and a clapboard farm-machinery repair shop with rusted parts strewn in front of it. On the right, the facades were all boarded up, with a string of prewar jalopies parked up against them, including a strange looking Model T hybrid that seemed made out of mismatched parts. The only strollers about were a couple of grizzled men dressed in sun-faded War Relocation Authority khakis–and they shot us a cursory fish-eye and kept on walking.

When we reached the end of the street, Davis spotted a flimsylooking unboarded door, kicked it in, and shoved Treadwell inside. Turning to face me, he said, “We got what them boys want. You run into them you tell them Harwell is chewing on the end of my .38, and the first shot I hear he gets a hot lead cocktail. _And you get us a car, boy_.”

I nodded, then backtracked to the stand of heaps, looking for a likely one to commandeer. All six of them had at least one dead tire, and I started wondering about the lack of people, and why the two I’d seen so far didn’t seem alarmed at raggedy-assed armed strangers in their midst. Noticing a bolted-on fire ladder attached to the grain building across the street, I made for it, hoisting myself up the rungs.

At the top, I had a good view of the surrounding area. Shacks were nestled in little green pockets bordered by fenced-off crop acreage, with dirt access roads connecting them to each other and the town. No one seemed to be working in the fields, but there were a few people taking the breeze in front of their cribs, which struck me as eerie.

I descended the ladder, and when I was halfway down, saw an old man on one of the roads staring at me. I pretended not to notice, and he turned his back and ran–flat out–to the biggest shack in the community, a corrugated metal job with a white wood barn attached.

I hopped off the ladder and pursued, taking foot roads out of town and over an eighth of a mile or so to a stand of sycamore trees that formed a perimeter a few yards from the barn. The man was nowhere in sight, but the sliding barn door was open just a crack. I drew my .38 and sprinted over and in.

Sunlight through a side window illuminated a big empty space, and the smell of hay plus something medicinal hit my nostrils. In the center of the barn, the acid stench got stronger, and somehow familiar. I noticed a table covered with a tarpaulin wedged into a corner near the connecting door to the shack and saw dry ice hissing out of rips in the canvas. The shape underneath took form, and I pulled the tarp off.

A buck-naked dead man was lying on top of dry ice blocks, sachets oozing formaldehyde placed strategically on his body. He was a stone ringer for Harwell Treadwell, and you didn’t have to be a medical examiner to figure the cause of death–his crotch was blown to bits, torn, blooded flesh laced with buckshot all that remained.

I redraped the stiff, then eased the connecting door into a test jiggle. It gave, and I very slowly pulled it open, just a tiny fraction of an inch, in order to look in. Then it flew open all the way, and a big double-barreled shotgun was sighting down, and I shoved both my hands at midpoint on the stock and pushed up.

A huge “Ka-boom!” went off; the tin roof lurched under the force of the blast; pellets ricocheted. I threw myself at the shotgun wielder just as he tried to slam me with the butt of his weapon, wrestled it away from him, then chopped down at his head with the flat side of my .38–one blow, two blows, three. Finally the man went limp. I kicked the shotgun out of harm’s way, then weaved on shaky, shaky legs.

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