Homicide Trinity by Rex Stout

der of Bertha Aaron. It’s even possible she doesn’t

suspect it now, though that’s doubtful. If and when she

does she will also suspect that the man she was with in

the lunchroom killed Bertha Aaron, and that will be

hard to live with, but even then she won’t panic. She is

a very tough article and she is still after thirty million

bucks. Looking at her as she smiled at me and told me I

was handsome, which may have been her honest opin-

ion in spite of my flat nose, you would never have

guessed that I had just sent her a card announcing that

her pet secret had been spilled. She’s a gem. If I had

thirty million I’d be glad to buy her a lunch. What’s

biting Gregory Jett?”

“I don’t know. We shall see.” He pushed the door

open and passed through and I followed.

As Wolfe detoured around the red leather chair Jett

spoke. “I said my business was urgent. You’re rather

cheeky, aren’t you?”

“Moderately so.” Wolfe got his mass adjusted in his

The Homicide Trinity 39

seat and swiveled to face him. “If there is pressure, sir,

it is on you, not on me. Am I concerned?”

“You are involved.” The deep-set dreamy eyes came

to me. “Is your name Goodwin? Archie Goodwin?”

I said yes.

“Last night you gave a statement to the police about

your conversation with Bertha Aaron, and you gave a

copy of it to Lamont Otis, the senior member of my

firm.”

“Did I?” I was polite. “I only work here. I only do

what Mr. Wolfe tells me to. Ask him.”

“I’m not asking, I’m telling.” He returned to Wolfe. “I

want to know what is in that statement. Mr. Otis is an

old man and his heart is weak. He was under shock

when he came here, from the tragic news of the death of

his secretary, who was murdered here in your office, in

circumstances which as far as I know them were cer-

tainly no credit to you or Goodwin. It must have been

obvious that he was under shock, and it was certainly

obvious that he is an old man. To show him that state-

ment was irresponsible and reprehensible. As his asso-

ciate, his partner, I want to know what is in it.”

Wolfe had leaned back and lowered his chin. “Well.

When cheek meets cheek. You are manifestly indomi-

table and I must buckle my breastplate. I choose to

deny that there is any such statement. Then?”

“Poppycock. I know there is.”

“Your evidence?” Wolfe wiggled a finger. “Mr. Jett.

This is fatuous. Someone has told you the statement

exists or you would be an idiot to come and bark at me.

Who told you, and when?”

“Someone who—in whom I have the utmost confi-

dence.”

“Mr. Otis himself?”

“No.”

“Her name?”

Jett set his teeth on his lower lip. After chewing on it

a little he shifted to the upper lip. He had nice white

teeth.

“You must be under shock too,” Wolfe said, “to sup-

40 Rex Stout

pose you could come with that demand without disclos-

ing the source of your information. Is her name Ann

Paige?”

“I will tell you that only in confidence.”

“Then I don’t want it. I will take it as private infor-

mation entrusted to my discretion, but not in confi-

dence. I am still denying that such a statement exists.”

“Damn you!” Jett hit the arm of his chair. “She was

here with him! She saw Goodwin hand it to him! She

saw him read it!”

Wolfe nodded. “That’s better. When did Miss Paige

tell you about it? This morning?”

“No. Last night. She phoned me.”

“At what hour?”

“Around midnight. A little after.”

“Had she left here with Mr. Otis?”

“You know damn well she hadn’t. She had climbed

out a window.”

“And phoned you at once.” Wolfe straightened up. “If

you are to trust my discretion you must give it ground.

I may then tell you what the statement contains, or I

may not. I reject the reason you have given, or implied,

for your concern—solicitude for Mr. Otis. Your expla-

nation must account not only for your concern but also

for Miss Paige’s flight through a window. You—”

“It wasn’t a flight! Goodwin had locked the door!”

“He would have opened it on request. You said your

business is urgent. How and to whom? You are trying

my patience. With your trained legal mind, you know it

is futile to feed me inanities.”

Jett looked at me. I set my jaw and firmed my lips to

show him that I didn’t care for inanities either. He went

back to Wolfe.

“Very well,” he said. “I’ll trust your discretion, since

there is no alternative. When Otis told Miss Paige she

had to leave, she suspected that Miss Aaron had told

Goodwin something about me. She thought—”

“Why about you? There had been no hint of it.”

“Because he said to her, ‘I couldn’t trust you on this.’

She thought he knew that she couldn’t be trusted in a

The Homicide Trinity 41

matter that concerned me. That is true—I hope it is

true. Miss Paige and I are engaged to marry. It has not

been announced, but our mutual interest is probably no

secret to our associates, since we have made no effort to

conceal it. Added to that was the fact that she knew

that Miss Aaron might have had knowledge, or at least

suspicion, of a certain—uh—episode in which I had

been involved. An episode of which Mr. Otis would have

violently disapproved. You said my explanation must

account both for my concern and for Miss Paige’s leav-

ing through a window. It does.”

“What was the episode?”

Jett shook his head. “I wouldn’t tell you that even in

confidence.”

“What was its nature?”

“It was a personal matter.”

“Did it bear on the interests of your firm or your

partners?”

“No. It was strictly personal.”

“Did it touch your professional reputation or integ-

rity?”

“It did not.”

“Was a woman involved?”

“Yes.”

“Her name?”

Jett shook his head. “I’m not a cad, Mr. Wolfe.”

“Was it Mrs. Morton Sorell?”

Jett’s mouth opened, and for three breaths his jaw

muscles weren’t functioning. Then he spoke. “So that

was it. Miss Paige was right. I want—I demand to see

that statement.”

“Not yet, sir. Later, perhaps—or not. Do you main-

tain that the episode involving Mrs. Sorell had no rela-

tion to your firm’s interests or your professional

integrity?”

“I do. It was purely personal, and it was brief.”

“When did it occur?”

“About a year ago.”

“When did you last see her?”

42 Rex Stout

“About a month ago, at a party. I didn’t speak with

her.”

“When were you last with her tete-a-tete?”

“I haven’t been since—not for nearly a year.”

“But you are still seriously perturbed at the chance

that Mr. Otis has learned of the episode?”

“Certainly. Mr. Sorell is our client, and his wife is our

opponent in a very important matter. Mr. Otis might

suspect that the episode is—was not merely an episode.

He has not told me of the statement you showed him,

and I can’t approach him about it because he has or-

dered Miss Paige not to mention it to anyone, and she

didn’t tell him she had already told me. I want to see it.

I have a right to see it!”

“Don’t start barking again.” Wolfe rested his elbows

on the chair arms and put his fingers together. “I’ll tell

you this: there is nothing in the statement, either ex-

plicit or allusive, about the episode you have described.

That should relieve your mind. Beyond that—”

The doorbell rang.

Chapter 5

I was wrong about them. As soon as I got a look at

them through the one-way panel I guessed who

they were, but I had the labels mixed. My guess

was that the big broad-shouldered one in a dark blue

chesterfield tailored to give him a waist, and a homburg

to match, was Edey, fifty-five, and the compact little

guy in a brown ulster with a belt was Heydecker,

forty-seven, but when I opened the door and the ches-

terfield said they wanted to see Nero Wolfe, and I

asked for names, he said, “This gentleman is Frank

Edey and I am Miles Heydecker. We are—”

“I know who you are. Step in.”

The Homicide Trinity 43

Since age has priority I helped Edey off with his

ulster, putting it on a hanger, and let Heydecker man-

age his chesterfield, and then took them to the front

room and invited them to sit. If I opened the connecting

door to the office Jett’s voice could be heard and there

was no point in his trusting Wolfe’s discretion if he

couldn’t trust mine, so I went around through the hall,

crossed to my desk, wrote “Edey and Heydecker” on

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