Homicide Trinity by Rex Stout

Wolfe was over at the side bench peering at a pseudo-

bulb through a magnifying glass. Theodore Horstmann,

the fourth member of the household, who was exactly

half Wolfe’s weight, 137 to 270, was opening a bag of

osmundine. I crossed over and told Wolfe’s back, “Ex-

cuse me for interrupting, but I have a problem.”

He took ten seconds to decide he had heard me, then

removed the glass from his eye and demanded, “What

time is it?”

“Nineteen minutes to six.”

“It can wait nineteen minutes.”

“I know, but there’s a snag. If you came down and

found her there in the office with no warning it would be

hopeless.”

“Find whom?”

“A woman named Bertha Aaron. She came unin-

vited. She’s in a hole, and it’s a new kind of hole. I came

up to describe it to you so you can decide whether I go

down and shoo her out or you come down and give it a

look.”

“You have interrupted me. You have violated our

understanding.”

“I know it, but I said excuse me, and since you’re

already interrupted I might as well tell you. She is the

private secretary of LamontOtis, senior partner . . .”

I told him, and at least he didn’t go back to the

pseudo-bulb with the glass. At one point there was

even a gleam in his eye. He has made the claim, to me,

that the one and only thing that impels him to work is

his desire to live in what he calls acceptable circum-

stances in the old brownstone on West 35th Street,

Manhattan, which he owns, with Fritz as chef and

Theodore as orchid tender and me as goat (not his

word), but the gleam in his eye was not at the prospect

of a big fee, because I hadn’t yet mentioned the name

Sorell. The gleam was when he saw that, as I had said, it

was a new kind of hole. We had never looked into one

just like it.

Then came the ticklish part. “By the way,” I said,

“there’s one little detail you may not like, but it’s only a

side issue. In the case in question her firm’s client is

Morton Sorell. You know.”

“Of course.”

“And the opposing client she saw a member of the

firm with is Mrs. Morton Sorell. You may remember

that you made a comment about her a few weeks ago

after you had read the morning paper. What the paper

10 Rex Stout

The Homicide Trinity

11

said was that she was suing him for thirty thousand a

month for a separation allowance, but the talk around

town is that he wants a divorce and her asking price is a

flat thirty million bucks, and that’s probably what Miss

Aaron calls the case. However, that’s only a detail.

What Miss Aaron wants is merely—”

“No.” He was scowling at me. “So that’s why you

pranced in here.”

“I didn’t prance. I walked.”

“You knew quite well I would have nothing to do with

it.”

“I knew you wouldn’t get divorce evidence, and nei-

ther would I. I knew you wouldn’t work for a wife

against a husband or vice versa, but what has that got

to do with this? You wouldn’t have to touch—”

“No! I will not. That marital squabble might be the

central point of the matter. I will not! Send her away.”

I had flubbed it. Or maybe I hadn’t; maybe it had

been hopeless no matter how I handled it; but then it

had been a flub to try, so in any case I had flubbed it. I

don’t like to flub, and it wouldn’t make it any worse to

try to talk him out of it, or rather into it, so I did, for a

good ten minutes, but it neither changed the situation

nor improved the atmosphere. He ended it by saying

that he would go to his room to put on a necktie, and I

would please ring him there on the house phone to tell

him that she had gone.

Going down the three flights I was tempted. I could

ring him not to say that she was gone but that we were

going; that I was taking a leave of absence to haul her

out of the hole. It wasn’t a new temptation; I had had it

before; and I had to admit that on other occasions it had

been more attractive. To begin with, if I made the offer

she might decline it, and I had done enough flubbing for

one day. So as I crossed the hall to the office I was

arranging my face so she would know the answer as

soon as she looked at me. Then as I entered I rear-

ranged it, or it rearranged itself, and I stopped and

stood. Two objects were there on the rug which had

been elsewhere when I left: a big hunk of jade which

Wolfe used for a paperweight, which had been on his

desk, and Bertha Aaron, who had been in a chair.

She was on her side, with one leg straight and one

bent at the knee. I went to her and squatted. Her lips

were blue, her tongue was showing, and her eyes were

open and popping; and around her neck, knotted at the

side, was Wolfe’s necktie. She was gone. But if you get

a case of strangulation soon enough there may be a

chance, and I got the scissors from my desk drawer.

The tie was so tight that I had to poke hard to get my

finger under. When I had the tie off I rolled her over on

her back. Nuts, I thought, she’s gone, but I picked

pieces of fluff from the rug, put one across her nose and

one on her mouth, and held my breath for twenty sec-

onds. She wasn’t breathing. I took her hand and

pressed on a fingernail, and it stayed white when I

removed the pressure. Her blood wasn’t moving. Still

there might be a chance if I got an expert quick enough,

say in two minutes, and I went to my desk and dialed

the number of Doc Vollmer, who lived down the street

only a minute away. He was out. “To hell with it,” I said,

louder than necessary since there was no one but me to

hear, and sat to take a breath.

I sat and stared at her a while, maybe a minute, just

feeling, not thinking. I was too damn sore to think. I

was sore at Wolfe, not at me, the idea being that it had

been ten minutes past six when I found her, and if he

had come down with me at six o’clock we might have

been in time. I swiveled to the house phone and buzzed

his room, and when he answered I said, “Okay, come on

down. She’s gone,” and hung up.

He always uses the elevator to and from the plant

rooms, but his room is only one flight up. When I heard

his door open and close I got up and stood six inches

from her head and folded my arms, facing the door to

the hall. There was the sound of his steps, and then him.

He crossed the threshold, stopped, glared at Bertha

Aaron, shifted it to me, and bellowed, “You said she was

gone!”

“Yes, sir. She is. She’s dead.”

12 Rex Stout

“Nonsense!”

“No, sir.” I sidestepped. “As you see.”

He approached, still glaring, and aimed the glare

down at her, for not more than three seconds. Then he

circled around her and me, went to his oversized made-

to-order chair behind his desk, sat, took in air clear

down as far as it would go, and let it out again. “I

presume,” he said, not bellowing, “that she was alive

when you left her to come up to me.”

“Yes, sir. Sitting in that chair.” I pointed. “She was

alone. No one came with her. The door was locked, as

always. As you know, Fritz is out shopping. When I

found her she was on her side and I turned her over to

test for breathing—after I cut the necktie off. I phoned

Doc—”

“What necktie?”

I pointed again. “The one you left on your desk. It

was around her throat. Probably she was knocked out

first with that paperweight”—I pointed again—”but it

was the necktie that stopped her breathing, as you can

see by her face. I cut—”

“Do you dare to suggest that she was strangled with

my necktie?”

“I don’t suggest, I state. It was pulled tight with a

slipknot and then passed around her neck again and

tied with a granny.” I stepped to where I had dropped it

on the rug, picked it up, and put it on his desk. “As you

see. I do dare to suggest that if it hadn’t been here

handy he would have had to use something else, maybe

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