Waiting for the plane was always hell. If it did not arrive, Flick would face another twenty-four hours of unremitting tension and danger before the next opportunity. But an agent never knew whether a plane would show up. This was not because the RAF was unreliable. Rather, as the pilots of 161 Squadron had explained to Flick, the task of navigating a plane by moonlight across hundreds of miles of country was monumentally difficult. The pilot used dead reckoning-calculating his position by direction, speed, and elapsed time-and tried to verify the result by landmarks such as rivers, towns, railway lines, and forests. The problem with dead reckoning was that it was impossible to make an exact adjustment for the drift caused by wind. And the trouble with landmarks was that one river looked very much like another by moon- light. Getting to roughly the right area was difficult enough, but these pilots had to find an individual field.
If there was a cloud hiding the moon it was impossible, and the plane would not even take oft
However, this was a fine night, and Flick was hopeful. Sure enough, a couple of minutes before midnight, she heard the unmistakable sound of a single-engined plane, faint at first, then rapidly growing louder, like a burst of applause, and she felt a home going thrill. She began to flash her light in the Morse letter “X.” If she flashed the wrong letter, the pilot would suspect a trap and go away without landing.
The plane circled once, then came down steeply. It touched down on Flick’s right, braked, turned between Michel and Claude, taxied back to Flick, and turned into the wind again, completing a long oval and finishing up ready for takeoff.
The aircraft was a Westland Lysander, a small, high- winged monoplane, painted matte black. It was flown by a crew of one. It had two seats for passengers, but Flick had known a “Lizzie” to carry four, one on the floor and one on the parcel shelf.
The pilot did not stop the engine. His aim was to remain on the ground no more than a few seconds.
Flick wanted to hug Michel and wish him well, but she also wanted to slap his face and tell him to keep his hands off other women. Perhaps it was just as well that she had no time for either.
With a brief wave, Flick scrambled up the metal ladder, threw open the hatch, and climbed aboard.
The pilot glanced behind, and Flick gave him the thumbs-up. The little plane jerked forward and picked up speed, then rose into the air and climbed steeply.
Flick could see one or two lights in the village: country people were careless about the blackout. When Flick had flown in, perilously late at four in the morning, she had been able to see from the air the red glare of the baker’s oven, and driving through the village she had smelled the new bread, the essence of France.
The plane banked to turn, and Flick saw the moonlit faces of Michel, Gilberte, and Claude as three white smears on the black background of the pasture. As the plane leveled and headed for England, she realized with a sudden surge of grief that she might never see them again.
THE SECOND DAY Monday, May 29, 1944
CHAPTER 6
DIETER FRANCK DROVE through the night in the big Hispano-Suiza, accompanied by his young assistant, Lieutenant Hans Hesse. The car was ten years old, but its massive eleven-liter engine was tireless. Yesterday evening, Dieter had found a neat row of bullet holes stitched in the generous curve of its offside fender, a souvenir of the skirmish in the square at Sainte-C‚cile, but there was no mechanical damage, and he felt the holes added to the car’s glamour, like a dueling scar on the cheek of a Prussian officer.
Lieutenant Hesse masked the headlights to drive through the blacked-out streets of Paris, then removed the covers when they got on the road to Normandy. They took turns at the wheel, two hours each, though Hesse, who adored the car and hero-worshiped its owner, would gladly have driven the whole way.