Riptide by Catherine Coulter

at the right of the stairs, lifting the candle to light up the wall.

It was dank down there, and she smelled mildew. Her toes sloshed

in a bit of water. Yep, leaks from the storm. On the wall facing the

stairs she finally found the circuit breaker box. Beside it were stacks

of old boxes, everything dirty and damp. She flipped the downed

circuit breaker switch and the bulb overhead blossomed into one-hundred-watt

light. Stacks of old furniture, most of it from the forties,

perhaps some even earlier, were piled against the far wall. So

many boxes, all of them very large, labeled with faded and smeared

spidery handwriting.

She started forward to look at the writing on one of the labels

when there was a low rumbling noise. She stopped cold, fear spiking

through her. Where was it corning from? Where? All the nightmares

from the night before tore through her. Sam’s words–

“haunted house.” Shadows, the damned basement was filled with

shadows and damp and rot.

She whipped around at the crash not thirty feet away from her,

in the far corner of the basement. She watched as the wall heaved

and groaned and spewed brick outward onto the basement floor,

leaving a jagged black hole.

She stood there a moment longer, staring at the hole in the wall.

She was surprised. The house was very old, sturdy. Why, suddenly,

would this happen? The storms over the years must have gradually

weakened this particular wall and now, finally, the one last night

was the final blow. Perhaps all the damp contributed, as well.

She walked to the corner, dodging crates and a huge steamer

trunk that looked to be from the nineteen twenties. The light

didn’t reach quite that far. She raised her candle high and looked

into the black hole.

And screamed.

Chapter 7

That black gash in the basement wall had vomited out a skeleton

mixed with shards of cement, whole and broken bricks, and thick

dust that flew through the air to settle slowly, thickly, on the basement

floor.

The skeleton’s outstretched hand nearly touched her foot. She

dropped the candle and jumped back, wrapping her arms around

herself. She stared at that thing not more than three feet from her.

A dead person, long dead. It–no, it wasn’t an it, it was a woman

and she couldn’t hurt anybody. Not now.

White jeans and a skimpy pink tank top covered the bones,

many of which would have been flung all over the basement floor

were it not for the once-tight jeans holding them together. One

sneaker was hanging off her left foot, the white sock damp and

moldy. The left arm was still attached, but barely. The head had

broken off and rolled about six inches from the neck.

Becca stood there, staring down at that thing, knowing that at

one time, whoever she was, she’d breathed and laughed and wondered

what the future would bring. She was young, Becca realized.

Who was she? What was she doing inside a wall in Jacob Marley’s

basement?

Someone had put her there, on purpose, to hide her forever.

And now she was just shattered bones, some of them covered with

moldy white jeans and a pink tank top.

Slowly Becca walked back upstairs, covered with dust, her heart

still pounding. In her mind’s eye the skeleton’s skull -was still vivid,

would probably remain terrifyingly vivid for the rest of her life.

Those eye sockets were so empty. Becca knew she had no choice.

She phoned the sheriff’s office on West Hemlock and asked to

speak with the sheriff.

“This is Mrs. Ella,” came a voice that was deep as a man’s, and

harsh–a smoker’s voice. “Tell me who you are and what you want

and I’ll tell you whether or not you need Edgar.”

Becca stared at the phone. It certainly wasn’t New York City.

She cleared her throat. “Actually, my name is Becca Powell and

I moved into Jacob Marley’s house about a week ago.”

“I know all about you, Miss Powell. I saw you at the Pollyanna

with Tyler McBride. What’d you do with little Sam while you two

were gallivanting around, enjoying yourselves at one of Riptide’s

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