Riptide by Catherine Coulter

her back, but she pulled free. Tommy, Savich, and Sherlock were

standing in a near circle staring down at the pale-green linoleum

floor. Adam rose slowly.

And suddenly Becca could see her.

Chapter 1 7

The woman had no face. Her head looked like a bowl filled with

smashed bone, flesh, and teeth. He’d struck her hard, viciously, repeatedly.

There were two broken teeth on the floor beside the

woman’s head. There was dried blood everywhere, congealed and

black on her face and on the worn linoleum, streaks of blood, like

lightning bolts, down the white wall. Her hair was matted to her

head, blood-soaked dark clumps falling away onto the floor. And

there was dirt mixed in with the dried bloody hair.

“She’s young,” she heard a man say, his voice low, calm, detached,

but underlying that voice was a thick layer of fury. “Jesus, too

young. It’s Linda Cartwright, isn’t it?”

“Yes,” Adam said. “He killed her right here in the kitchen.”

Linda Cartwright lay on her back on the floor wearing a ratty

old chenille bathrobe that had been washed so many times it was

nearly white rather than pink, except for the dirt that clung to the

robe, dirt everywhere, even on her feet, which were bare, her toenails

painted a bright, happy red. Becca eased closer. It was real, it

was horrifyingly real, in front of her, and the woman was dead.

“Oh, God. Oh God, no, no.”

She watched Savich bend down and unpin a note that was fastened

to the front of Linda Cartwright’s bathrobe. She saw for the

first time that the woman was heavy, just as Savich had read off her

driver’s license. “Don’t let Becca come in here,” he said to Sherlock,

not looking up as he read the note. “This is too much. Make sure

she stays outside.”

“I’m already here,” Becca said, swallowing again and again

against the nausea in her stomach, the vomit rising in her throat.

“What is that note?”

“Becca–”

It was Adam and he was turning toward her. She put up her

hands. “What is that note?” she asked again. “Read it, please.”

Savich paused, then read slowly, his voice firm and clear:

“Hey, Rebecca, you can call her Gleason. Since she didn’t look

like a dog, I had to smash her up a bit. Now she does. A dead dog.

She’s nice and fat, though, just like Gleason, and that’s good. You

killed her. You and no one else. Give her a good wake. This is all for

you, Rebecca. I’ll see you soon and it’ll be you and me, from then to

eternity.

Your Boyfriend.

“He wrote it in black ink, a ballpoint,” Savich said, his voice flat,

emotionless, as he carefully eased the paper into a plastic bag he

pulled out of his pants pocket and closed the zipper. “It’s just a

plain sheet of paper torn out of a notebook. Nothing at all unique

about it.”

“Do you think he’s out of control?” Sherlock said to no one in

particular. Her face was pale, the horror clear in her eyes.

“No,” Adam said. “I don’t think so. I think he’s really enjoying

himself. I think at last he’s discovering who he really is and what he

really likes. I can practically hear him thinking,’I want to scare Rebecca

shitless, prove to her I’m so bad that when I call her again I

won’t hear any more cockiness from her. No, I’ll hear fear in her

voice, helplessness. Now, what can I do to really make this happen?’

” Adam paused a moment, then said, “And so he decided to

kill Linda Cartwright and make her into his fictional dog.”

“Yeah “Tommy said, “I think Adam is right. There’s nothing but

control here. Too damned much of it.”

“I need to make some calls,” Savich said, but he didn’t move, just

stared down at the note and at what had been Linda Cartwright.

There was silence in the small, bright kitchen and the harsh

breathing of six men and two women, one of them drawing hard

on a pipe that wasn’t lit. Then Becca broke free, ran out the back

door, and fell to her knees, vomiting until her body was jerking and

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