Smiley’s People by John le Carré

‘You can tell your firm I didn’t turn up,’ he said.

‘Tell ’em what I bloody like, can’t I?’

Smiley climbed quickly out, just managing to close the door before the boy drove away at the same frightful speed. Standing on the pavement, he completed his second reading of the letter, and by then he had it in his memory for good. A woman, he thought, trusting his first instinct. And she thinks she’s going to die. Well, so do we all, and we’re right. He was feigning lightheadedness to himself, indifference. Each man has only a quantum of compassion, he argued, and mine is used up for the day. But the letter scared him all the same, and re-charged his sense of urgency.

General, I do not wish to be dramatic but some men are watching my house and I do not think they are your friends or mine. This morning I had an impression that they were trying to kill me. Will you not send me your magic friend once more?

He had things to hide. To cache, as they insisted on saying at Sarratt. He took buses, changing several times, watching his back, dozing. The black motor-cycle with its side-car had not reappeared; he could discern no other surveillance. At a stationer’s shop in Baker Street he bought a large cardboard box, some daily newspapers, some wrapping paper and a reel of Scotch tape. He put Vladimir’s packet of cigarettes into the box, together with Ostrakova’s letter, and he padded out the rest of the space with newspaper. He wrapped the box and got his fingers tangled in the Scotch tape. Scotch tape had always defeated him. He wrote his own name on the lid, ‘To be called for.’ He paid off the cab at the Savoy Hotel, where he consigned the box to the men’s-cloakroom attendant, together with a pound note.

‘Not heavy enough for a bomb, is it, sir?’ the attendant asked, and facetiously held the parcel to his ear.

‘I wouldn’t be so sure,’ said Smiley and they shared a good laugh together.

Tell Max that it concerns the Sandman, he thought. Vladimir, he wondered wistfully, what was your other proof?

NINE

The low skyline was filled with cranes and gasometers; lazy chimneys spouted ochre smoke into the rainclouds. If it had not been Saturday, Smiley would have used public transport but on Saturdays he was prepared to drive, though he lived on terms of mutual hatred with the combustion engine. He had crossed the river at Vauxhall Bridge. Greenwich lay behind him. He had entered the flat, dismembered hinterland of the docks. While the wiper blades shuddered, large raindrops crept through the bodywork of his unhappy little English car. Glum children, sheltering in a bus-stop, said, ‘Keep straight on, guv.’ He had shaved and bathed, but he had not slept. He had sent Vladimir’s telephone bill to Lacon, requesting a breakdown of all traceable calls as a matter of urgency. His mind, as he drove, was clear, but prey to anarchic changes of mood. He was wearing a brown tweed overcoat, the one he used for travelling. He navigated a roundabout, mounted a rise, and suddenly a fine Edwardian pub stood before him, under the sign of a red-faced warrior. Battle-of-the-Nile Street rose away from it towards an island of worn grass, and on the island stood St Saviour’s Church, built of stone and flint, proclaiming God’s message to the crumbling Victorian warehouses. Next Sunday’s preacher, said the poster, was a female major in the Salvation Army, and in front of the poster stood the lorry : a sixty-foot giant trailer, crimson, its side windows fringed with football pennants and a motley of foreign registration stickers covering one door. It was the biggest thing in sight, bigger even than the church. Somewhere in the background he heard a motor-bike engine slow down and then start up again, but he didn’t even bother to look back. The familiar escort had followed him since Chelsea; but fear, as he used to preach at Sarratt, is always a matter of selection.

Following the footpath, Smiley entered a graveyard with no graves. Lines of headstones made up the perimeter, a climbing frame and three standard-pattern new houses occupied the central ground. The first house was called Zion, the second had no name at all, the third was called Number Three. Each had wide windows but Number Three had lace curtains, and when he pushed the gate all he saw was one shadow upstairs. He saw it stationary then he saw it sink and vanish as if it had been sucked into the floor, and for a second he wondered, in a quite dreadful way, whether he had just witnessed another murder. He rang the bell and angel chimes exploded inside the house. The door was made of rippled glass. Pressing his eye to it, he made out brown stair carpet and what looked like a perambulator. He rang the bell again and heard a scream. It started low and grew louder and at first he thought it was a child, then a cat, then a whistling kettle. It reached its zenith, held it, then suddenly stopped, either because someone had taken the kettle off the boil or because it had blown its nozzle off. He walked round to the back of the house. It was the same as the front, except for the drain-pipes and a vegetable patch, and a tiny goldfish pond made of pre-cast slab. There was no water in the pond, and consequently no goldfish either, but in the concrete bowl lay a yellow wooden duck on its side. It lay with its beak open and its staring eye turned to Heaven and two if its wheels were still going round.

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