Swords in the Mist – Book 3 of the “Fafhrd and Gray Mouser” series by Fritz Leiber

“Finally came a day or night, I know not which, when the Old Man loosened the mask from my face. There could hardly have been more than a glimmer of light, but my long-blindfolded eyes made out every detail of the little basement with a painful clarity. The three gray stones had been dug out of the pavement. Supine beside them lay Anra, emaciated, pale, hardly breathing, looking as though he were about to die.”

The three climbers stopped, confronted by a ghostly green wall. The narrow path had emerged onto what must be the mountain’s tablelike top. Ahead stretched a level expanse of dark rock, mist-masked after the first few yards. Without a word they dismounted and led their trembling horses forward into a moist realm which, save that the water was weightless, most resembled a faintly phosphorescent sea bottom.

“My heart leaped out toward my twin in pity and horror. I realized that despite all tyranny and torment I still loved him more than anything in the world, loved him as a slave loves the weak, cruel master who depends for everything on that slave, loved him as the ill-used body loves the despot mind. And I felt more closely linked to him, our lives and deaths interdependent, than if we had been linked by bonds of flesh and blood, as some rare twins are.

“The Old Man told me I could save him from death if I chose. For the present I must merely talk to him in my usual fashion. This I did, with an eagerness born of days without him. Save for an occasional faint fluttering of his sallow eyelids, Anra did not move, yet I felt that never before had he listened as intently, never before had he understood me as well. It seemed to me that all my previous speech with him had been crude by contrast. Now I remembered and told him all sorts of things that had escaped my memory or seemed too subtle for language. I talked on and on, haphazardly, chaotically, ranging swiftly from local gossip to world history, delving into myriad experiences and feelings, not all of them my own.

“Hours, perhaps days passed—the Old Man may have put some spell of slumber or deafness on the other inmates of the house to guard against interruption. At times my throat grew dry and he gave me drink, but I hardly dared pause for that, since I was appalled at the slight but unremitting change for the worse that was taking place in my twin and I had become possessed with the idea that my talking was the cord between life and Anra, that it created a channel between our bodies, across which my strength could flow to revive him.

“My eyes swam and blurred, my body shook, my voice ran the gamut of hoarseness down to an almost inaudible whisper. Despite my resolve I would have fainted, save that the Old Man held to my face burning aromatic herbs which caused me to come shudderingly awake.

“Finally I could no longer speak, but that was no release, as I continued to twitch my cracked lips and think on and on in a rushing feverish stream. It was as if I jerked and flung from the depths of my mind scraps of ideas from which Anra sucked the tiny life that remained to him.

“There was one persistent image—of a dying Hermaphroditus approaching Salmacis’ pool, in which he would become one with the nymph.

“Farther and farther I ventured out along the talk-created channel between us, nearer and nearer I came to Anra’s pale, delicate, cadaverous face, until, as with a despairing burst of effort I hurled my last strength to him, it loomed large as a green-shadowed ivory cliff falling to engulf me—”

Ahura’s words broke off in a gasp of horror. All three stood still and stared ahead. For rearing up before them in the thickening mist, so near that they felt they had been ambushed, was a great chaotic structure of whitish, faintly yellowed stone, through whose narrow windows and wide open door streamed a baleful greenish light, source of the mist’s phosphorescent glow. Fafhrd and the Mouser thought of Karnak and its obelisks, of the Pharos lighthouse, of the Acropolis, of the Ishtar Gate in Babylon, of the ruins of Khatti, of the Lost City of Ahriman, of those doomful mirage-towers that seamen see where are Scylla and Charybdis. Of a truth, the architecture of the strange structure varied so swiftly and to such unearthly extremes that it was lifted into an insane stylistic realm all its own. Mist-magnified, its twisted ramps and pinnacles, like a fluid face in a nightmare, pushed upward toward where the stars should have been.

9: The Castle Called Mist

“What happened next was so strange that I felt sure I had plunged from feverish consciousness into the cool retreat of a fanciful dream,” Ahura continued as, having tethered their horses, they mounted a wide stairway toward that open door which mocked alike sudden rush and cautious reconnoitering. Her story went on with as calm and drugged a fatalism as their step-by-step advance. “I was lying on my back beside the three stones and watching my body move around the little basement. I was terribly weak, I could not stir a muscle, and yet I felt delightfully refreshed—all the dry burning and aching in my throat was gone. Idly, as one will in a dream, I studied my face. It seemed to be smiling in triumph, very foolishly I thought. But as I continued to study it, fear began to intrude into my pleasant dream. The face was mine, but there were unfamiliar quirks of expression. Then, becoming aware of my gaze, it grimaced contemptuously and turned and said something to the Old Man, who nodded matter-of-factly. The intruding fear engulfed me. With a tremendous effort I managed to roll my eyes downward and look at my real body, the one lying on the floor.

“It was Anra’s.”

They entered the doorway and found themselves in a huge, many-nooked and niched stone room—though seemingly no nearer the ultimate source of the green glow, except that here the misty air was bright with it. There were stone tables and benches and chairs scattered about, but the chief feature of the place was the mighty archway ahead, from which stone groinings curved upward in baffling profusion. Fafhrd’s and the Mouser’s eyes momentarily sought the keystone of the arch, both because of its great size and because there was an odd dark recess toward its top.

The silence was portentous, making them feel uneasily for their swords. It was not merely that the luring music had ceased—here in the Castle Called Mist there was literally no sound, save what rippled out futilely from their own beating hearts. There was instead a fog-bound concentration that froze into the senses, as though they were inside the mind of a titanic thinker, or as if the stones themselves were entranced.

Then, since it seemed as unthinkable to wait in that silence as for lost hunters to stand motionless in deep winter cold, they passed under the archway and took at random an upward-leading ramp.

Ahura continued, “Helplessly I watched them make certain preparations. While Anra gathered some small bundles of manuscripts and clothing, the Old Man lashed together the three mortar-crusted stones.

“It may have been that in the moment of victory he relaxed habitual precautions. At all events, while he was still bending over the stones, my mother entered the room. Crying out, ‘What have you done to him?’ she threw herself down beside me and felt at me anxiously. But that was not to the Old Man’s liking. He grabbed her shoulders and roughly jerked her back. She lay huddled against the wall, her eyes wide, her teeth chattering—especially when she saw Anra, in my body, grotesquely lift the lashed stones. Meanwhile the Old Man hoisted me, in my new, wasted form, to his shoulder, picked up the bundles, and ascended the short stair.

“We walked through the inner court, rose-strewn and filled with Mother’s perfumed, wine-splashed friends, who stared at us in befuddled astonishment, and so out of the house. It was night. Five slaves waited with a curtained litter in which the Old Man placed me. My last glimpse was of Mother’s face, its paint tracked by tears, peering horrifiedly through the half open door.”

The ramp issued onto an upper level, and they found themselves wandering aimlessly through a mazy series of rooms. Of little use to record here the things they thought they saw through shadowy doorways, or thought they heard through metal doors with massy complex bolts whose drawing they dared not fathom. There was a disordered, high-shelved library, certain of the rolls seeming to smoke and fume as though they held in their papyrus and ink the seeds of a holocaust; the corners were piled with sealed canisters of greenish stone and age-verdigrised brass tablets. There were instruments that Fafhrd did not even bother to warn the Mouser against touching. Another room exuded a fearful animal stench; upon its slippery floor they noted a sprinkling of short, incredibly thick black bristles. But the only living creature they saw at any time was a little hairless thing that looked as if it had once sought to become a bear cub; when Fafhrd stooped to pet it, it flopped away whimpering. There was a door that was thrice as broad as it was high, and its height hardly that of a man’s knee. There was a window that let upon a blackness that was neither of mist nor of night, and yet seemed infinite; peering in, Fafhrd could faintly see rusted iron handholds leading upward. The Mouser uncoiled his climbing rope to its full length and swung it around inside the window, without the hook striking anything.

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