The Dragons at War by Margaret Weis

The Dragons at War by Margaret Weis

THE DRAGONS AT WAR

Edited by Margaret Weis and Tracy Hickman

TABLE OF CONTENTS

1. Dream of the Namer

Michael Williams

2. People of the Dragon

Mark Anthony

3. Quarry

Adam Lesh

4. Glory Descending

Chris Pierson

5. A Lull in the Battle

Linda P. Baker

6. Proper Tribute

Janet Pack

7. Blind

Kevin T. Stein

8. Nature of the Beast

Teri McLaren

9. Even Dragon Blood

J. Robert King

10. Boom

Jeff Grubb

11. Storytellers

Nick O’Donohoe

12. The First Dragonarmy Engineer’s Secret Weapon

Don Perrin and Margaret Weis

13. Through the Door at the Top of the Sky

Roger E. Moore

14. Aurora’s Eggs

Douglas Niles

Introduction

Margaret Weis

It is storyteller’s night at the Inn of the Last Home. Tika began the institution in order to boost sales during those cold winter nights when people would much rather stay home near the fire than venture out into the ice and snow.

They became enormously popular and now, periodically, she and Caramon send invitations to the most renowned storytellers in Ansalon, offering to pay room and board if they come share their tales.

This evening, the Inn has a fine collection of bards.

Caramon stands up on a keg of ale to be seen over the crowd, and makes the introductions.

“First, I’d like to present the old-timers like me,” Caramon says. “These friends date clear back to the time of the War of the Lance. Just raise your hand when I call your name. Tasslehoff, put your hand down. We have tonight: Michael Williams, Jeff Grubb, Nick O’Donohoe, Roger Moore, Doug Niles, Margaret Weis, Tracy Hickman … Where’s Tracy?”

Caramon peers out into the crowd. There are shouts of laughter when Hickman is discovered wearing mouse-colored robes and accusing everyone of stealing his hat.

After the noise subsides, Caramon resumes. “A few of our bards this evening are making return appearances. Please raise your hands. No, Tas, that doesn’t include you. I-Wait a minute! What’s that you’re holding in your hand? That’s tonight’s cash box! Tas! Give me that!”

General confusion. Caramon clambers down off the keg.

Tas’s shrill voice rises in protest. “I was just keeping it safe, and a good thing, too! There’s a lot of shady-looking characters in this crowd tonight.”

“No, that’s just Roger!” calls out Michael Williams.

When order (and the cash box) are restored, Caramon introduces the bards who have told stories here before: Janet Pack, Linda Baker, Mark Anthony, and Don Perrin.

“Finally,” says Caramon, out of breath and red in the face, “I am pleased to introduce several bards who are newcomers to Ansalon. Everyone please welcome Adam Lesh, Chris Pierson, and J. Robert King.”

The newcomers are warmly welcomed and advised to keep their hands on their purses.

Caramon bows to thunderous applause and returns to his place behind the bar. Tika makes a final call for ale.

Come, friend. There’s room on this bench next to me. Sit down. Order a mug and be prepared to laugh and cry, shudder and shiver.

Tonight, our storytellers are going to talk about The Dragons at War.

Dream of the Namer

Michael Williams

I

The song of the high grass,

the twinned lamps

of the arcing moon,

the whisper of stars

and the darker moon

we must always remember-

these are the guides

on the first of the journeys

to a time past remembrance,

past the words for time

into the Namer’s country

where we venture in dreams.

The time of the walking,

the Namers call it:

the time of the breath,

the forgotten time

when the lamps of the moons

wink out in an instant

and we steer by the dark

unforgettable light,

by the lost heartbeat.

It is the dream

of the Namers’ time,

the convergence of visions,

when the moon and the wind

the strung bead

and the parables of sand

unite in a story

we do not remember

until we have traveled its country.

II

On the eve of the wars,

the signs and omens

bright as mirages,

I walked in a dreaming,

through an emptied country

bloodied with iron and sunlight,

and there in the dream

I asked three times

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