The Face of fear by Dean R.. Koontz

straight.”

“I shouldn’t have asked. It was none of my business,” said Preduski.

“But it occurred to me that in her line of work there would be a lot of

temptation for a girl who needed money.”

“She made eight hundred a week stripping and hustling drinks,” Sarah

said. “She only spent money on her books and apartment. She was

socking it in the bank. She didn’t need more.”

Preduski was somber. “But you see why I had to ask?

If she opened the door to the killer, he must have been someone she

knew, however briefly. That’s what puzzles me most about this whole

case. How does the Butcher get them to open the door?”

Graham had never thought about that. The dead women were all young, but

they were from varied backgrounds. One was a housewife.

One was a lawyer. Two were school-teachers. Three secretaries, one

model, one sales clerk…. How did the Butcher get so many different

women to open their doors to him late at night?

The kitchen table was littered with the remains of a hastily prepared

and hastily eaten meal. Bits of bread. The dried edge of a slice of

bologna. Smears of mustard and mayonnaise. Two apple cores.

A can of cling peaches empty of everything except an inch of packing

syrup. A drumstick gnawed to the bone. Half a doughnut.

Three crushed beer cans. The Butcher had been ravenous and sloppy.

“Ten murders,” Preduski said, “and he always goes to the kitchen for a

snack afterward.”

Stifled by the psychic atmosphere of the kitchen, by the incredibly

strong, lingering presence of the killer which was nearly as heavy here

as it had been in the dead woman’s bedroom, Graham could only nod. The

mess on the table, in contrast with the otherwise tidy kitchen,

disturbed him deeply. The peach can and the beer can were covered with

reddish-brown stains; the killer had eaten while wearing his bloody

gloves.

Preduski shuffled forlornly to the window by the sink. He stared at the

neighboring apartment house. “I’ve talked to a few psychiatrists about

these feasts he has when he’s done the dirty work.

As I understand it, there are two basic ways a psychopath will act when

he’s finished with his victim. Number one, there’s Mr. Meek. The

killing is everything for him, his whole reason for living, the only

color and desire in his life. When he’s done killing, there’s nothing,

he’s nothing. He goes home and watches television.

Sleeps a lot. He sinks into a deep pit of boredom until the pressures

build up and he kills again. Number two, there’s the man who gets

psyched up by the murder. His real excitement comes not during the

killing but after it. He’ll go straight from the scene of the crime to

a bar and drink everyone under the table. His adrenaline is up. His

heartbeat is up. He eats like a lumberjack and sometimes picks up

whores by the six-pack. Apparently, our man is number two.

Except .

“Except what?” Graham asked.

Turning away from the window, Preduski said, “Seven times he’s eaten a

big meal in the dead women’s own homes. But the other three times, he’s

taken the food out of the refrigerator and faked a big meal.”

“Faked it? What do you mean?”

“The fifth murder, the Liedstrom woman,” Preduski said. He closed his

eyes and grimaced as if he could still see her body and blood. “We were

aware of his style by then. We checked the kitchen right away.

There was an empty pear can on the table, an empty cottage cheese

container, the remains of an apple and several other items. But there

wasn’t a mess. The first four times, he’d been sloppy-like he was

tonight. But in the Liedstrom kitchen, he hadn’t left a lot of crumbs.

No smears of butter or mustard or mayonnaise or ketchup. No bloodstains

on the beer cans.”

He opened his eyes and walked to the table. “We’d I found well-gnawed

apple cores in two of the first four kitchens.” He pointed at an apple

core on the table in front of him. “Like that one.

The lab had even studied the teeth marks on them. But in the Liedstrom

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