The Face of fear by Dean R.. Koontz

all the way, to stop the door in case they tried to throw it open in his

face. He held his breath for those few steps, listening for the

slightest sound other than the soft squeak of his own shoes.

Nothing. Silence.

He used the toe of his shoe to push up the doorstop; then he pulled open

the door and walked onto the small platform. He had just enough time to

realize where he was, when the door closed behind him and all the lights

in the shaft went out.

At first he thought Harris had come into the maintenance room after him.

But when he tried the door, it was not locked. And when he opened it,

all the lights came on. The emergency lighting didn’t burn twenty-four

hours a day; it came on only when one of the service entrances was open;

and that was why Harris had left the door ajar.

Bollinger was impressed by the system of lights and platforms and

ladders. Not every building erected in the 1920s would have been

designed with an eye toward emergencies. In fact, damned few

skyscrapers built since the war could boast any safety provisions.

These days, they expected you to wait in a stalled elevator until it was

repaired, no matter if that took ten hours or ten days; and if the lift

couldn’t be repaired, you could risk a manually cranked descent, or you

could rot in it.

The more time he spent in the building, the deeper he penetrated it, the

more fascinating he found it to be. It was not on the scale of those

truly gargantuan stadiums and museums and highrises that Hitier had

designed for the “super race” just prior to and during the first days of

World War Two. But then Hitler’s magnificent edifices had never been

realized in stone and mortar, whereas this place had risen.

He began to feel that the men who had designed and constructed it were

Olympians. He found his appreciation strange, for he knew that had he

been restricted to the halls and offices during the day, when the

building was full of people Dew R Kooniz and buzzing with commerce, he

would not have noticed the great size and high style of the structure.

One took for granted that which was commonplace; and to New Yorkers,

there was nothing unusual about a forty-two-story office building. Now,

however, abandoned for the night, the tower seemed incredibly huge and

complex; in solitude and silence one had time to contemplate it and see

how magnificent and extraordinary it was. He was like a microbe

wandering through the I’veins and bowels of a living creature, a

behemoth almost beyond measurement.

He felt in league with the minds that could conceive of a monument-like

this. He was one of them, a mover and shaker, a superior man. The

Olympian nture of ‘i the building-and of the architects responsible for

itstruck a responsive chord in him, made him reverberate il 1 with the

knowledge of his own special godlike stature.

Brimming with a sense of glory, he was more deter- 4 mined than ever to

kill Harris and the woman. They were animals. Lice.

Parasites.

Because of Harris’s freakish psychic gift, they posed a threat to

Bollinger. They were trying to deny him his rightful place in this new

and forceful current of history: the at first gradual but

ever-quickening rise of the new men.

He pushed the doorstop against the floor to keep the door open and the

lights burning. Then he went to the edge of the platform and peered

down the ladder.

They were three floors under him. The woman on top, nearest by a few

rungs. Harris below her, going first. Neither of them looked up.

Thiey certainly were aware of the momentary loss of light and understood

the significance of it. They were hurrying toward the next platform,

where they could get out of the shaft.

Bollinger knelt, tested the railing. It was strong. He leaned against

it, using it like a safety harness to keep him from tumbling to his

death.

He didn’t want to kill them here. The place and method of murder were

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