The Face of fear by Dean R.. Koontz

superficial resemblance between Blake and Nietzsche. That’s why the

Butcher might quote both of them. But there’s a problem, Graham.”

“What’s that?”

“Blake was an optimist all the way. Nietzsche was a raving pessimist.

Blake thought mankind had a bright future.

Nietzsche thought mankind should have a bright future, but he believed

that it would destroy itself before the Supermen ever evolved from it.

Blake apparently liked women. Nietzsche despised them. In fact, he

thought women constituted one of the greatest obstacles standing between

man and his climb to godhood. You see what I’m getting at?”

“You’re saying that if the Butcher subscribes to both Blake and

Nietzsche’s philosophies, then he’s a schizophrenic.”

“Yet you say he’s not even crazy.”

“Wait a minute.”

“Last night-”

“All I said was that if he’s a maniac, he’s a new kind of maniac. I

said he wasn’t crazy in any traditional sense.”

“Which rules out schizophrenia?”

“I guess it does, Ira.”

“But I think it’s a good bet . . . maybe I’m wrong …

God knows … but maybe he looks at himself as one of Nietzsche’s

Supermen. A psychiatrist would call that delusions of grandeur. And

delusions of grandeur characterize schizophrenia and paranoia. Do you

still think the Butcher could pass any psychiatric test we could give

him?”

“Yes.”

“You sense this psychically?”

“That’s right.”

“Have you ever sensed something and been wrong?”

“Not seriously wrong. No worse than thinking Edna Mowry’s name was Edna

Dancer.”

“Of course. I know your reputation. I know you’re good. I didn’t mean

to imply anything. You understand? But still-now where do I stand?”

“I don’t know.”

“Graham … if you were to sit down with a book of Blake’s poems, if you

were to spend an hour or so reading them, would that maybe put you in

tune with the Butcher? Would it spark something-if not a vision, at

least a hunch?”

“It might.”

“Would you do me a favor then?”

“Name it.”

“If I send a messenger right over with an edition of Blake’s work, will

you sit down with it for an hour and see what happens?”

“You can send it over today if you want, but I won’t get to it until

tomorrow.”

“Maybe just half an hour.”

“Not even that. I’ve got to finish working on one of my magazines and

get it off to the printer tomorrow morning. I’m already three days late

with the issue. I’ll be working most of tonight. But tomorrow

afternoon or evening, I’ll make time for Blake.”

“Thank you. I appreciate it. I really do. I’m counting on you.

You’re my only hope. This Butcher is too much for me, too sharp for me.

I’m getting nowhere. Absolutely nowhere. If we don’t get a solid lead

soon, I don’t know what’s going to happen.”

Paul Stevenson was wearing a hand-sewn blue shirt, a

blue-and-black-striped silk tie, an expensive black suit, black socks,

and light brown shoes with white stitching. When he came into Anthony

Prine’s office at two o’clock Friday afternoon, unaware that Prine

winced when he saw the shoes, he was upset. Because he was incapable of

shouting and screaming at Prine, he pouted. “Tony, why are you keeping

secrets from me?”

Prine was stretched out on the couch, his head propped on a holster

pillow. He was reading The New York Times. “Secrets?”

“I just found out that at your direction the company has hired a private

detective agency to snoop on Graham Harris’ ”

“They’re not snooping. All I’ve asked them to do is establish Harris’s.

whereabouts at certain hours on certain days.

“You asked the detectives not to approach Harris or his girlfriend

directly. That’s snooping. And you asked them for a forty-eight-hour

rush job, which triples the cost. If you want to know where he was, why

don’t you ask him yourself?”

“I think he’d lie to me.”

“Why should he lie? What certain hours? What certain dates?”

Prine put down the paper, sat up, stood up, stretched. “I want to know

where he was when each of those ten women was killed.”

Perplexed, blinking somewhat stupidly, Stevenson said, “Why?”

“If on all ten occasions he was alone-working alone, seeing a movie

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