The House of Mirth By Edith Wharton

When at length she dismissed him, on the pretext that she must dress for dinner, he lingered entreatingly on the threshold to blurt out: “It’s been such a comfort–do say you’ll let me see you again–” But to this direct appeal it was impossible to give an assent; and she said with friendly decisiveness: “I’m sorry–but you know why I can’t.”

He coloured to the eyes, pushed the door shut, and stood before her embarrassed but insistent. “I know how you might, if you would–if things were different–and it lies with you to make them so. It’s just a word to say, and you put me out of my misery!”

Their eyes met, and for a second she trembled again with the nearness of the temptation. “You’re mistaken; I know nothing; I saw nothing,” she exclaimed, striving, by sheer force of reiteration, to build a barrier between herself and her peril; and as he turned away, groaning out “You sacrifice us both,” she continued to repeat, as if it were a charm: “I know nothing–absolutely nothing.”

Lily had seen little of Rosedale since her illuminating talk with Mrs. Fisher, but on the two or three occasions when they had met she was conscious of having distinctly advanced in his favour. There could be no doubt that he admired her as much as ever, and she believed it rested with herself to raise his admiration to the point where it should bear down the lingering counsels of expediency. The task was not an easy one; but neither was it easy, in her long sleepless nights, to face the thought of what George Dorset was so clearly ready to offer. Baseness for baseness, she hated the other least: there were even moments when a marriage with Rosedale seemed the only honourable solution of her difficulties. She did not indeed let her imagination range beyond the day of plighting: after that everything faded into a haze of material well-being, in which the personality of her benefactor remained mercifully vague. She had learned, in her long vigils, that there were certain things not good to think of, certain midnight images that must at any cost be exorcised–and one of these was the image of herself as Rosedale’s wife.

Carry Fisher, on the strength, as she frankly owned, of the Brys’ Newport success, had taken for the autumn months a small house at Tuxedo; and thither Lily was bound on the Sunday after Dorset’s visit. Though it was nearly dinner-time when she arrived, her hostess was still out, and the firelit quiet of the small silent house descended on her spirit with a sense of peace and familiarity. It may be doubted if such an emotion had ever before been evoked by Carry Fisher’s surroundings; but, contrasted to the world in which Lily had lately lived, there was an air of repose and stability in the very placing of the furniture, and in the quiet competence of the parlour-maid who led her up to her room. Mrs. Fisher’s unconventionality was, after all, a merely superficial divergence from an inherited social creed, while the manners of the Gormer circle represented their first attempt to formulate such a creed for themselves.

It was the first time since her return from Europe that Lily had found herself in a congenial atmosphere, and the stirring of familiar associations had almost prepared her, as she descended the stairs before dinner, to enter upon a group of her old acquaintances. But this expectation was instantly checked by the reflection that the friends who remained loyal were precisely those who would be least willing to expose her to such encounters; and it was hardly with surprise that she found, instead, Mr. Rosedale kneeling domestically on the drawing-room hearth before his hostess’s little girl.

Rosedale in the paternal role was hardly a figure to soften Lily; yet she could not but notice a quality of homely goodness in his advances to the child. They were not, at any rate, the premeditated and perfunctory endearments of the guest under his hostess’s eye, for he and the little girl had the room to themselves; and something in his attitude made him seem a simple and kindly being compared to the small critical creature who endured his homage. Yes, he would be kind–Lily, from the threshold, had time to feel–kind in his gross, unscrupulous, rapacious way, the way of the predatory creature with his mate. She had but a moment in which to consider whether this glimpse of the fireside man mitigated her repugnance, or gave it, rather, a more concrete and intimate form; for at sight of her he was immediately on his feet again, the florid and dominant Rosedale of Mattie Gormer’s drawing-room.

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