George Dorset’s talk did not interfere with the range of his neighbour’s thoughts. He was a mournful dyspeptic, intent on finding out the deleterious ingredients of every dish and diverted from this care only by the sound of his wife’s voice. On this occasion, however, Mrs. Dorset took no part in the general conversation. She sat talking in low murmurs with Selden, and turning a contemptuous and denuded shoulder toward her host, who, far from resenting his exclusion, plunged into the excesses of the MENU with the joyous irresponsibility of a free man. To Mr. Dorset, however, his wife’s attitude was a subject of such evident concern that, when he was not scraping the sauce from his fish, or scooping the moist bread-crumbs from the interior of his roll, he sat straining his thin neck for a glimpse of her between the lights.
Mrs. Trenor, as it chanced, had placed the husband and wife on opposite sides of the table, and Lily was therefore able to observe Mrs. Dorset also, and by carrying her glance a few feet farther, to set up a rapid comparison between Lawrence Selden and Mr. Gryce. It was that comparison which was her undoing. Why else had she suddenly grown interested in Selden? She had known him for eight years or more: ever since her return to America he had formed a part of her background. She had always been glad to sit next to him at dinner, had found him more agreeable than most men, and had vaguely wished that he possessed the other qualities needful to fix her attention; but till now she had been too busy with her own affairs to regard him as more than one of the pleasant accessories of life. Miss Bart was a keen reader of her own heart, and she saw that her sudden preoccupation with Selden was due to the fact that his presence shed a new light on her surroundings. Not that he was notably brilliant or exceptional; in his own profession he was surpassed by more than one man who had bored Lily through many a weary dinner. It was rather that he had preserved a certain social detachment, a happy air of viewing the show objectively, of having points of contact outside the great gilt cage in which they were all huddled for the mob to gape at. How alluring the world outside the cage appeared to Lily, as she heard its door clang on her! In reality, as she knew, the door never clanged: it stood always open; but most of the captives were like flies in a bottle, and having once flown in, could never regain their freedom. It was Selden’s distinction that he had never forgotten the way out.
That was the secret of his way of readjusting her vision. Lily, turning her eyes from him, found herself scanning her little world through his retina: it was as though the pink lamps had been shut off and the dusty daylight let in. She looked down the long table, studying its occupants one by one, from Gus Trenor, with his heavy carnivorous head sunk between his shoulders, as he preyed on a jellied plover, to his wife, at the opposite end of the long bank of orchids, suggestive, with her glaring good-looks, of a jeweller’s window lit by electricity. And between the two, what a long stretch of vacuity! How dreary and trivial these people were! Lily reviewed them with a scornful impatience: Carry Fisher, with her shoulders, her eyes, her divorces, her general air of embodying a “spicy paragraph”; young Silverton, who had meant to live on proof-reading and write an epic, and who now lived on his friends and had become critical of truffles; Alice Wetherall, an animated visiting-list, whose most fervid convictions turned on the wording of invitations and the engraving of dinner-cards; Wetherall, with his perpetual nervous nod of acquiescence, his air of agreeing with people before he knew what they were saying; Jack Stepney, with his confident smile and anxious eyes, half way between the sheriff and an heiress; Gwen Van Osburgh, with all the guileless confidence of a young girl who has always been told that there is no one richer than her father.