He left Lily to a passion of disgust and fear. It seemed incredible that Gus Trenor should have spoken of her to Rosedale. With all his faults, Trenor had the safeguard of his traditions, and was the less likely to overstep them because they were so purely instinctive. But Lily recalled with a pang that there were convivial moments when, as Judy had confided to her, Gus “talked foolishly”: in one of these, no doubt, the fatal word had slipped from him. As for Rosedale, she did not, after the first shock, greatly care what conclusions he had drawn. Though usually adroit enough where her own interests were concerned, she made the mistake, not uncommon to persons in whom the social habits are instinctive, of supposing that the inability to acquire them quickly implies a general dulness. Because a blue-bottle bangs irrationally against a window-pane, the drawing-room naturalist may forget that under less artificial conditions it is capable of measuring distances and drawing conclusions with all the accuracy needful to its welfare; and the fact that Mr. Rosedale’s drawing-room manner lacked perspective made Lily class him with Trenor and the other dull men she knew, and assume that a little flattery, and the occasional acceptance of his hospitality, would suffice to render him innocuous. However, there could be no doubt of the expediency of showing herself in his box on the opening night of the opera; and after all, since Judy Trenor had promised to take him up that winter, it was as well to reap the advantage of being first in the field.
For a day or two after Rosedale’s visit, Lily’s thoughts were dogged by the consciousness of Trenor’s shadowy claim, and she wished she had a clearer notion of the exact nature of the transaction which seemed to have put her in his power; but her mind shrank from any unusual application, and she was always helplessly puzzled by figures. Moreover she had not seen Trenor since the day of the Van Osburgh wedding, and in his continued absence the trace of Rosedale’s words was soon effaced by other impressions.
When the opening night of the opera came, her apprehensions had so completely vanished that the sight of Trenor’s ruddy countenance in the back of Mr. Rosedale’s box filled her with a sense of pleasant reassurance. Lily had not quite reconciled herself to the necessity of appearing as Rosedale’s guest on so conspicuous an occasion, and it was a relief to find herself supported by any one of her own set–for Mrs. Fisher’s social habits were too promiscuous for her presence to justify Miss Bart’s.
To Lily, always inspirited by the prospect of showing her beauty in public, and conscious tonight of all the added enhancements of dress, the insistency of Trenor’s gaze merged itself in the general stream of admiring looks of which she felt herself the centre. Ah, it was good to be young, to be radiant, to glow with the sense of slenderness, strength and elasticity, of well-poised lines and happy tints, to feel one’s self lifted to a height apart by that incommunicable grace which is the bodily counterpart of genius!
All means seemed justifiable to attain such an end, or rather, by a happy shifting of lights with which practice had familiarized Miss Bart, the cause shrank to a pin-point in the general brightness of the effect. But brilliant young ladies, a little blinded by their own effulgence, are apt to forget that the modest satellite drowned in their light is still performing its own revolutions and generating heat at its own rate. If Lily’s poetic enjoyment of the moment was undisturbed by the base thought that her gown and opera cloak had been indirectly paid for by Gus Trenor, the latter had not sufficient poetry in his composition to lose sight of these prosaic facts. He knew only that he had never seen Lily look smarter in her life, that there wasn’t a woman in the house who showed off good clothes as she did, and that hitherto he, to whom she owed the opportunity of making this display, had reaped no return beyond that of gazing at her in company with several hundred other pairs of eyes.