The Puppet Masters By Robert A. Heinlein

She was just coming in and did not have the cat with her. I started to speak and then caught sight of her eyes. They were staring, filled with unspeakable horror. I said, “Mary!” and started toward her.

She seemed to see me and turned back toward the door; her movements were jerky, spasmodic. As she turned I saw her shoulders.

Under the negligee was a hump.

I don’t know how long I stood there. Probably a split second but it is burned into me as endless. I jumped toward her and grabbed her by the arms. She looked at me and her eyes were no longer wells of horror but merely dead.

She gave me the knee.

I squeezed and managed to avoid the worst of it. Look—I know you don’t tackle a dangerous opponent by grabbing his upper arms, but this was my wife. I couldn’t come at Mary with a feint-shift-and-kill.

But the slug had no compunctions about me. Mary—or it—was giving me everything she had and I had all I could do to keep from killing her. I had to keep her from killing me—and I had to kill the slug—and I had to keep the slug from getting at me or I would not be able to save her.

I let go with one hand and jabbed at her chin. The blow should have knocked her out but it did not even slow her down. I grabbed again, with both arms and legs, trying to encase her in a bear hug to immobilize her without injuring her. We went down together, Mary on top. I shoved the top of my head into her face to stop her biting me.

I held her so, curbing her strong body by sheer bulk of muscle. Then I tried to paralyze her with nerve pressure, but she knew what I was up to, knew the key spots as well as I did—and I was lucky that I was not myself paralyzed.

There was one thing left that I could do: clutch the slug itself—but I knew the shattering effect that had on the host. It might not kill her; again it might. It was sure to hurt her horribly. I wanted to make her unconscious, then remove the slug gently before I killed it . . . drive it off with heat or force it to turn loose with mild shocks.

Drive it off with heat—

But I was given no time to develop the idea; she got her teeth in my ear. I shifted my right arm and grabbed at the slug. Nothing happened. Instead of sinking my fingers into a slimy mess I found that this slug had a horny, leathery covering; it was as if I had clutched a football. Mary jerked when I touched it and took away part of my ear, but there was no bone-crushing spasm; the slug was still alive and in control of her.

I tried to get my fingers under it, to pry it loose; it clung like a suction cup. My fingers would not go under.

In the meantime I was suffering damages in other places. I rolled over and got to my knees, still hugging her. I had to let her legs free and that was bad, but I bent her across a knee and then struggled to my feet. I dragged and carried her to the fireplace.

She knew what I was doing and almost got away from me; it was like trying to wrestle a mountain lion. But I got her there, grabbed her by her mop of hair and slowly forced her shoulders over the fire.

I meant—I swear that I meant only to singe it, force it to drop off to escape that heat. But she struggled so hard that I slipped, banging my own head against the arch of the opening and dropping her shoulders against the coals.

She screamed and bounded out of the fire, carrying me with her. I struggled to my feet, still dazed by the wallop I had taken in the head, and saw her collapsed on the floor. Her hair, her beautiful hair, was burning.

So was her negligee. I slapped at them both with my hands. The slug was no longer on her. Still crushing the flames with my hands I glanced around and saw it lying on the floor in front of the fireplace—and the Pirate was sniffing at it.

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