THREE MEN AND A MAID by P. G. WODEHOUSE

The morning sunlight fell pleasantly on the garden of Windles, turning it into the green and amber Paradise which Nature had intended it to be. A number of the local birds sang melodiously in the under-growth at the end of the lawn, while others, more energetic, hopped about the grass in quest of worms. Bees, mercifully ignorant that, after they had worked themselves to the bone gathering honey, the proceeds of their labour would be collared and consumed by idle humans, buzzed industriously to and fro and dived head foremost into flowers. Winged insects danced sarabands in the sunshine. And in a deck-chair under the cedar-tree Billie Bennett, with a sketching-block on her knee, was engaged in drawing a picture of the ruined castle. Beside her, curled up in a ball, lay her Pekinese dog, Pinky-Boodles. Beside Pinky-Boodles slept Smith, the bulldog. In the distant stable-yard, unseen but audible, a boy in shirt sleeves was washing the car and singing as much as treacherous memory would permit of a popular sentimental ballad.

You may think that was all. You may suppose that nothing could be added to deepen the atmosphere of peace and content. Not so. At this moment, Mr. Bennett emerged from the French windows of the drawing-room, clad in white flannels and buckskin shoes, supplying just the finishing touch that was needed.

Mr. Bennett crossed the lawn, and sat down beside his daughter. Smith, the bulldog, raising a sleepy head, breathed heavily; but Mr. Bennett did not quail. Of late, relations of distant but solid friendship had come to exist between them. Sceptical at first, Mr. Bennett had at length allowed himself to be persuaded of the mildness of the animal’s nature and the essential purity of his motives; and now it was only when they encountered each other unexpectedly round sharp corners that he ever betrayed the slightest alarm. So now, while Smith slept on the grass, Mr. Bennett reclined in the chair. It was the nearest thing modern civilization had seen to the lion lying down with the lamb.

“Sketching?” said Mr. Bennett.

“Yes,” said Billie, for there were no secrets between this girl and her father. At least, not many. She occasionally omitted to tell him some such trifle as that she had met Samuel Marlowe on the previous morning in a leafy lane, and intended to meet him again this afternoon, but apart from that her mind was an open book.

“It’s a great morning,” said Mr. Bennett.

“So peaceful,” said Billie.

“The eggs you get in the country in England,” said Mr. Bennett, suddenly striking a lyrical note, “are extraordinary. I had three for breakfast this morning which defied competition, simply defied competition. They were large and brown, and as fresh as new-mown-hay!”

He mused for a while in a sort of ecstasy.

“And the hams!” he went on. “The ham I had for breakfast was what I call ham! I don’t know when I’ve had ham like that. I suppose it’s something they feed the pigs,” he concluded, in soft meditation. And he gave a little sigh. Life was very beautiful.

Silence fell, broken only by the snoring of Smith. Billie was thinking of Sam, and of what Sam had said to her in the lane yesterday; of his clean-cut face, and the look in his eyes—so vastly superior to any look that ever came into the eyes of Bream Mortimer. She was telling herself that her relations with Sam were an idyll; for, being young and romantic, she enjoyed this freshet of surreptitious meetings which had come to enliven the stream of her life. It was pleasant to go warily into deep lanes where forbidden love lurked. She cast a swift side-glance at her father—the unconscious ogre in her fairy-story. What would he say if he knew? But Mr. Bennett did not know, and consequently continued to meditate peacefully on ham.

They had sat like this for perhaps a minute—two happy mortals lulled by the gentle beauty of the day—when from the window of the drawing-room there stepped out a white-capped maid. And one may just as well say at once—and have done with it—that this is the point where the quiet, peaceful scene in domestic life terminates with a jerk, and pity and terror resume work at the old stand.

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