THREE MEN AND A MAID by P. G. WODEHOUSE

Billie trod on the self-starter. Nothing happened.

“You’ll have to get down and crank her,” she said curtly.

“All right,” said Bream.

“Well, go on,” said Billie impatiently.

“Eh?”

“Get out and crank her.”

Bream emerged for an instant from his trance.

“All right,” he said.

The art of cranking a car is one that is not given to all men. Some of our greatest and wisest stand helpless before the task. It is a job towards the consummation of which a noble soul and a fine brain help not at all. A man may have all the other gifts and yet be unable to accomplish a task the fellow at the garage does with one quiet quick flick of the wrist without even bothering to remove his chewing gum. This being so, it was not only unkind but foolish of Billie to grow impatient as Bream’s repeated efforts failed of their object. It was wrong of her to click her tongue, and certainly she ought not to have told Bream that he was not fit to churn butter. But women are an emotional sex and must be forgiven much in moments of mental stress.

“Give it a good sharp twist,” she said.

“All right,” said Bream.

“Here, let me do it,” cried Billie.

She jumped down and snatched the thingummy from his hand. With bent brows and set teeth she wrenched it round. The engine gave a faint protesting mutter, like a dog that has been disturbed in its sleep, and was still once more.

“May I help?”

It was not Bream who spoke but a strange voice—a sepulchral voice, the sort of voice someone would have used in one of Edgar Allen Poe’s cheerful little tales if he had been buried alive and were speaking from the family vault. Coming suddenly out of the night it affected Bream painfully. He uttered a sharp exclamation and gave a bound which, if he had been a Russian dancer, would probably have caused the management to raise his salary. He was in no frame of mind to bear up under sudden sepulchral voices.

Billie, on the other hand, was pleased. The high-spirited girl was just beginning to fear that she was unequal to the task which she had chided Bream for being unable to perform and this was mortifying her.

“Oh, would you mind? Thank you so much. The self-starter has gone wrong.”

Into the glare of the head-lights there stepped a strange figure, strange, that is to say, in these tame modern times. In the Middle Ages he would have excited no comment at all. Passers-by would simply have said to themselves, “Ah, another of those knights off after the dragons!” and would have gone on their way with a civil greeting. But in the present age it is always somewhat startling to see a helmeted head pop up in front of your automobile. At any rate, it startled Bream. I will go further. It gave Bream the shock of a lifetime. He had had shocks already that night, but none to be compared with this. Or perhaps it was that this shock, coming on top of those shocks, affected him more disastrously than it would have done if it had been the first of the series instead of the last. One may express the thing briefly by saying that, as far as Bream was concerned, Sam’s unconventional appearance put the lid on it. He did not hesitate. He did not pause to make comments or ask questions. With a single cat-like screech which took years off the lives of the abruptly wakened birds roosting in the neighbouring trees, he dashed away towards the house and, reaching his room, locked the door and pushed the bed, the chest of drawers, two chairs, the towel stand, and three pairs of boots against it. Only then did he feel comparatively safe.

Out on the drive Billie was staring at the man in armour who had now, with a masterful wrench which informed the car right away that he would stand no nonsense, set the engine going again.

“Why—why,” she stammered, “why are you wearing that thing on your head?”

“Because I can’t get it off.”

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