It was not unlike the fight in Rakesblade, and Feltheryn, barely feeling the wounds in the excitement of a performance, delivered his lines with force enough to rattle their teeth:
“Is this your best, you unborn whoreson snakes?
Is magick then your honorless defense?
See too my holy blade I can enchaunt.
So that its light your rude entrapment breaks!”
The fact that they were not using magic against him quite escaped their attention at that moment, for the sword in Feltheryn’s hand began to glow a bluish white, spilling its weird light into the shadows and illuminating the scene dramatically. They had no idea that the light from the blade was all there was to the magic of the spell contained in the play. They only knew that their leader was once more screaming in agony and that the man before them was much taller than he had seemed a moment before: that he seemed unharmed by their attack, and that they were not winning.
“Gralis, forget him!” cried one of the boys to their leader, and then they all bolted, leaving the wounded Gratis to fend for himself.
Feltheryn stepped forward, brandishing the glowing sword at his agonized enemy.
“Go thou into darkness!” he commanded, from later in the same play. “Take demons now for playmates if you will, and leave forever, these the lands of light!”
Through the pain in his ruined shoulder the boy heard these words and, harking back to the terrors that had so recently reigned in Sanctuary, he lost control of his bladder even as he turned and staggered away, doing his best to run.
Feltheryn stood triumphant, the light blazing from the sword in an unnaturally quiet and empty street. He watched the horrified and incompetent thief disappear into the shadows, then he realized that something was wrong.
There was no applause!
The light of the sword fizzled out as if it had been doused with a bucket of winter cold water, and the pain hit Feltheryn where the two blades had cut him. He shook himself, took a deep breath, then thrust the stage sword back into its stage scabbard. He felt the wound across his belly and determined that it was not going to be fatal, then checked the piercing between his ribs. That was more serious, and would require a chirurgeon: after the performance.
He turned and headed for the Vulgar Unicorn, his anger returning full force.
-But he was not prepared for what awaited him when he slammed open the door and raked the brown darkness with his steel-blue gaze.
Rounsnouf and Hort were two of three sitting at a table engaged in animated conversation while the barkeep-a barkeep different from the one Feltheryn had bribed-poured dark beer in their mugs.
The barkeep registered a look not much different from that of any other man faced with trouble, but it was the third patron at Rounsnouf’s table who captured and held Feltheryn’s attention. A daemon! They were drinking with a gray-skinned, wart-faced, wall-eyed daemon! “Oh dear,” said Rounsnouf. “I believe I’ve upset my director.” “Lady of Stars!” exclaimed the young storyteller. “You’re wounded!” “Not so much in the flesh as in my heart!” Feltheryn proclaimed, a quote from the play he should now be ready to begin.
“I would not have come just now . . .” Rounsnouf said lamely, and he gestured to the daemon.
“Snapper Jo’s fault?” the daemon queried. “Just a little drink with friends. Very human thing to do!”
“To the Theater!” Feltheryn proclaimed. And if the habitues of the Vulgar Unicorn had been familiar with the whole corpus of the sacred plays they would have seen in the fire of his eyes the conjuration of most ancient deities from the most ancient dramas.
They were not, but nobody argued.
Still, the night’s difficulties were unended.
Bandages, ointments to kill the pain, makeup, costume, light calisthenics to fill his blood with air to support his voice; all these were accomplished, and the curtain went up. From the wings Feltheryn listened to the love scene in the garden between Snegelringe and Glisselrand, running his lines and clearing his mind of all the nonsense that had slowed him. It was past, after all, and only the play now existed.
The scene drew to a close and the curtain was drawn, then he and Rounsnouf and Lempchin, with the aid of the roaring boys provided by Myrtis, pulled the ropes, moved the panels, and in general changed the scene to that of the King’s study. He took his place on the stage, seated at the King’s great desk, and the curtain went up.
Feltheryn came alive.
There was an audience and he could feel it, feel every living being as a presence, their eyes upon him, their breathing slowed, their minds involved-their emotions guided as they submitted themselves, for the duration, to the magic of the show. He began the monologue in which the King voiced his doubts, then Glisselrand entered and he began the part of the play that was his personal favorite, for it said, better than any words of his own could ever hope to say, what he felt about her:
“How shall I call you then?
Like some great bird, that though she be my slave can yet take wing?
Like some famed horse, that though I hold the reins can race the wind?
I call you love, and hold you in my arms, and yet you overpower me.
I call you wife, and you must call me lord; and yet I worship at your shrine!”
He ceased to exist as a separate person and became the tragic king, a man doomed by circumstance to destroy all that he loved in life, rescued from the ultimate humiliation only by the intervention of supernatural forces at the end: forces beyond his comprehension.
The scene changed again and the pain hit him, then he launched back into his performance and it was gone. Only when the first act was complete did he really understand that he was seriously wounded. Instead of going out to the little secret passage behind the lobby (Molin had included it without question) to listen to the public reaction to the play, Feltheryn stayed in his dressing room, resting for the forceful and terrible interview with the High Priest, preparing for the cold and terrible act of burning his enemies at the stake, the auto-da-fe that was the play’s most stunning spectacle.
By the end, however, as the story ground to its inevitable conclusion with the ghostly figure of the King’s dead father dragging his grandson Karel into the tomb, the pain was pushing past all Feltheryn’s defenses. And there was something else, something that had tugged at him increasingly throughout. As the curtain fell and he dropped the character from him like a discarded robe, he placed it.
There was no applause.
No more applause than there had been in the alley earlier. Instead there was a curious buzz, something between anger and amusement, partaking of both; as if the audience didn’t know what to do.
He had felt it, had known with the back of his mind that something was wrong, but he had been too much at odds with the pain to pay attention. Now his mind focused on it with a clarity like sunlight on springwater.
He started to go through the curtains for a bow, .if not to receive applause then to gauge the danger, but Glisselrand took his arm and stopped him.
“I think not,” she said, and he saw that there were lines in her face that age had not put there.
“What’s wrong?” he asked.
“I don’t quite know,” she replied, “but I think we shall find out. The Prince and the Beysa have sent word that they are coming backstage. Let’s get to the green room.”
They had taken the precaution of providing their own greens for the opening, so by the time Prince Kadakithis and the Beysa Shupansea swept in, Feltheryn and Glisselrand were seated behind a desk amidst baskets of flowers and fruit with potted palms to either side. It had not been easy to find potted palms in Sanctuary, but they had grown used to them in Ranke and they felt it would identify them positively with the capital in its days of glory.
The effort was apparently wasted.
“How dare you'” accused the prince, and Feltheryn instantly knew what it was that he had dared, though just how and why he did not know.
Prince Kadakithis was clearly the young nobleman on whom Snegelringe had modeled his walk and manner! It must have appeared that the whole play was directly aimed at him, a warning or an insult or …
“Oh look!” said Snegelringe, entering on the arm of a beautiful young woman and accompanied by several more. “Here’s the young man you pointed out to me! Kind Sir, you cannot know how grateful-”
Snegelringe stopped.
The whole world seemed to stop for a moment as one of the ladies in the pudgy actor’s retinue stepped forward.