Aldiss, Brian W. – Helliconia Spring. Part one

Nothing similar was ever beard in the Barriers. The only music the besieged tribes there knew was a prolonged drumming, on a drum made of hide; clacking, of animal bones struck together; and clapping, of human hands, accompanied by a monotonous chant. It was the luxurious complication of the new music that convinced Yuli of the reality of his still awakening spiritual life. One great tune in particular took him by storm, “Oldorando,” which had a part for an instrument that soared about all others, then dived into their midst, finally to retreat into a secure melodic refuge of its own.

Music became almost an alternative to light for Yuli. When he talked to his fellow novices, he found that they felt little of his exhilaration. But they—he came to realise—all carried a much greater central commitment to Akha himself than he. Most of the novices had loved or hated Akha from birth; Akha was nature to them as he was not to Yuli.

When he wrestled with such matters during the sparse hours allotted to sleep, Yuli felt guilt that he was not as the other novices. He loved the music of Akha. It was a new language. But was not music the creation of men, rather than of …

Even when he choked off the doubt, another doubt sprang up. How about the language of religion? Wasn’t that also the invention of men—perhaps pleasant, ineffectual men like Father Sifans?

“Belief is not peace but torment, only the great War is peace.” That part of the creed at least was true.

Meanwhile, Yuli kept his own council, and fraternised only superficially with his fellows.

They met for instruction in a low, damp, foggy hall named Cleft. Sometimes they went in utter darkness, sometimes in the glow of wicks carried by the fathers. Each session ended with the priest pressing his hand to the novice’s forehead, gesturing at his brain, an action at which the novices laughed later in their dormitory. Priests’ fingers were rough, from the wall-reading by which they navigated briskly about the labyrinths of the Holies even in the most pitchy blackness.

Each novice sat in a curiously shaped dock, built of clay bricks, facing his instructor. Each dock was decorated in individual low-reliefs, to make their identification in the dark easier. Their instructor sat opposite and above them, astride a clay saddle.

When only a few weeks of the novitiate had lapsed, Father Sifans announced the subject of heresy. He spoke in a low voice, coughing as he did so. Worse than nonbelief was to believe wrongly. Yuli leaned forward. He and Sifans had no light, but the charge-father in the next box did, a fluttering flame which served to throw a foggy orange nimbus about Sifans’ head and shade his face. The old man’s white-and-black gown further disintegrated his outlines, so that he merged with the dark of the chamber. Mist rolled about them, trailing anyone who walked slowly by, practising wall-reading. Coughs and muttering filled the low cavern; water dripped ceaselessly, like small bells.

“A human sacrifice, Father, did you say a human sacrifice?”

“The body is precious, the spirit expendable. One who has spoken against the priesthood, saying they should be more frugal to aid Akha … You are far enough on with your studies to attend his execution. … Ritual from barbarous times …”

The nervous eyes, two tiny points of orange, flickered in the dark like a signal from a remote distance.

When the time came, Yuli walked through the lugubrious galleries, nervously trying to wall-read with his fingers. They entered the largest cavern in the Holies, called State. No light was allowed. Whispering filled the air as the priesthood assembled. Yuli surreptitiously took hold of the hem of Father Sifans’ gown in order not to lose him. Then a voice of a priest, declaiming the history of the long war between Akha and Wutra. Night was Akha’s, and the priests were set to protect their flock through the long night’s battle. Those who opposed the guardians must die.

“Bring forth the prisoner.”

There was much talk of prisoners in the Holies, but this one was special. The tramp of the militia’s heavy sandals could be heard, a shuffling. Then brightness.

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