Erkenbert pulled at his lower lip. A forgery? The letter had clearly been copied several times, but that was natural over the centuries. If the copier had been concerned to stress its importance, would he have made such a shabby copy, with such inferior penmanship? As for the tale itself, Erkenbert had no doubt that a centurion in Jerusalem in the Year of Our Lord 33 might well have been from the Rhineland. Or from England for that matter. Had the great Constantine, who had made Christianity the religion of the Empire, not himself been proclaimed Emperor on the very site of Erkenbert’s own Minster at York?
The critical text was the third, a modern work, written no more than thirty years before, or so Erkenbert judged from its style. It was an account of the life and the death of the great Emperor Charlemagne, whose degenerate descendants, in Archbishop Gunther’s view, now incompetently ruled the West. Much of it was familiar to Erkenbert already—the Emperor’s campaigns, his fostering of learning. As Erkenbert never for a moment forgot, Charlemagne had called Alcuin, another man of York, another humble deacon like himself, from the English minster to control the destiny and the scholarship of the whole of Europe. Alcuin had been a man of great learning, true. But in literature, not in the practical arts. He was not an arithmeticus, as Erkenbert was. There was nothing to say an arithmeticus might not be as great a man as a poet.
But in this Charlemagne chronicle there was something Erkenbert had indeed never heard, till Rimbert had told them all of it. Not how the Emperor died, for that was known, but the portents that announced it. Erkenbert shifted the book into full sunlight and read intently.
The emperor, aged seventy, was returning, it said, from his forty-seventh victorious campaign, against the Saxons, in full majesty and power. But then across the evening sky a comet had flashed. Cometa, thought Erkenbert. What we call the long-haired star. Long hair is the sign of the sacred king. That is why Charlemagne’s ancestors had the kings they deposed shorn in public. The hairy star fell. And as it fell, the chronicle asserted, the emperor’s horse shied and threw him. It threw him so violently that his sword-belt was torn off. And the lance he was carrying in his left hand flew from it and landed many yards away. At the same time, at the emperor’s chapel in Aachen, the word “Princeps,” or “Prince,” had faded from an inscription the emperor had erected for himself, and never returned. The king had died weeks later, the chronicle said, insisting to the last that these portents did not mean that God had taken his authority from him. Yet of them all the greatest was the emperor’s dropping of the lance, which previously he had carried everywhere with him—for that lance, the book insisted, was the beata lancea itself, the Lance of the German centurion Longinus, taken from its hiding-place in Cologne by Charlemagne in youth, and never leaving his side again in all his many campaigns and victories.
He who holds this Lance, the chronicle said, sways the destiny of the world. But no scholar knows where it is, for Charlemagne’s counts diced for it after his death, and revealed only to each other who had been the winner.
And according to Rimbert no man knows now, thought Erkenbert, straightening up from his books. For by his account the Holy Lance was taken by Count Reginbald to Hamburg and treasured as a relic, inlaid with gold and precious stones. But since the heathens of the North sacked Hamburg twelve years ago, it has not been seen. Stolen away by some chieftain or kinglet. Destroyed maybe.
But no. For if it is the holy relic, God would guard it. And if it was made marvelous with gold and gems, even the heathen would respect it.
Does that mean that some petty chief among the church-despoilers shall be the overlord of Europe, the new Charlemagne? Remembering Ragnar Hairy-Breeks, whom he himself had put to the serpent-pit, and his sons, Ubbi, Halvdan, Ivar the Boneless and worst of all, the Snake-eye, Erkenbert felt his spine cringe in fear.