Albert vanished. George took a deep breath. Now that the moment had arrived for which he had waited so long he was aware of a return of that feeling of stage-fright which had come upon him when he heard Reggie Byng’s voice. This sort of thing, it must be remembered, was not in George’s usual line. His had been a quiet and uneventful life, and the only exciting thing which, in his recollection, had ever happened to him previous to the dramatic entry of Lady Maud into his taxi-cab that day in Piccadilly, had occurred at college nearly ten years before, when a festive room-mate–no doubt with the best motives–had placed a Mexican horned toad in his bed on the night of the Yale football game.
A light footstep sounded outside, and the room whirled round George in a manner which, if it had happened to Reggie Byng, would have caused that injudicious drinker to abandon the habits of a lifetime. When the furniture had returned to its place and the rug had ceased to spin, Maud was standing before him.
Nothing is harder to remember than a once-seen face. It had caused George a good deal of distress and inconvenience that, try as he might, he could not conjure up anything more than a vague vision of what the only girl in the world really looked like. He had carried away with him from their meeting in the cab only a confused recollection of eyes that shone and a mouth that curved in a smile; and the brief moment in which he was able to refresh his memory, when he found her in the lane with Reggie Byng and the broken-down car, had not been enough to add definiteness. The consequence was that Maud came upon him now with the stunning effect of beauty seen for the first time. He gasped. In that dazzling ball-dress, with the flush of dancing on her cheeks and the light of dancing in her eyes, she was so much more wonderful than any picture of her which memory had been able to produce for his inspection that it was as if he had never seen her before.
Even her brother, Percy, a stern critic where his nearest and dearest were concerned, had admitted on meeting her in the drawing-room before dinner that that particular dress suited Maud. It was a shimmering dream-thing of rose-leaves and moon-beams. That, at least, was how it struck George; a dressmaker would have found a longer and less romantic description for it. But that does not matter. Whoever wishes for a cold and technical catalogue of the stuffs which went to make up the picture that deprived George of speech may consult the files of the Belpher Intelligencer and Farmers’ Guide, and read the report of the editor’s wife, who “does” the dresses for the Intelligencer under the pen-name of “Birdie Bright-Eye”. As far as George was concerned, the thing was made of rose-leaves and moon-beams.
George, as I say, was deprived of speech. That any girl could possibly look so beautiful was enough to paralyse his faculties; but that this ethereal being straight from Fairyland could have stooped to love him–him–an earthy brute who wore sock-suspenders and drank coffee for breakfast… that was what robbed George of the power to articulate. He could do nothing but look at her.
From the Hills of Fairyland soft music came. Or, if we must be exact, Maud spoke.
“I couldn’t get away before!” Then she stopped short and darted to the door listening. “Was that somebody coming? I had to cut a dance with Mr. Plummer to get here, and I’m so afraid he may…”
He had. A moment later it was only too evident that this was precisely what Mr. Plummer had done. There was a footstep on the stairs, a heavy footstep this time, and from outside the voice of the pursuer made itself heard.
“Oh, there you are, Lady Maud! I was looking for you. This is our dance.”
George did not know who Mr. Plummer was. He did not want to know. His only thought regarding Mr. Plummer was a passionate realization of the superfluity of his existence. It is the presence on the globe of these Plummers that delays the coming of the Millennium.