An Outcast of the Islands by Conrad, Joseph

Babalatchi slipped quietly through the little gate and, closing it, tied up carefully the rattan fastenings. Before the house there was a square space of ground, beaten hard into the level smoothness of asphalte. A big buttressed tree, a giant left there on purpose during the process of clearing the land, roofed in the clear space with a high canopy of gnarled boughs and thick, sombre leaves. To the right—and some small distance away from the large house—a little hut of reeds, covered with mats, had been put up for the special convenience of Omar, who, being blind and infirm, had some difficulty in ascending the steep plankway that led to the more substantial dwelling, which was built on low posts and had an uncovered verandah. Close by the trunk of the tree, and facing the doorway of the hut, the household fire glowed in a small handful of embers in the midst of a large circle of white ashes. An old woman—some humble relation of one of Lakamba’s wives, who had been ordered to attend on Aissa—was squatting over the fire and lifted up her bleared eyes to gaze at Babalatchi in an uninterested manner, as he advanced rapidly across the courtyard.

Babalatchi took in the courtyard with a keen glance of his solitary eye, and without looking down at the old woman muttered a question. Silently, the woman stretched a tremulous and emaciated arm towards the hut. Babalatchi made a few steps towards the doorway, but stopped outside in the sunlight.

“O! Tuan Omar, Omar besar! It is I—Babalatchi!”

Within the hut there was a feeble groan, a fit of coughing and an indistinct murmur in the broken tones of a vague plaint. Encouraged evidently by those signs of dismal life within, Babalatchi entered the hut, and after some time came out leading with rigid carefulness the blind Omar, who followed with both his hands on his guide’s shoulders. There was a rude seat under the tree, and there Babalatchi led his old chief, who sat down with a sigh of relief and leaned wearily against the rugged trunk. The rays of the setting sun, darting under the spreading branches, rested on the white-robed figure sitting with head thrown back in stiff dignity, on the thin hands moving uneasily, and on the stolid face with its eyelids dropped over the destroyed eyeballs; a face set into the immobility of a plaster cast yellowed by age.

“Is the sun near its setting?” asked Omar, in a dull voice.

“Very near,” answered Babalatchi.

“Where am I? Why have I been taken away from the place which I knew—where I, blind, could move without fear? It is like black night to those who see. And the sun is near its setting—and I have not heard the sound of her footsteps since the morning! Twice a strange hand has given me my food to-day. Why? Why? Where is she?”

“She is near,” said Babalatchi.

“And he?” went on Omar, with sudden eagerness, and a drop in his voice. “Where is he? Not here. Not here!” he repeated, turning his head from side to side as if in deliberate attempt to see.

“No! He is not here now,” said Babalatchi, soothingly. Then, after a pause, he added very low, “But he shall soon return.”

“Return! O crafty one! Will he return? I have cursed him three times,” exclaimed Omar, with weak violence.

“He is—no doubt—accursed,” assented Babalatchi, in a conciliating manner—”and yet he will be here before very long—I know!”

“You are crafty and faithless. I have made you great. You were dirt under my feet—less than dirt,” said Omar, with tremulous energy.

“I have fought by your side many times,” said Babalatchi, calmly.

“Why did he come?” went on Omar. “Did you send him? Why did he come to defile the air I breathe—to mock at my fate—to poison her mind and steal her body? She has grown hard of heart to me. Hard and merciless and stealthy like rocks that tear a ship’s life out under the smooth sea.” He drew a long breath, struggled with his anger, then broke down suddenly. “I have been hungry,” he continued, in a whimpering tone—”often I have been very hungry—and cold—and neglected—and nobody near me. She has often forgotten me—and my sons are dead, and that man is an infidel and a dog. Why did he come? Did you show him the way?”

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