An Outcast of the Islands by Conrad, Joseph

“Wait!” she exclaimed in a stifled voice, and went on disconnectedly and rapidly—”Stay. I have heard. Men often spoke by the fires …men of my people. And they said of you—the first on the sea—they said that to men’s cries you were deaf in battle, but after … No! even while you fought, your ears were open to the voice of children and women. They said …that. Now I, a woman, I . . .”

She broke off suddenly and stood before him with dropped eyelids and parted lips, so still now that she seemed to have been changed into a breathless, an unhearing, an unseeing figure, without knowledge of fear or hope, of anger or despair. In the astounding repose that came on her face, nothing moved but the delicate nostrils that expanded and collapsed quickly, flutteringly, in interrupted beats, like the wings of a snared bird.

“I am white,” said Lingard, proudly, looking at her with a steady gaze where simple curiosity was giving way to a pitying annoyance, “and men you have heard, spoke only what is true over the evening fires. My ears are open to your prayer. But listen to me before you speak. For yourself you need not be afraid. You can come even now with me and you shall find refuge in the household of Syed Abdulla—who is of your own faith. And this also you must know: nothing that you may say will change my purpose towards the man who is sleeping—or hiding—in that house.”

Again she gave him the look that was like a stab, not of anger but of desire; of the intense, over-powering desire to see in, to see through, to understand everything: every thought, emotion, purpose; every impulse, every hesitation inside that man; inside that white-clad foreign being who looked at her, who spoke to her, who breathed before her like any other man, but bigger, red-faced, white-haired and mysterious. It was the future clothed in flesh; the to-morrow; the day after; all the days, all the years of her life standing there before her alive and secret, with all their good or evil shut up within the breast of that man; of that man who could be persuaded, cajoled, entreated, perhaps touched, worried; frightened—who knows?—if only first he could be understood! She had seen a long time ago whither events were tending. She had noted the contemptuous yet menacing coldness of Abdulla; she had heard—alarmed yet unbelieving—Babalatchi’s gloomy hints, covert allusions and veiled suggestions to abandon the useless white man whose fate would be the price of the peace secured by the wise and good who had no need of him any more. And he—himself! She clung to him. There was nobody else. Nothing else. She would try to cling to him always—all the life! And yet he was far from her. Further every day. Every day he seemed more distant, and she followed him patiently, hopefully, blindly, but steadily, through all the devious wanderings of his mind. She followed as well as she could. Yet at times—very often lately—she had felt lost like one strayed in the thickets of tangled undergrowth of a great forest. To her the ex-clerk of old Hudig appeared as remote, as brilliant, as terrible, as necessary, as the sun that gives life to these lands: the sun of unclouded skies that dazzles and withers; the sun beneficent and wicked—the giver of light, perfume, and pestilence. She had watched him—watched him close; fascinated by love, fascinated by danger. He was alone now—but for her; and she saw—she thought she saw—that he was like a man afraid of something. Was it possible? He afraid? Of what? Was it of that old white man who was coming—who had come? Possibly. She had heard of that man ever since she could remember. The bravest were afraid of him! And now what was in the mind of this old, old man who looked so strong? What was he going to do with the light of her life? Put it out? Take it away? Take it away for ever!—for ever!—and leave her in darkness:—not in the stirring, whispering, expectant night in which the hushed world awaits the return of sunshine; but in the night without end, the night of the grave, where nothing breathes, nothing moves, nothing thinks—the last darkness of cold and silence without hope of another sunrise.

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