CLANDESTINE by James Ellroy

Deciding to give myself one minute to toss the room, I stood the lamp up on its stand and rapidly scanned the place, picking out a card table covered with dirty dishes, a pile of laundry on the floor next to the bed, and a stack of lurid paperbacks–held upright by two empty beer bottles–resting against a windowsill, and several empty cigarette packs.

My minute was just about up when I spotted a stack of newspapers sticking out from under the bed. I pulled them out. They were all L.A. papers, and they all contained articles which detailed the killing of Marcella Harris.

There was handwriting along the borders; grief-stricken pleas and prayers: “God, please catch this fiend who killed my Marcella.” “Please, please, please, God, make this a dream.” “The gas chamber is too good for the scum who killed my Marcella.” Next to a photo of the sheriffs detective who was heading the investigation were the words: “This guy is a crumb! He told me to get lost, that the cops don’t need no friends of Marcella to help. I told him this is a case for the F.B.I.”

I flipped through the rest of the newspapers. They were arranged chronologically, and Henry Hart’s grief seemed to be building: the last newspaper accounts were scrawled over illegibly and seemed to be stained by teardrops.

I checked my watch: I had left the light on for eight minutes. With the handkerchief still over my hand I rifled every drawer in the three dressers that lined one wall: empty, empty, empty; dirty clothes, phone books.

I opened the last one, and stopped and trembled at what I’d found: a pink, silk-lined dresser drawer. Black lace brassieres and panties were folded neatly in one corner. In the middle was a cigarbox filled with marijuana. Underneath it were black-and-white photographs of Marcella DeVries Harris, nude, her hair braided, lying on a bed. Her sensual mouth beckoned with a come-hither look that was both the ultimate come-hither look and a parody of all come-hither looks.

I stared, and felt my tremors go internal. There was the hardest, most knowing, most mocking intelligence in Marcella Harris’s eyes that I had ever seen. Her body was a lush invitation to great pleasure, but I couldn’t take my eyes off those eyes.

I must have stared at that face for minutes before I came back to earth. When I finally realized where I was, I replaced the cigar box, closed the silk-lined drawer, turned off the light, and got out of the little garage apartment before Marcella Harris weaved the same spell on me that she had on Henry Hart.

18

I came prepared for William “Doc” Harris, stopping by a printer’s shop and getting a hundred phony business cards made up before I went to brace him. The cards read: “Frederick Walker, Prudential Insurance.” Prudential’s rock insignia was there in the middle, and underneath in official-looking italics was the single word, “investigator.” A phony telephone number completed the pretense. The ink on the cards was hardly dry when I shoved them into my pocket and drove to 4968 Beverly Boulevard.

“. . . And so you see, Mr. Harris, it’s just a case of going through the past of your late wife so that I’ll be able to tell the payment department conclusively that this claim is fraudulent. I think it is, and I’ve been a claims investigator for eight years. Nevertheless, the legwork has to be done.”

Doc Harris nodded pensively, flicking my bogus calling card with his thumbnail and never taking his eyes from mine. Sitting across the battered coffee table from me he was one of the most impressive-looking men I had ever seen: six feet tall, close to sixty, with a full head of white hair, the body of an athlete and a chiseled face that was a cross between the finer elements of stern rectitude and rough humor. I could see what Marcella had seen in him.

He smiled broadly, and his features relaxed into infectious warmth. “Well, Mr. Walker,” Doc Harris said, “Marcella had a knack for attracting lonely people and making them ridiculous promises that she had no intention of keeping. Be frank with me, please, Mr. Walker. What have you discovered about my ex-wife so far?”

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