CLANDESTINE by James Ellroy

We got out very slowly, in perfect synchronization. We looked at each other, nodded and unholstered our guns, then inched our way along the front of a dry-cleaning place until we were at the corner. The Ford pickup was double-parked further down the block in front of the market.

“Now, partner,” I whispered, as we flattened ourselves up against the corner building and worked our way toward the market three doors down.

We were within a few yards of it when two gunmen came running out with guns drawn. They saw us almost immediately and wheeled and aimed their .45s haphazardly, just as Wacky and I opened fire. I squeezed off three shots, and the first gunman spun to the pavement, dropping what looked like a bag full of money as he fell. Wacky sent off two wild shots at the other man, who spun and fired at me.

We were at very close range, but some kind of calm grabbed me and I returned his fire, hitting him in the chest and knocking him into the gutter. Wacky fired twice more at the man on the pavement, advancing toward him slowly. He was lying on his stomach, arms outstretched, fingers still curled around his gun.

Wacky was almost on top of him when I saw the gunman in the gutter take aim. I shot him twice, and was moving toward him to get his gun when I heard another shot. I turned and saw Wacky staggering backward, stunned, grasping at his chest. He dropped his gun and screamed, “Freddy!” and then fell over backward.

I screamed. The man on the pavement raised his automatic and got off four shots, wild, sending them into the front of the building above my head, the last one narrowly missing me. I ducked into the market and reloaded. There was screaming coming from behind me–an old man and woman.

I looked outside. Wacky lay on the sidewalk, motionless. The gunman in the gutter looked dead. The one who had shot Wacky was crawling toward the curb and the truck. He had his back to me, so I rushed out and pulled Wacky to safety. Inside the market I ripped open his blood-covered uniform, then put my ear to his chest. Nothing.

“No, no, no, no, no,” I muttered. Trembling, I grabbed his wrist and felt for a sign of life. Nothing. I looked at Wacky’s face. His eyes were shut. I pulled the lids up. His eyes were frozen, rigid in their final vision of terror and disbelief.

I lifted Wacky up to embrace him. As I started to cradle his head his mouth dropped open, sending a torrent of blood onto my chest. I screamed and ran outside.

The surviving gunman was still crawling toward the street when I came up behind him and spun him around, kicking the .45 out of his hand. I aimed my gun at him, and he screamed. I fired six shots into his chest, and the sound of my gunfire dissolved into the sound of my own screams. I screamed until a dozen black-andwhites poured into the street and four cops threw me into the back of an ambulance with Wacky, and I think I was still screaming at the hospital when they tried to take him away from me.

I got a week off with full pay to recover from the shock, at the insistence of the doctor who examined me at the hospital. I got a commendation and a standing ovation at roll call when I returned to duty.

Wacky’ got a hero’s funeral, and his academy graduation photograph was blown up and framed behind glass and hung in the entrance hall at Wilshire Station. Taken a scant four years before, Wacky looked whimsical and very young. There was a little metal plaque beneath the frame. It said: “Officer Herbert L. Walker. Appointed May, 1947. Shot and killed in the line of duty, February 18, 1951.”

The shooting made the L.A. papers in a big way, with pictures of Wacky and myself: They made a big deal out of the Medal of Honor Wacky had won. They called him “a true American hero,” and his death “a call for all Americans to seek the path of courage and duty.” It was too ambiguous for me; I didn’t know what they were talking about.

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