Clive Barker – Books Of Blood Vol 3

In the chaos of his study Coot was unsuccessfully fighting off sleep. He’d spent a good deal of the evening at the Altar, some of it with Declan. Tonight there’d be no praying, just sketching. Now he had a copy of the Altar carving on his desk in front of him, and he’d spent an hour just staring at it. The exercise had been fruitless. Either the carving was too ambiguous, or his imagination lacked breadth. Whichever, he could make very

little sense of the image. It pictured a burial certainly, but that was about all he was able to work out. Maybe the body was a little bigger than that of the mourners, but nothing exceptional. He thought of Zeal’s pub, The Tall Man’, and smiled. It might well have pleased some Mediaeval wit to picture the burial of a brewer under the Altar cloth.

In the hall, the sick clock struck twelve-fifteen, which meant it was almost one. Coot got up from his desk, stretched, and switched off the lamp. He was surprised by the brilliance of the moonlight streaming through the crack in the curtain. It was a full, harvest moon, and the light, though cold, was luxuriant.

He put the guard in front of the fire, and stepped into the darkened hallway, closing the door behind him. The clock ticked loudly. Somewhere over towards Goudhurst, he heard the sound of an ambulance siren.

What’s happening? he wondered, and opened the front door to see what he could see. There were car headlights on the hill, and the distant throb of blue police lights, more rhythmical than the ticking at his back. Accident on the north road. Early for ice, and surely not cold enough. He watched the lights, set on the hill like jewels on the back of a whale, winking away. It was quite chilly, come to think of it. No weather to be standing in the –

He frowned; something caught his eye, a movement in the far corner of the churchyard, underneath the trees. The moonlight etched the scene in monochrome. Black yews, grey stones, a white chrysanthemum strewing its petals on a grave. And black in the shadow of the yews, but outlined clearly against the slab of a marble tomb beyond, a giant.

Coot stepped out of the house in slippered feet.

The giant was not alone. Somebody was kneeling in front of it, a smaller, more human shape, its face raised and clear in the light. It was Declan. Even from a distance it was clear that he was smiling up at his master.

Coot wanted to get closer; a better look at the nightmare. As he took his third step his foot crunched on a piece of gravel.

The giant seemed to shift in the shadows. Was it turning to look at him? Coot chewed on his heart. No, let it be deaf; please God, let it not see me, make me invisible.

The prayer was apparently answered. The giant made no sign of having seen his approach. Taking courage Coot advanced across the pavement of gravestones, dodging from tomb to tomb

for cover, barely daring to breathe. He was within a few feet of the tableau now and he could see the way the creature’s head was bowed towards Declan; he could hear the sound like sandpaper on stone it was making at the back of its throat. But there was more to the scene.

Declan’s vestments were torn and dirtied, his thin chest bare. Moonlight caught his sternum, his ribs. His state, and his position, were unequivocal. This was adoration – pure and simple. Then Coot heard the splashing; he stepped closer and saw that the giant was directing a glistening rope of its urine onto Declan’s upturned face. It splashed into his slackly opened mouth, it ran over his torso. The gleam of joy didn’t leave Declan’s eyes for a moment as he received this baptism, indeed he turned his head from side to side in his eagerness to be totally defiled.

The smell of the creature’s discharge wafted across to Coot. It was acidic, vile. How could Declan bear to have a drop of it on him, much less bathe in it? Coot wanted to cry out, stop the depravity, but even in the shadow of the yew the shape of the beast was terrifying. It was too tall and too broad to be human.

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