Clive Barker – Books Of Blood Vol 3

‘No way out, fucker,’ he said, pressing the point of the blade against Gavin’s chin. The jut of the bone was clearest there, and he began the cut without further debate – tracing the jaw line, too hot for the act to care if the trash was gagged or not. Gavin howled as blood washed down his neck, but his cries were cut short as somebody’s fat fingers grappled with his tongue, and held it fast.

His pulse began to thud in his temples, and windows, one behind the other, opened and opened in front of him, and he was falling through them into unconsciousness.

Better to die. Better to die. They’d destroy his face: better to die.

Then he was screaming again, except that he wasn’t aware of making the sound in his throat. Through the slush in his ears he tried to focus on the voice, and realised it was Preetorius’ scream he was hearing, not his own.

His tongue was released; and he was spontaneously sick. He staggered back, puking, from a mess of struggling figures in front of him: A person, or persons, unknown had stepped in, and prevented the completion of his spoiling. There was a body sprawled on the floor, face up. Not-Christian, eyes open, life shut. God: someone had killed for him. For him.

Gingerly, he put his hand up to his face to feel the damage. The flesh was deeply lacerated along his jawbone, from the middle of his chin to within an inch of his ear. It was bad, but Preetorius, ever organised, had left the best delights to the last, and had been interrupted before he’d slit Gavin’s nostrils or taken off his lips. A scar along his jawbone wouldn’t be pretty, but it wasn’t disastrous.

Somebody was staggering out of the mêlée towards him -Preetorius, tears on his face, eyes like golf-balls.

Beyond him Christian, his arms useless, was staggering towards the street.

Preetorius wasn’t following: why?

His mouth opened; an elastic filament of saliva, strung with pearls, depended from his lower lip.

‘Help me,’ he appealed, as though his life was in Gavin’s power. One large hand was raised to squeeze a drop of mercy out of the air, but instead came the swoop of another arm, reaching over his shoulder and thrusting a weapon, a crude blade, into the black’s mouth. He gargled it a moment, his throat trying to accommodate its edge, its width, before his attacker dragged the blade up and back, holding Preetorius’ neck to steady him against the force of the stroke. The startled face divided, and heat bloomed from Preetorius’ interior, warming Gavin in a cloud.

The weapon hit the alley floor, a dull clank. Gavin glanced at it. A short, wide-bladed sword. He looked back at the dead man.

Preetorius stood upright in front of him, supported now only by his executioner’s arm. His gushing head fell forward, and the executioner took the bow as a sign, neatly dropping Preetorius’ body at Gavin’s feet. No longer eclipsed by the corpse, Gavin met his saviour face to face.

It took him only a moment to place those crude features: the startled, lifeless eyes, the gash of a mouth, the jug-handle ears. It was Reynolds’ statue. It grinned, its teeth too small for its head. Milk-teeth, still to be shed before the adult form. There was, however, some improvement in its appearance, he could see that even in the gloom. The brow seemed to have swelled; the face was altogether better proportioned. It remained a painted doll, but it was a doll with aspirations.

The statue gave a stiff bow, its joints unmistakably creaking, and the absurdity, the sheer absurdity of this situation welled up in Gavin. It bowed, damn it, it smiled, it murdered: and yet it couldn’t possibly be alive, could it? Later, he would disbelieve, he promised himself. Later he’d find a thousand reasons not to accept the reality in front of him: blame his blood-starved brain, his con­fusion, his panic. One way or another he’d argue himself out of this fantastic vision, and it would be as though it had never happened.

If he could just live with it a few minutes longer.

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