Cruel and Unusual by Patricia Cornwell

“Then you’re convinced that the wrong man was executed, “I said reluctantly, for there were few theories, at the moment, that I more wanted to disprove.

His answer was to open the envelope containing Robyn Naismith’s photographs and slide out a thick stack of color prints that would continue to shock me no matter how many times I looked at them. He slowly shuffled through the pictorial history of her terrible death.

Then he said, “When we consider the three homicides tha thave just occurred, Waddell doesn’t profile right.”

“What are you saying, Benton? That after ten years in prison his personality changed?”

“All I can say to you is that I’ve heard of organized killers decompensating, flying apart. They begin to make mistakes. Bundy, for example. Toward the end he became frenzied. But what you generally don’t see is a disorganized individual swinging the other way, the psychotic person becoming methodical, rational becoming organized.”

When Wesley alluded to the Bundys and Son of Sams in the world, he did so theoretically, impersonally, as if his analyses and theories were formulated from secondary sources. He did not brag. He did not name-drop or assume the role of one who knew these criminal personally. His demeanor, therefore, was deliberately misleading.

He had, in fact, spent long, intimate hours with the likes of Theodore Bundy, David Berkowitz, Sirhan Sfrhan, Richard Speck, and Charles Manson, in addition to the lesser-known black holes who had sucked light from the planet Earth. I remembered Marino telling me once that when Wesley returned from some of these pilgrimages into maximum-security penitentiaries, he would look pale and drained. It almost made him physically ill to absorb the poison of these men and endure the attachments they inevitably formed to him. Some of the worst sadists in recent history regularly wrote letters to him, sent Christmas cards, and inquired after his family. It was no small wonder that Wesley seemed like a man with a heavy burden and so often was silent. In exchange for information, he did the one thing that not one of us wants to do. He allowed the monster to connect with him.

“Was it determined that Waddell was psychotic?” I asked.

“It was determined that he was sane when he Murdered Robyn Naismith.”

Wesley pulled out a photograph and slid it across the table to me. “But frankly, I don’t think he was.”

The photograph was the one I remembered most vividly, and as I studied it I could not imagine an unsuspecting soul walking in on such a scene.

Robyn Naismith’s living room did not have much fur niture, just several barrel chairs with dark green cushions and a chocolate-brown leather couch. A small Bakhara rug was in the middle of the parquet floor, the calls wide planks stained to look like cherry or mahogany. A console television was against the wall directly across from the front door, affording whoever sintered a full frontal view of Ronnie Joe Waddell’s horrible artistry.

What Robyn’s friend had seen the instant she unlocked the door and pushed it open as she called out Robyn’s name was a nude body sitting on the floor, back propped against the TV, skin so streaked and smeared ` with dried blood that the exact nature of the injuries could not be determined until later at the morgue. In the photograph, coagulating blood pooled around Robyn’s buttocks looked like red tinted tar, and tossed nearby were several bloody towels. The weapon was never found, though police did determine that a German made stainless steel steak knife was missing from a set hanging in the kitchen, and the characteristics of the blade were consistent with her wounds.

Opening Eddie Heaths file folder, Wesley withdrew a scene diagram drawn by the Henrico County police officer who had discovered the critically wounded boy behind the vacant grocery store. Wesley placed the diagram next to the photograph of Robyn Naismith. For a moment, neither of us spoke as our eyes went back and forth from one to the other. The similarities were more pronounced than I had imagined, the positions of the bodies virtually identical, from the hands by the sides to the loosely piled clothing near the bare feet.

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