The girl glanced through her wet eyes at the cheap watch on her wrist. Only seven minutes to go! A new panic seized her. She brushed her forearm across her eyes and grabbed down her parade uniform. On top of it all, whatever it was, to be late! She tore at the buttons of her white cotton blouse.
As she dressed and washed her face and brushed her hair, her mind went on probing at the evil mystery like an inquisitive child poking into a snake’s hole with a stick. From whatever angle she explored the hole, there came an angry hiss.
Leaving out the nature of her guilt, contact with any tentacle of SMERSH was unspeakable. The very name of the organization was abhorred and avoided. SMERSH, `Smiert Spionam’, `Death to Spies’. It was an obscene word, a word from the tomb, the very whisper of death, a word never mentioned even in secret office gossip among friends. Worst of all, within this horrible organization, Otdyel II, the Department of Torture and Death, was the central horror.
And the Head of Otdyel II, the woman, Rosa Klebb! Unbelievable things were whispered about this woman, things that came to Tatiana in her nightmares, things she forgot again during the day, but that she now paraded.
It was said that Rosa Klebb would let no torturing take place without her. There was a blood-spattered smock in her office, and a low camp-stool, and they said that when she was seen scurrying through the basement passages dressed in the smock and with the stool in her hand, the word would go round, and even the workers in SMERSH would hush their words and bend low over their papers–perhaps even cross their fingers in their pockets–until she was reported back in her room.
For, or so they whispered, she would take the camp-stool and draw it up close below the face of the man or woman that hung down over the edge of the interrogation table. Then she would squat down on the stool and look into the face and quietly say `No. 1′ or `No. 10′ or `No. 25′ and the inquisitors would know what she meant and they would begin. And she would watch the eyes in the face a few inches away from hers and breathe in the screams as if they were perfume. And, depending on the eyes, she would quietly change the torture, and say `Now No. 36′ or `Now No. 64′ and the inquisitors would do something else. As the courage and resistance seeped out of the eyes, and they began to weaken and beseech, she would start cooing softly. `There, there my dove. Talk to me, my pretty one, and it will stop. It hurts. Ah me, it hurts so, my child. And one is so tired of the pain. One would like it to stop, and to be able to lie down in peace, and for it never to begin again. Your mother is here beside you, only waiting to stop the pain. She has a nice soft cosy bed all ready for you to sleep on and forget, forget, forget. Speak,’ she would whisper lovingly. `You have only to speak and you will have peace and no more pain.’ If the eyes still resisted, the cooing would start again. `But you are foolish, my pretty one. Oh so foolish. This pain is nothing. Nothing! You don’t believe me, my little dove? Well then, your mother must try a little, but only a very little, of No. 87.’ And the interrogators would hear and change their instruments and their aim, and she would squat there and watch the life slowly ebbing from the eyes until she had to speak loudly into the ear of the person or the words would not reach the brain.
But it was seldom, so they said, that the person had the will to travel far along SMERSH’S road of pain, let alone to the end, and, when the soft voice promised peace, it nearly always won, for somehow Rosa Klebb knew from the eyes the moment when the adult had been broken down into a child crying for its mother. And she provided the image of the mother and melted the spirit where the harsh words of a man would have toughened it.