Kay, Guy Gavriel – Sarantine Mosaic 01 – Sailing to Sarantium

Charioteers, indeed. Jad’s Most Holy Emperor Astorgus the Chario­teer. A wonderful image! He might whip the people into line, Bonosus thought, briefly amusing himself again.

His flicker of initiative spent, Plautus Bonosus leaned sideways on his bench, propped on one hand, and waited for the emissaries from the Imperial Precinct to come and tell the Senators what they were about to think.

It turned out to be a little more complex than that, however. Murder, even in Sarantium, could sometimes be a surprise.

In the better neighbourhoods of the City it had become fashionable in the previous generation to add enclosed balconies to the second and third storeys of houses or apartments. Reaching out over the narrow streets, these sun rooms now had the ironic, if predictable, effect of almost com­pletely blocking the sunlight, all in the name of status and in order to afford the womenfolk of the better families a chance to view the street life through beaded curtains or sometimes extravagant window openings, without themselves suffering the indignity of being observed.

Under the Emperor Apius, the Urban Prefect had passed an ordi­nance forbidding such structures to project more than a certain distance from the building walls, and had followed this up by tearing down a number of solaria that violated the new law. Needless to say, this did not happen on the streets where the genuinely wealthy and influential kept their city homes. The power of one patrician to complain tended to be offset by the ability of another to bribe or intimidate. Private mea­sures, of course, could not be entirely forestalled, and some regrettable incidents had unfortunately taken place over the years, even in the best neighbourhoods.

In one such street, lined with uniformly handsome brick facades and with no shortage of lanterns set in the exterior walls to offer expensive light­ing at night, a man now sits in a flagrantly oversized solarium, alternately watching the street below and the exquisitely slow, graceful movements of a woman as she plaits and coils her hair in the bedroom behind him.

Her lack of self-consciousness, he thinks, is an honour of sorts extended to him. Sitting unclothed on the edge of the bed, she displays her body in a sequence of curves and recesses: uplifted arm, smooth hol­low of arm, honey-coloured amplitude of breast and hip, and the lightly downed place between her thighs where he has been welcomed in the night just past.

The night a messenger came to report an Emperor dead.

As it happens, he is wrong about one thing: her absorbed, unembar­rassed nakedness has more to do with self-directed ease than any partic­ular emotion or feeling associated with him at this moment. She is not, after all, unused to having her body seen by men. He knows this, but prefers, at times, to forget it.

He watches her, smiling slightly. He has a smooth-shaven, round face with a soft chin and grey, observant eyes. Not a handsome or an arrest­ing man, he projects a genial, uncontentious, open manner. This is, of course, useful.

Her dark brown hair, he notes, has become tinged with red through the course of the summer. He wonders when she’s had occasion to be outside enough for that to happen, then realizes the colour might be arti­ficial. He doesn’t ask. He is not inclined to probe the details of what she does when they are not together in this apartment he has bought for her on a carefully chosen street.

That reminds him of why he is here just now. He looks away from the woman on the bed-her name is Aliana-and back out through the beaded curtains over the street. Some movement, for the morning is advanced and the news will have run through Sarantium by now.

The doorway he is watching remains closed. There are two guards out­side it, but there always are. He knows the names of these two, and the others, and their backgrounds. Details of this sort can sometimes matter. Indeed, they tend to matter. He is careful in such things, and less genial than might appear to the unsubtle.

A man had entered through that doorway, his bearing urgent with tidings, just before sunrise. He had watched this by the light of the exterior torches, and had noted the livery. He had smiled then. Gesius the Chancellor had chosen to make his move. The game was begun, indeed. The man in the solarium expects to win it but is experienced enough in the ways of power in the world, already, to know that he might not. His name is Petrus.

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