QUESTION: Did the trees and plants you saw have leaves on them?
BERTON: No, the shapes were only approximate, like a model garden. That’s exactly what it was like: a model, but lifesize. All of a sudden, it began to crack; it broke up and split into dark crevices; a thick white liquid ran out and collected into pools, or else drained away. The ‘earthquake’ became more violent, the whole thing boiled over and was buried beneath the foam. At the same time, the walls of the fog began to close in. I gained height rapidly and came clear at 1000 feet.
QUESTION: Are you absolutely sure that what you saw resembled a garden – there was no other possible interpretation?
BERTON: Yes. I noticed several details. For example, I remember seeing a place where there were some boxes in a row. I realized later that they were probably beehives.
QUESTION: You realized later? But not at the time, not at the moment when you actually saw them?
BERTON: No, because everything looked as though it were made of plaster. But I saw something else.
QUESTION: What was that?
BERTON: I saw things which I can’t put a name to, because I didn’t have time to examine them carefully. Under some bushes I thought I saw tools, long objects with prongs. They might have been plaster models of garden tools. But I’m not absolutely certain. Whereas I’m sure, quite certain, that I recognized an apiary.
QUESTION: It didn’t occur to you that it might be an hallucination?
BERTON: No. I thought it was a mirage. It never occurred to me that it was an hallucination because I felt perfectly well, and I had never seen anything like it before. When I reached 1000 feet and took another look at the fog, it was pitted with more irregularly shaped holes, rather like a piece of cheese. Some of these holes were completely hollow, and I could see the ocean waves; others were only shallow saucers in which something was bubbling. I descended another well and saw – the altimeter read 120 feet – I saw a wall lying beneath the ocean surface. It wasn’t very deep and I could see it clearly beneath the waves. It seemed to be the wall of a huge building, pierced with rectangular openings, like windows. I even thought I could see something moving behind them, but I couldn’t be absolutely certain of that. The wall slowly broke the surface and a mucous bubbling liquid streamed down its sides. Then it suddenly broke in half and disappeared into the depths.
I regained height and continued to fly above the fog, the machine almost touching it, until I discovered another clearing, much larger than the previous one.
While I was still some distance away, I noticed a pale, almost white, object floating on the surface. My first thought was that it was Fechner’s flying-suit, especially as it looked vaguely human in form. I brought the aircraft round sharply, afraid of losing my way and being unable to find the same spot again. The shape, the body, was moving; sometimes it seemed to be standing upright in the trough of the waves. I accelerated and went down so low that the machine bounced gently. I must have hit the crest of a huge wave I was overflying. The body – yes, it was a human body, not an atmosphere-suit – the body was moving.
QUESTION: Did you see its face?
BERTON: Yes.
QUESTION: Who was it?
BERTON: A child.
QUESTION: What child? Did you recognize it?
BERTON: No. At any rate, I don’t remember having seen it before. Besides, when I got closer – when I was forty yards away, or even sooner – I realized that it was no ordinary child.
QUESTION: What do you mean?
BERTON: I’ll explain. At first, I couldn’t understand what worried me about it; it was only after a minute or two that I realized: this child was extraordinarily large. Enormous, in fact. Stretched out horizontally, its body rose twelve feet above the surface of the ocean, I swear. I remembered that when I touched the wave, its face was a little higher than mine, even though my cockpit must have been at least ten feet above the ocean.
QUESTION: If it was as big as that, what makes you say it was a child?
BERTON: Because it was a tiny child.
QUESTION: Do you realize, Berton, that your answer doesn’t make sense?
BERTON: On the contrary. I could see its face, and it was a very young child. Besides, its proportions corresponded exactly to the proportions of a child’s body. It was a . . . babe in arms. No, I exaggerate. It was probably two or three years old. It had black hair and blue eyes – enormous blue eyes! It was naked – completely naked – like a newborn baby. It was wet, or I should say glossy; its skin was shiny. I was shattered. I no longer thought it was a mirage. I could see this child so distinctly. It rose and fell with the waves; but apart from this general motion, it was making other movements, and they were horrible!
QUESTION: Why? What was it doing?
BERTON: It was more like a doll in a museum, only a living doll. It opened and closed its mouth, it made various gestures, horrible gestures.
QUESTION: What do you mean?
BERTON: I was watching it from about twenty yards away – I don’t suppose I went any closer. But, as I’ve already told you, it was enormous. I could see very clearly. Its eyes sparkled and you really would have thought it was a living child, if it hadn’t been for the movements, the gestures, as though someone was trying . . . It was as though someone else was responsible for the gestures . . .
QUESTION: Try to be more explicit.
BERTON: It’s difficult. I’m talking of an impression, more of an intuition. I didn’t analyze it, but I knew that those gestures weren’t natural.
QUESTION: Do you mean, for example, that the hands didn’t move as human hands would move, because the joints were not sufficiently supple?
BERTON: No, not at all. But . . . these movements had no meaning. Each of our movements means something, more or less, serves some purpose . . .
QUESTION: Do you think so? The movements of an infant don’t have much meaning!
BERTON: I know. But an infant’s movements are confused, random, uncoordinated. The movements I saw were . . . er . . . yes, that’s it, they were methodical movements. They were performed one after another, like a series of exercises; as though someone had wanted to make a study of what this child was capable of doing with its hands, its torso, its mouth. The face was more horrifying than the rest, because the human face has an expression, and this face . . . I don’t know how to describe it. It was alive, yes, but it wasn’t human. Or rather, the features as a whole, the eyes, the complexion, were, but the expression, the movements of the face, were certainly not.
QUESTION: Were they grimaces? Do you know what happens to a person’s face during an epileptic fit?
BERTON: Yes. I’ve watched an epileptic fit. I know what you mean. No, it was something quite different. Epilepsy provokes spasms, convulsions. The movements I’m talking about were fluid, continuous, graceful . . . melodious, if one can say that of a movement. It’s the nearest definition I can think of. But this face . . . a face can’t divide itself into two – one half gay, the other sad, one half scowling and the other amiable, one half frightened and the other triumphant. But that’s how it was with this child’s face. In addition to that, all these movements and changes of expression succeeded one another with unbelievable rapidity. I stayed down there a very short time, perhaps ten seconds, perhaps less.
QUESTION: And you claim to have seen all that in such a short time? Besides, how do you know how long you were there? Did you check your chronometer?
BERTON: No, but I’ve been flying for seventeen years and, in my job, one can measure instinctively, to the nearest second, the duration of what would be called an instant of time. It’s an acquired faculty, and essential for successful navigation. A pilot isn’t worth his salt if he can’t tell whether a particular phenomenon lasts five or ten seconds, whatever the circumstances. It’s the same with observation. We learn, over the years, to take in everything at a glance.
QUESTION: Is that all you saw?
BERTON: No, but I don’t remember the rest so precisely. I suppose I must already have seen more than enough; my attention faltered. The fog began to close in, and I had to climb. I climbed, and for the first time in my life I all but capsized. My hands were shaking so much that I had difficulty in handling the controls. I think I shouted something, called up the base, even though I knew we were not in radio contact.