THE DARKEST ROAD by Guy Gavriel Kay

By their light he saw that there was a layer of dust on the floor, though not, curiously, on the bed. And then he saw something else. Something that chilled even his wise, knowing blood.

There were footsteps in the dust, not his own, and they led over to that bed. And on the coverlet—woven, he knew, by masters of the art in Seresh—lay a mass of flowers; roses, sylvain, corandiel. But it was not the flowers that held his gaze.

The candles flickered in the salt breeze off the sea, but they were steady enough for him to clearly see his own small footprints in the dust and, beside them, those of the man who had walked into the room to lay those flowers on the coverlet.

And those of the giant wolf that had walked away.

His heart beating rapidly, fear shadowed by pity within him, he walked over to that bright profusion of flowers. There was no scent, he realized. He reached out a hand. As soon as he touched them they crumbled to dust on the coverlet. Very gently, he brushed the dust away.

He could have made the floor shine with a trace assertion of his power. He did not; he never did in his own rooms under the forest floor. Going down the stairs one more time, he found a sturdy broom in one of the lower chambers and then, with strong domestic motions, proof of long habit, Flidais swept out Lisen’s chamber by candlelight and moonlight, to make it ready for Guinevere.

In time, for his was a spirit of play and laughter even in darkest times, he began to sing. It was a song of his own weaving, shaped of ancient riddles and the answers he had learned for them.

And he sang because he was filled with hope that night—hope of the one who was coming, that she might have the answer to his heart’s desire.

He was a strong presence and a bright one, and there were torches and candles burning all through the Anor. The spirit of Gereint could not fail to sense him, singing, sweeping the dust with wide motions of the broom, as the shaman’s soul went past overhead, leaving the known truths of the land to go spinning and tumbling out over the never-seen sea, in search of a single ship among all the waves.

As the sun went down on their left the following evening, Brendel guided the boat across the bay and past the river mouth toward the small dock at the foot of the Tower.

They had seen the upper lights come on as they swung into the bay. Now, drawing near, the lios alfar saw a portly, white-bearded, balding figure, smaller even than a Dwarf, waiting on the dock for them, and being of the lios alfar and more than six hundred years old himself, he had an idea who this might be.

Gentling the small craft up to the dock, he threw a rope as they approached. The small figure caught it neatly and tied the end to a peg set in the stone dock. They rested there in silence a moment, bobbing with the waves. Jennifer, Brendel saw, was looking up at the Tower. Following her gaze, he saw the reflection of the sunset sparkle off the curved glass beyond the parapet.

“Be welcome,” said the figure on the dock in a voice unexpectedly deep. “Bright be the thread of your days.”

“And of yours, forest one,” said the lios alfar. “I am Brendel of the Kestrel Mark. The woman with me—”

“I know who she is,” the other said. And bowed very low.

“By what name shall we call you?” Brendel asked.

The other straightened. “I am pied for protection, dappled for deception,” he said reflexively. Then, “Flidais will do. It has, for this long while.”

Jennifer turned at that and fixed him with a curious scrutiny. “You’re the one Dave met in the woods,” she said.

He nodded. “The tall one, with the axe? Yes, I did meet him. Green Ceinwen gave him a horn, after.”

“I know,” she said. “Owein’s Horn.”

To the east just then, under a darkening sky, a battle was raging along the bloodied banks of the Adein, a battle that would end with the blowing of that horn.

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