THE DARKEST ROAD by Guy Gavriel Kay

At length they came to the edge of a river, where it left the waters of the lake, and they turned to the west as the first hint of dawn touched the sky behind them. And a very little while later Leyse stopped, and turned to Lancelot.

“The river is quiet here,” she said, “and there are stepping stones along which you may cross. I can go no farther. On the other side of Celyn you will be in Andarien.”

He looked upon the beauty of her for a long time in silence. When he opened his mouth to speak he was stopped, for she placed her fingers over his lips.

“Say nothing,” she whispered. “There is nothing you can say.”

It was true. A moment longer he stood there; then very slowly she drew her hand away from his mouth, and he turned and crossed the river over the smooth round stones and so left Daniloth.

He didn’t go far. Whether it was an instinct of war, or of love, or of the two bound into each other, he went only as far as a small copse of trees on the banks of the river near the lake. There were willows growing in the Celyn, and beautiful flowers, silver and red. He didn’t know their name. He sat down in that place of beauty as the dawn broke—dazzling after the muted light of the Shadowland—and he gazed out upon the ruined desolation of Andarien. He looped his hands over his knees, placed his sword where he could reach it, and composed himself to wait, facing west toward the sea.

She waited as well, though she had told herself all through the long night’s silent walking that she would not linger. She had not expected him to stay so near, though, and her resolution faltered as soon as he was not there.

She saw him walk toward the aum trees and then sit down amid the sylvain she loved in her most cherished place of any in this one world she knew. She knew he could not see her standing here, and it was not easy for her to see clearly either, beyond the encircling billows of the mist.

She waited, nonetheless, and toward the middle of the afternoon a company of some fifty people approached from the west, along the riverbank.

She saw him rise. She saw the company stop not far away from him. Leading them was Brendel of the Kestrel Mark, and she knew that if he looked to the south he would see her. He did not.

He remained with the others and watched with the others as a woman, fair-haired, very tall, walked toward Lancelot. It seemed to Leyse that the mists parted a little for her then—a blessing or a curse, she could not say—and she saw Lancelot’s face clearly as Guinevere came up to him.

She saw him kneel, and take her hand in his good one, and bring it to his lips, the same as he had done with hers when he had first approached her over the grass by Fiathal.

Yet not the same. Not the same.

And it came to pass that in that moment Leyse of the Swan Mark heard her song.

She went away from that place, walking alone, hidden by the screening of the shadows, and within her a song was building all the time, a last song.

Along the riverbank farther west she found, amid the willows and corandiel, a small craft of aum wood with a single sail white as her own white robe. She had walked past this place a thousand times before and never seen that boat. It had not been there, she realized. The music of her song had called it forth. She’d always thought that she would have to build her boat, when the time came, and had wondered how she would.

Now she knew. The song was within her, rising all the while, shaping a sweeter and sweeter sadness and a promise of peace to come beyond the waves.

She stepped down into the boat and pushed off from the restraining shallows and the willows. As she drifted close to the northern bank of the Celyn she plucked one red flower of sylvain and one of silver to carry with her, as the music carried her and the river carried her to the sea.

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