‘In this uncertainty, one thing was plain—that Sergeant Cuff was miles away from knowing the whole truth. You were safe as long as the nightgown was safe—and not a moment longer.
‘I quite despair of making you understand the distress and terror which pressed upon me now. It was impossible for me to risk wearing your nightgown any longer. I might find myself taken off, at a moment’s notice, to the police court at Frizinghall, to be charged on suspicion, and searched accordingly. While Sergeant Cuff still left me free, I had to choose—and at once—between destroying the nightgown, or hiding it in some safe place, at some safe distance from the house.
‘If I had only been a little less fond of you, I think I should have destroyed it. But oh! how could I destroy the only thing I had which proved that I had saved you from discovery? If we did come to an explanation together, and if you suspected me of having some bad motive, and denied it all, how could I win upon you to trust me, unless I had the nightgown to produce? Was it wronging you to believe, as I did, and do still, that you might hesitate to let a poor girl like me be the sharer of your secret, and your accomplice in the theft which your money-troubles had tempted you to commit? Think of your cold behaviour to me, sir, and you will hardly wonder at my unwillingness to destroy the only claim on your confidence and your gratitude which it was my fortune to possess.
‘I determined to hide it; and the place I fixed on was the place I knew best—the Shivering Sand.
‘As soon as the questioning was over, I made the first excuse that came into my head, and got leave to go out for a breath of fresh air. I went straight to Cobb’s Hole, to Mr. Yolland’s cottage. His wife and daughter were the best friends I had. Don’t suppose I trusted them with your secret—I have trusted nobody. All I wanted was to write this letter to you, and to have a safe opportunity of taking the nightgown off me. Suspected as I was, I could do neither of those things, with any sort of security, up at the house.
‘And now I have nearly got through my long letter, writing it alone in Lucy Yolland’s bedroom. When it is done, I shall go downstairs with the nightgown rolled up, and hidden under my cloak. I shall find the means I want for keeping it safe and dry in its hiding-place, among the litter of old things in Mrs. Yolland’s kitchen. And then I shall go to the Shivering Sand—don’t be afraid of my letting my footmarks betray me!—and hide the nightgown down in the sand, where no living creature can find it without being first let into the secret by myself.
‘And, when that’s done, what then?
‘Then, Mr. Franklin, I shall have two reasons for making another attempt to say the words to you which I have not said yet. If you leave the house, as Penelope believes you will leave it, and if I haven’t spoken to you before that, I shall lose my opportunity for ever. That is one reason. Then, again, there is the comforting knowledge—if my speaking does make you angry—that I have got the nightgown ready to plead my cause for me as nothing else can. That is my other reason. If these two together don’t harden my heart against the coldness which has hitherto frozen it up (I mean the coldness of your treatment of me), there will be the end of my efforts—and the end of my life.
Yes. If I miss my next opportunity—if you are as cruel as ever, and if I feel it again as I have felt it already—good-bye to the world which has grudged me the happiness that it gives to others. Good-bye to life, which nothing but a little kindness from you can ever make pleasurable to me again. Don’t blame yourself, sir, if it ends in this way. But try—do try—to feel some forgiving sorrow for me! I shall take care that you find out what I have done for you, when I am past telling you of it myself. Will you say something kind of me then—in the same gentle way that you have when you speak to Miss Rachel? If you do that, and if there are such things as ghosts, I believe my ghost will hear it, and tremble with the pleasure of it.
‘It’s time I left off. I am making myself cry. How am I to see my way to the hiding-place if I let these useless tears come and blind me?
‘Besides, why should I look at the gloomy side? Why not believe, while I can, that it will end well after all? I may find you in a good humour to-night—or, if not, I may succeed better to-morrow morning. I sha’n’t improve my plain face by fretting—shall I? Who knows but I may have filled all these weary long pages of paper for nothing? They will go, for safety’s sake (never mind now for what other reason) into the hiding-place along with the nightgown. It has been hard, hard work writing my letter. Oh! if we only end in understanding each other, how I shall enjoy tearing it up!
‘I beg to remain, sir, your true lover and humble servant,
‘ROSANNA SPEARMAN.’
The reading of the letter was completed by Betteredge in silence. After carefully putting it back in the envelope, he sat thinking, with his head bowed down, and his eyes on’ the ground.
‘Betteredge,’ I said, ‘is there any hint to guide me at the end of the letter?’
He looked up slowly, with a heavy sigh.
‘There is nothing to guide you, Mr. Franklin,’ he answered.
‘If you take my advice you will keep the letter in the cover till these present anxieties of yours have come to an end. It will sorely distress you, whenever you read it. Don’t read it now.’
I put the letter away in my pocket-book.
A glance back at the sixteenth and seventeenth chapters of Betteredge’s Narrative will show that there really was a reason for my thus sparing myself, at a time when my fortitude had been already cruelly tried. Twice over, the unhappy woman had made her last attempt to speak to me. And twice over, it had been my misfortune (God knows how innocently!) to repel the advances she had made to me. On the Friday night, as Betteredge truly describes it, she had found me alone at the billiard-table. Her manner and language suggested to me—and would have suggested to any man, under the circumstances—that she was about to confess a guilty knowledge of the disappearance of the Diamond. For her own sake, I had purposely shown no special interest in what was coming; for her own sake, I had purposely looked at the billiard-balls, instead of looking at her—and what had been the result? I had sent her away from me, wounded to the heart! On the Saturday again—on the day when she must have foreseen, after what Penelope had told her, that my departure was close at hand—the same fatality still pursued us. She had once more attempted to meet me in the shrubbery walk, and she had found me there in company with Betteredge and Sergeant Cuff. In her hearing, the Sergeant, with his own underhand object in view, had appealed to my interest in Rosanna Spearman. Again for the poor creature’s own sake, I had met the police-officer with a flat denial, and had declared—loudly declared, so that she might hear me too—that I felt ‘no interest whatever in Rosanna Spearman.’ At those words, solely designed to warn her against attempting to gain my private ear, she had turned away and left the place: cautioned of her danger, as I then believed; self-doomed to destruction, as I know now. From that point, I have already traced the succession of events which led me to the astounding discovery at the quicksand. The retrospect is now complete. I may leave the miserable story of Rosanna Spearman—to which, even at this distance of time, I cannot revert without a pang of distress—to suggest for itself all that is here purposely left unsaid. I may pass from the suicide at the Shivering Sand, with its strange and terrible influence on my present position and future prospects, to interests which concern the living people of this narrative, and to events which were already paving my way for the slow and toilsome journey from the darkness to the light.
Chapter VI
I WALKED to the railway station accompanied, it is needless to say, by Gabriel Betteredge. I had the letter in my pocket, and the nightgown safely packed in a little bag—both to be submitted, before I slept that night, to the investigation of Mr. Bruff.