To Your Scattered Bodies Go by Phillip Jose Farmer

A narrow craft, of some bright green substance and shad like a canoe, was sinking between the column of the fallers and the neighboring column of suspended. The aerial canoe had no visible means of support, he thought, and it was a measure of his terror that he did not even think about his pun. No visible means of support. Like a magical vessel out of The Thousand and One Nights.

A face appeared over the edge of the vessel. The craft stopped, and the humming noise ceased. Another face was by the first. Both had long, dark, and straight hair. Presently, the faces withdrew, the humming was renewed, and the canoe again descended toward him. When it was about five feet above him it halted. There was a single small symbol on the green bow: a white spiral that exploded to the right. One of the canoe’s occupants spoke in a language with many vowels and a distinct and frequently recurring glottal stop. It sounded like Polynesian. Abruptly, the invisible cocoon around him reasserted itself. The falling bodies began to slow in their rate of descent and then stopped. The man on the rod felt the retaining force close in on him and lift him up. Though he clung desperately to the rod, his legs were moved up and then away and his body followed it. Soon he was looking downward. His hands were torn loose; he felt as if his grip on life, On sanity, on the world, had also been torn away. He began to drift upward and to revolve. He went by the aerial canoe and rose above it. The two men in the canoe were naked, dark-skinned as Yemenite Arabs, and handsome. Their features were Nordic, resembling these of some Icelanders he had known.

One of them lifted a hand which held a pencil-sized metal object. The man sighted along it as if he were going to shoot something from it.

The man fisting in the air shouted with rage and hate and frustration and flailed his arms to swim toward the machine.

“I’ll kill!” he screamed. “Kill! Kill!” Oblivion came again.

2

God was standing over him as he lay on the grass by the waters and the weeping willows. He lay wide-eyed and as weak as a baby just born. God was poking him in the ribs with the end of an iron cane. God was a tall man of middle age. He had a long black forked beard, and He was wearing the Sunday best of an English gentleman of the 53rd year of Queen Victoria’s reign.

“You’re late,” God said. “Long past due for the payment of your debt, you know.” “What debt?” Richard Francis Burton said. He passed his fingertips over his ribs to make sure that all were still there.

“You owe me for the flesh,” replied God, poking him again with the cane. “Not to mention the spirit. You owe for the flesh and the spirit, which are one and the same thing.” Burton struggled to get up onto his feet. Nobody, not every God, was going to punch Richard Burton in the ribs and get army without a battle.

God, ignoring the futile efforts, pulled a large gold watch from His vest pocket, unsnapped its heavy enscrolled gold lid, looked at the hands, and said, “Long past due.” God held out His other hand, its palm turned up.

“Pay up, sir. Otherwise, I’ll be forced to foreclose.”

“Foreclose on what? Darkness fell. God began to dissolve into the darkness. It was then that Burton saw that God resembled himself. He had the carne black straight hair, the same Arabic face with the dark stabbing eyes, high cheekbones, heavy lips, and the thrust-out, reply cleft chin. The same long deep scars, witnesses of the Somali javelin which pierced his jaws in that fight at Berbers, were on His cheeks. His hands and feet were small, contrasting with His broad shoulders and massive chest, and he had the long thick moustachios and the long forked beard that had caused the Bedouin to name Burton “the Father of Moustachios.” “You look like the Devil,” Burton said, but God had become just another shadow in the darkness.