Now the naked man took up a long chromium-plated rod, needle sharp at one end and bedded in a wooden handle at the other, and without pause leaned over the corpse, placed the point of the needle in the crater of the swollen belly’s navel and applied his weight to the handle. The rod slid home in dead flesh and the distended gut vented gasses accumulated in the four days since death had occurred, hissing up into the naked man’s face.
‘Audio!’ snapped the observer in the middle, causing the men flanking him to start in their chairs. His gruff voice was so deep in its range as to be little more than a series of glottal gurgles as he continued: ‘Quickly, I want to listen!’ And he waggled a stubby finger at a speaker on the wall.
Gulping audibly, the man on his right stood up, stepped to the speaker, pressed a button marked ‘Receive’. There was momentary static, then a clear hiss fading away as the belly of the corpse in the other room slowly settled ; down in folds of fat. But while yet the gas escaped, ; instead of drawing back, the naked man lowered his face, closed his eyes and inhaled deeply, filling his lungs!
With his eyes glued to the one-way screen, fumbling and clumsy, the official found his chair again and seated himself heavily. His mouth, like that of his opposite number, had fallen open; both men now perched themselves on the front edges of their chairs, their backs ramrod straight, hands gripping the wooden arm rests. A cigarette, forgotten, toppled into the ashtray on the table to send up fresh streamers of perfumed smoke. Only the watcher in the middle seemed unmoved, and he was as much interested in the expressions on the faces of his subordinates as he was in the weird ritual taking place beyond the screen.
The naked man had straightened up, stood erect again over the deflated corpse. He had one hand on the dead man’s thigh, the other on his chest, palms flat down. His eyes were open again, round as saucers, but his colour had visibly changed. The normal, healthy pink of a young, recently scrubbed body had entirely disappeared; his grey was uniform with that of the dead flesh he touched. He was literally grey as death. He held his breath, seeming to savoir the very taste of death, and his cheeks appeared to be slowly caving in. Then –
He snatched back his hands from the corpse, expelled foul gas in a whoosh, rocked back on his heels. For a moment it seemed he must crash over backwards, but then he rocked forward again. And again, with great cure, he lowered his hands to the body. Gaunt and grey as stone, he stroked the flesh, his fingers trembling as they moved with butterfly lightness from head to toe and back again. Still there was nothing erotic in it, but the left-hand man of the trio of watchers was moved to whisper:
‘Is he a necrophile? What is this, Comrade General?’ ‘Be quiet and learn something,’ the man in the middle growled. ‘You know where you are, don’t you? Nothing should surprise you here. As for what this is – what he is – you will see soon enough. This I will tell you: to my knowledge there are only three men like him in all the USSR. One is a Mongol from the Altai region, a tribal witch-doctor, almost dead of syphilis and useless to us. Another is hopelessly mad and scheduled for corrective lobotomy, following which he too will be … beyond our reach. That leaves only this one and his is an instinctive art, hard to teach. Which makes him sui generis. That’s Latin, a dead language. Most appropriate. So now shut up! You are watching a unique talent.’
Now, beyond the one-way window, the ‘unique talent’ of the naked man became galvanic. As if jerked on the strings of some mad, unseen puppet-master, his burst of sudden, unexpected motion was so erratic as to be almost spastic. His right arm and hand flailed towards his case of instruments, almost tumbling it from its table. His hand, shaped by his spasm into a grey claw, swept aloft as if conducting some esoteric concerto – but instead of a baton it held a glittering, crescent-shaped scalpel.