East of Eden by John Steinbeck

“I’m listening,” said Horace.

“Over across the tracks down by Chinatown there’s a row of whorehouses.”

“I know that.”

“Everybody knows it. If we closed them up they’d just move. The people want those houses. We keep an eye on them so not much bad happens. And the people that run those houses keep in touch with us. I’ve picked up some wanted men from tips I got down there.”

Horace said, “Julius told me—”

“Now wait a minute. Let me get all this said so we won’t have to go back over it. About three months ago a fine-looking woman came in to see me. She wanted to open a house here and wanted to do it right. Came from Sacramento. Ran a place there. She had letters from some pretty important people—straight record—never had any trouble. A pretty damn good citizen.”

“Julius told me. Name of Faye.”

“That’s right. Well, she opened a nice place, quiet, well run. It was about time old Jenny and the Nigger had some competition. They were mad as hell about it, but I told them just what I told you. It’s about time they had some competition.”

“There’s a piano player.”

“Yes, there is. Good one too—blind fella. Say, are you going to let me tell this?”

“I’m sorry,” said Horace.

“That’s all right. I know I’m slow but I’m thorough. Anyways, Faye turned out to be just what she looks like, a good solid citizen. Now there’s one thing a good quiet whorehouse is more scared of than anything else. Take a flighty randy girl runs off from home and goes in a house. Her old man finds her and he begins to shovel up hell. Then the churches get into it, and the women, and pretty soon that whorehouse has got a bad name and we’ve got to close it up. You understand?”

“Yeah!” Horace said softly.

“Now don’t get ahead of me. I hate to tell something you already thought out. Faye sent me a note Sunday night. She’s got a girl and she can’t make much out of her. What puzzles Faye is that this kid looks like a runaway girl except she’s a goddam good whore. She knows all the answers and all the tricks. I went down and looked her over. She told me the usual bull, but I can’t find a thing wrong with her. She’s of age and nobody’s made a complaint.” He spread his hands. “Well, there it is. What do we do about it?”

“You’re pretty sure it’s Mrs. Trask?”

The sheriff said, “Wide-set eyes, yellow hair, and a scar on her forehead, and she came in Sunday after­noon.”

Adam’s weeping face was in Horace’s mind. “God all mighty! Sheriff, you got to get somebody else to tell him. I’ll quit before I do.”

The sheriff gazed into space. “You say he didn’t even know her name, where she came from. She really bull­shitted him, didn’t she?”

“The poor bastard,” Horace said. “The poor bastard is in love with her. No, by God, somebody else has got to tell him. I won’t.”

The sheriff stood up. “Let’s go down to the Chop House and get a cup of coffee.”

They walked along the street in silence for a while. “Horace,” the sheriff said, “if I told some of the things I know, this whole goddam county would go up in smoke.”

“I guess that’s right.”

“You said she had twins?”

“Yeah, twin boys.”

“You listen to me, Horace. There’s only three people in the world that knows—her and you and me. I’m going to warn her that if she ever tells I’ll brush her ass out of this county so fast it’ll burn. And, Horace—if you should ever get an itchy tongue, before you tell anybody, even your wife, why, you think about those little boys finding out their mother is a whore.”

3

Adam sat in his chair under the big oak tree. His left arm was expertly bandaged against his side so that he could not move his shoulder. Lee came out carrying the laundry basket. He set it on the ground beside Adam and went back inside.

The twins were awake, and they both looked blindly and earnestly up at the wind-moved leaves of the oak tree. A dry oak leaf came whirling down and landed in the basket. Adam leaned over and picked it out.

He didn’t hear Samuel’s horse until it was almost upon him, but Lee had seen him coming. He brought a chair out and led Doxology away toward the shed.

Samuel sat down quietly, and he didn’t trouble Adam by looking at him too much, and he didn’t trouble him by not looking at him. The wind freshened in the treetops and a fringe of it ruffled Samuel’s hair. “I thought I’d better get back to the wells,” Samuel said softly.

Adam’s voice had gone rusty from lack of use. “No,” he said, “I don’t want any wells. I’ll pay for the work you did.”

Samuel leaned over the basket and put his finger against the small palm of one of the twins and the fingers closed and held on. “I guess the last bad habit a man will give up is advising.”

“I don’t want advice.”

“Nobody does. It’s a giver’s present. Go through the motions, Adam.”

“What motions?”

“Act out being alive, like a play. And after a while, a long while, it will be true.”

“Why should I?” Adam asked.

Samuel was looking at the twins. “You’re going to pass something down no matter what you do or if you do nothing. Even if you let yourself go fallow, the weeds will grow and the brambles. Something will grow.”

Adam did not answer, and Samuel stood up. “I’ll be back,” he said. “I’ll be back again and again. Go through the motions, Adam.”

In the back of the shed Lee held Doxology while Sam mounted. “There goes your bookstore, Lee,” he said.

“Oh, well,” said the Chinese, “maybe I didn’t want it much anyway.”

Chapter 19

1

A new country seems to follow a pattern. First come the openers, strong and brave and rather childlike. They can take care of themselves in a wilderness, but they are naïve and helpless against men, and perhaps that is why they went out in the first place. When the rough edges are worn off the new land, businessmen and lawyers come in to help with the development—to solve problems of ownership, usually by removing the temptations to themselves. And finally comes culture, which is entertainment, relaxation, transport out of the pain of living. And culture can be on any level, and is.

The church and the whorehouse arrived in the Far West simultaneously. And each would have been hor­rified to think it was a different facet of the same thing. But surely they were both intended to accomplish the same thing: the singing, the devotion, the poetry of the churches took a man out of his bleakness for a time, and so did the brothels. The sectarian churches came in swinging, cocky and loud and confident. Ignoring the laws of debt and repayment, they built churches which couldn’t be paid for in a hundred years. The sects fought evil, true enough, but they also fought each other with a fine lustiness. They fought at the turn of a doctrine. Each happily believed all the others were bound for hell in a basket. And each for all its bump­tiousness brought with it the same thing: the Scripture on which our ethics, our art and poetry, and our rela­tionships are built. It took a smart man to know where the difference lay between the sects, but anyone could see what they had in common. And they brought mu­sic—maybe not the best, but the form and sense of it. And they brought conscience, or, rather, nudged the dozing conscience. They were not pure, but they had a potential of purity, like a soiled white shirt. And any man could make something pretty fine of it within himself. True enough, the Reverend Billing, when they caught up with him, turned out to be a thief, an adul­terer, a libertine, and a zoophilist, but that didn’t change the fact that he had communicated some good things to a great number of receptive people. Billing went to jail, but no one ever arrested the good things he had released. And it doesn’t matter much that his mo­tive was impure. He used good material and some of it stuck. I use Billing only as an outrageous example. The honest preachers had energy and go. They fought the devil, no holds barred, boots and eye-gouging per­mitted. You might get the idea that they howled truth and beauty the way a seal bites out the National An­them on a row of circus horns. But some of the truth and beauty remained, and the anthem was recogniza­ble. The sects did more than this, though. They built the structure of social life in the Salinas Valley. The church supper is the grandfather of the country club, just as the Thursday poetry reading in the basement under the vestry sired the little theater.

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