East of Eden by John Steinbeck

“I don’t want to do it,” said Adam.

“After a while,” said Cyrus, “you’ll think no thought the others do not think. You’ll know no word the others can’t say. And you’ll do things because the oth­ers do them. You’ll feel the danger in any difference whatever—a danger to the whole crowd of like-thinking, like-acting men.”

“What if I don’t?” Adam demanded.

“Yes,” said Cyrus, “sometimes that happens. Once in a while there is a man who won’t do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They’ll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can’t finally give in, they’ll vomit you up and leave you stinking outside—neither part of themselves nor yet free. It’s better to fall in with them. They only do it to protect themselves. A thing so triumphantly illogical, so beautifully senseless as an army can’t allow a question to weaken it. Within itself, if you do not hold it up to other things for comparison and derision, you’ll find slowly, surely, a reason and a logic and a kind of dreadful beauty. A man who can accept it is not a worse man always, and sometimes is a much better man. Pay good heed to me for I have thought long about it. Some men there are who go down the dismal wrack of soldiering, surrender themselves, and become faceless. But these had not much face to start with. And maybe you’re like that. But there are others who go down, submerge in the common slough, and then rise more themselves than they were, because—because they have lost a littleness of vanity and have gained all the gold of the company and the regiment. If you can go down so low, you will be able to rise higher than you can conceive, and you will know a holy joy, a companionship almost like that of a heavenly company of angels. Then you will know the quality of men even if they are inarticulate. But until you have gone way down you can never know this.”

As they walked back toward the house Cyrus turned left and entered the woodlot among the trees, and it was dusk. Suddenly Adam said, “You see that stump there, sir? I used to hide between the roots on the far side. After you punished me I used to hide there, and sometimes I went there just because I felt bad.”

“Let’s go and see the place,” his father said. Adam led him to it, and Cyrus looked down at the nestlike hole between the roots. “I knew about it long ago,” he said. “Once when you were gone a long time I thought you must have such a place, and I found it because I felt the kind of place you would need. See how the earth is tamped and the little grass is torn? And while you sat in there you stripped little pieces of bark to shreds. I knew it was the place when I came upon it.”

Adam was staring at his father in wonder. “You never came here looking for me,” he said.

“No,” Cyrus replied. “I wouldn’t do that. You can drive a human too far. I wouldn’t do that. Always you must leave a man one escape before death. Remember that! I knew, I guess, how hard I was pressing you. I didn’t want to push you over the edge.”

They moved restlessly off through the trees. Cyrus said, “So many things I want to tell you. I’ll forget most of them. I want to tell you that a soldier gives up so much to get something back. From the day of a child’s birth he is taught by every circumstance, by every law and rule and right, to protect his own life. He starts with that great instinct, and everything confirms it. And then he is a soldier and he must learn to violate all of this—he must learn coldly to put himself in the way of losing his own life without going mad. And if you can do that—and, mind you, some can’t—then you will have the greatest gift of all. Look, son,” Cyrus said earnestly, “nearly all men are afraid, and they don’t even know what causes their fear—shadows, perplexi­ties, dangers without names or numbers, fear of a faceless death. But if you can bring yourself to face not shadows but real death, described and recognizable, by bullet or saber, arrow or lance, then you need never be afraid again, at least not the same way you were before. Then you will be a man set apart from other men, safe where other men may cry in terror. This is the great reward. Maybe this is the only reward. Maybe this is the final purity all ringed with filth. It’s nearly dark. I’ll want to talk to you again tomorrow night when both of us have thought about what I’ve told you.”

But Adam said, “Why don’t you talk to my brother? Charles will be going. He’ll be good at it, much better than I am.”

“Charles won’t be going,” Cyrus said. “There’d be no point in it.”

“But he would be a better soldier.”

“Only outside on his skin,” said Cyrus. “Not inside, Charles is not afraid so he could never learn anything about courage. He does not know anything outside himself so he could never gain the things I’ve tried to explain to you. To put him in an army would be to let loose things which in Charles must be chained down, not let loose. I would not dare to let him go.”

Adam complained, “You never punished him, you let him live his life, you praised him, you did not haze him, and now you let him stay out of the army.” He stopped, frightened at what he had said, afraid of the rage or the contempt or the violence his words might let loose.

His father did not reply. He walked on out of the woodlot, and his head hung down so that his chin rested on his chest, and the rise and fall of his hip when his wooden leg struck the ground was monotonous. The wooden leg made a side semicircle to get ahead when its turn came.

It was completely dark by now, and the golden light of the lamps shone out from the open kitchen door. Alice came to the doorway and peered out, looking for them, and then she heard the uneven footsteps ap­proaching and went back to the kitchen.

Cyrus walked to the kitchen stoop before he stopped and raised his head. “Where are you?” he asked.

“Here—right behind you—right here.”

“You asked a question. I guess I’ll have to answer. Maybe it’s good and maybe it’s bad to answer it. You’re not clever. You don’t know what you want. You have no proper fierceness. You let other people walk over you. Sometimes I think you’re a weakling who will never amount to a dog turd. Does that answer your question? I love you better. I always have. This may be a bad thing to tell you, but it’s true. I love you better. Else why would I have given myself the trouble of hurting you? Now shut your mouth and go to your supper. I’ll talk to you tomorrow night. My leg aches.”

4

There was no talk at supper. The quiet was disturbed only by the slup of soup and gnash of chewing, and his father waved his hand to try to drive the moths away from the chimney of the kerosene lamp. Adam thought his brother watched him secretly. And he caught an eye flash from Alice when he looked up suddenly. After he had finished eating Adam pushed back his chair. “I think I’ll go for a walk,” he said.

Charles stood up. “I’ll go with you.”

Alice and Cyrus watched them go out the door, and then she asked one of her rare questions. She asked nervously, “What did you do?”

“Nothing,” he said.

“Will you make him go?”

“Yes.”

“Does he know?”

Cyrus stared bleakly out the open door into the darkness. “Yes, he knows.”

“He won’t like it. It’s not right for him.”

“It doesn’t matter,” Cyrus said, and he repeated loudly, “It doesn’t matter,” and his tone said, “Shut your mouth. This is not your affair.” They were silent a moment, and then he said almost in a tone of apology, “It isn’t as though he were your child.”

Alice did not reply.

The boys walked down the dark rutty road. Ahead they could see a few pinched lights where the village was.

“Want to go in and see if anything’s stirring at the inn?” Charles asked.

“I hadn’t thought of it,” said Adam.

“Then what the hell are you walking out at night for?”

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