Bond went to his suitcase and took out a thick book – The Bible Designed to be Read as Literature- opened it and extracted his Walther PPK in the Berns Martin holster. He slipped the holster inside his trouser band to the left. He tried one or two quick draws. They were satisfactory. He closely examined the geography of his suite, on the assumption that it would be exactly similar to the Hawaii. He visualized the scene that would almost certainly greet him when he came through the door of the suite downstairs. He tried his pass-key in the various locks and practised opening the doors noiselessly. Then he pulled a comfortable chair in front of the open balcony door and sat and smoked a cigarette while he gazed out across the sea and thought of how he would put things to Goldfinger when the time came.
At three-fifteen, Bond got up and went out on to the balcony and cautiously looked down at the two tiny figures across the square of green baize. He went back into the room and checked the exposure meter on the Leica. The light was the same. He slipped on the coat of his dark blue tropical worsted suit, straightened his tie and slung the strap of the Leica round his neck so that the camera hung at his chest. Then, with a last look round, he went out and along to the elevator. He rode down to the ground floor and examined the shop windows in the foyer. When the elevator had gone up again, he walked to the staircase and slowly climbed up two floors. The geography of the second floor was identical with the twelfth. Room 200 was where he had expected it to be. There was no one in sight. He took out his pass-key and silently opened the door and closed it behind him. In the small lobby, a raincoat, a light camel-hair coat and a pale grey Homburg hung on hooks. Bond took his Leica firmly in his right hand, held it up close to his face and gently tried the door to the sitting-room: It was not locked. Bond eased it open.
Even before he could see what he expected to see he could hear the voice. It was a low, attractive, girl’s voice, an English voice. It was saying, ‘Drew five and four. Completed canasta in fives with two twos. Discarding four. Has singletons in king’s, knaves, nines, sevens.’
Bond slid into the room.
The girl was sitting on two cushions on top of a table which had been pulled up a yard inside the open balcony door. She had needed the cushions to give her height. It was at the top of the afternoon heat and she was naked except for a black brassiere and black silk briefs. She was swinging her legs in a bored fashion. She had just finished painting the nails on her left hand. Now she stretched the hand out in front of her to examine the effect. She brought the hand back close to her lips and blew on the nails. Her right hand reached sideways and put the brush back in the Revlon bottle on the table beside her. A few inches from her eyes were the eyepieces of a powerful-looking pair of binoculars supported on a tripod whose feet reached down between her sunburned legs to the floor. Jutting out from below the binoculars was a microphone from which wires led to a box about the size of a portable record player under the table. Other wires ran from the box to a gleaming indoor aerial on the sideboard against the wall.
The briefs tightened as she leant forward again and put her eyes to the binoculars. ‘Drew a queen and a king. Meld of queens. Can meld kings with a joker. Discarding seven.’ She switched off the microphone.
While she was concentrating, Bond stepped swiftly across the floor until he was almost behind her. There was a chair. He stood on it, praying it wouldn’t squeak. Now he had the height to get the whole scene in focus. He put his eye to the viewfinder. Yes, there it was, all in line, the girl’s head, the edge of the binoculars, the microphone and, twenty yards below, the two men at the table with Mr Du Font’s hand of cards held in front of him. Bond could distinguish the reds and the blacks. He pressed the button.